Agon– the complete ballet with the original cast featuring Diana Adams, Todd Bolender, Jillana, Arthur Mitchell, Richard Rapp, Francia Russell, Roy Tobias, and Violette Verdy. Continue reading
Anthony Brown is a brilliant singer, songwriter, choir director and vocal arranger with writing credits for songs recorded by Maurette Brown Clark and Stephen Hurd along with being the vocal director for BET s Celebration of Gospel for 2006 & 2007. Continue reading
By Walter Rutledge
Arthur Mitchell: Harlem’s Ballet Trailblazer will open at Columbia’s Miriam and Ira D. Wallach Art Gallery, 615 W 129th St, on Saturday January 13, 2018. The exhibit is presented in collaboration with Columbia’s Rare Book & Manuscript Library, where Mitchell donated his archive in 2015. This is the first major exhibition devoted to celebrating the life and accomplishments of New York City Ballet’s first African American principal dancer and the co-founder and longtime director of the Dance Theatre of Harlem. Curated by Lynn Garafola, Professor Emerita of Dance, Barnard College the collection will be on view through March 11, 2018
“This exhibition pays homage both to Mitchell’s creative magic and to his visionary achievements, revealing to those who never saw him dance his charismatic stage presence and the full scope of his career as an artist,” said Garafola. “At the same time, it places the Dance Theatre of Harlem, which he co-founded and directed for more than 40 years, at the crossroads of political, artistic and racial change in the United States and beyond.”
Arthur Mitchell: Harlem’s Ballet Trailblazer will feature objects from Mitchell’s archive, including the telegram from Lincoln Kirstein to Mitchell inviting him to join the New York City Ballet, an Al Hirschfeld drawing of Suzanne Farrell and Mitchell in Balanchine’s Slaughter on Tenth Avenue, Mitchell’s 1952 Four Saints in Three Acts souvenir program and posters from the 1961 Spoleto Festival, where Mitchell both choreographed and performed.
Other highlights are photographs of Mitchell and fellow dancers by Anthony Crickmay, Peter Basch, Martha Swope and Antony Armstrong-Jones (Lord Snowdon), and an eight-foot-long Dance Theatre of Harlem puzzle, created by Frank Bara in 1991, that chronicles the first two decades of the company’s history with illustrative detail of its artists, heroes and friends. Dancer Charmaine Hunter’s costume and headpiece designed by Geoffrey Holder for Firebird (1982), one of Dance Theatre of Harlem’s signature works, will be on view, as well as performance footage from a number of sources including the New York Public Library’s Jerome Robbins Dance Division.
Dance Pioneer Arthur Mitchell
“I am a political activist through dance,” said Mitchell, who received a Doctorate of Humane Letters from Columbia in May of 2016. “I believe that dance, and the arts more broadly, can be used as a catalyst for social change—this is why I started the Dance Theatre of Harlem. With my archive at Columbia, artifacts of American dance history and African American history are accessible to young scholars, academics and the general public. The exhibition at the Wallach Gallery will further this push for change.”
The Wallach Art Gallery advances Columbia’s historical, critical and creative engagement with the visual arts. Serving as both a laboratory and a forum, the Wallach offers opportunities for curatorial practice and discourse, while bridging the diverse approaches to the arts at the University with a welcome broader public. Gallery hours are Wednesday through Friday, noon until 8pm and Saturday and Sunday, noon until 6 pm. The Wallach Art Gallery is free and open to the public.
“Our grand re-opening year at the Lenfest Center for the Arts is the perfect opportunity to celebrate Mitchell’s artistic genius, through the holdings of Columbia’s Rare Book & Manuscript Library. The Wallach is proud to collaborate on this presentation, offering a glimpse of these treasures to the public, while also appealing to those interested in the history of ballet, the history of Harlem and, more broadly, modern American race relations,” said Deborah Cullen, Director and Chief Curator of the Wallach Art Gallery.
For more information about the Wallach Art Gallery and the Arthur Mitchell: Harlem’s Ballet Trailblazer exhibition and related events including: An Afternoon with Arthur Mitchell (January 20, 2018, 1pm) and Panel Discussion with former dancers from the Dance Theatre of Harlem (February 24, 2018, 1pm) visit wallach.columbia.edu.
To watch the complete Agon featuring the original cast click below
Seafood spaghetti, known as tallarines con mariscos or tallarin marinero in Latin America, is a perfect example of the fusion of Italian food in Latin America. This easy dish is the perfect stay at home Sunday brunch. Continue reading
“La Sape” is a unique movement based in Congo that unites fashion-conscious men who are ready to splurge money they don’t really have on designer clothes. Dressing in stark contrast with their surroundings, these elegant ambiance-makers become true local celebrities… but this fame comes at a price. Continue reading
Balenciaga Menswear designer Demna Gvasalia professed to wanting his latest collection to seem almost as if the family involvement was sheer happenstance, hardly fashion at all. “There is nothing more beautiful than seeing young dads with their kids,” he said. “This collection began with looking at a lot of pictures of them.” The casting wasn’t difficult, he added. “We just asked our usual models whether they had kids.” Continue reading
The Dolce & Gabbana Spring/Summer 2018 Beauty look, presented on September 24 at Milan Fashion Week, was inspired by the Queen of Hearts. Continue reading
By Adewale Adekanbi Jr
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By Adewale Adekanbi Jr
Lamborghini Countach is a rear mid engined,V12 Sportscar produced by Italian car manufacturer Lamborghini from 1974 to 1990. It is one of the exotic designs conceptualized by Italian Design house Bertone, which pioneered and popularized the sharply angled Italian Wedge design language. Continue reading
Manon, choreographed by Sir Kenneth MacMilan, was his second three-act ballet as artistic director of the Royal Ballet. He based his scenario on the 1731 novel by the Abbé Prévost, L’Histoire du Chevalier des Grieux et de Manon Lescaut. MacMilan had chosen Antoinette Sibley as Manon and Anthony Dowell as Des Grieux, giving them both a copy of Prévost’s novel to read in preparation for their roles. Continue reading