1/18/16 O&A NYC REVIEW: newsteps: a choreographer’s series

By Walter Rutledge

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newsteps: a choreographer’s series presented by the Chen Dance Center showcased the work of five emerging dance makers in three performance, Thursday January 14 through Saturday January 16. The showcased marked the 22nd consecutive year of bi-annual performances that support the creative process defined by Doris Humphrey as “The art of making dances”. The juried series provides rehearsal space, mentoring, technical support, and a small stipend that culminates with multiple public performances.

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What We’re In Now by Hannah Garner got the evening off on a strong note. Set to the music of Italian film composer and pianist Armando Trovajoli, the duet opened with a seated Garner and Will Noling. Right from the beginning the dancers established a persona that clearly communicated to the audience.

The ensuing movement conversation ranged from contemplative to humorous. The couple, clearly in a relationship, exuded a humanistic honesty that endeared them to the audience. The quirky partnering defied convention becoming integral to the choreographer’s vocabulary.

Ayaka Kamei presented a solo entitled Stay with Me with music by Oda Kazumasa and Zoe Keating. The the amber lighting, jewelry box music and dancer Seneca Lawrence’s pixie-like approach created an air of early morning lightness. Lawrence lulled the audience into a false sense of easiness until a siren and a stage washed in red light interrupted her somnambulism. The work culminates with Lawrence returning to her opening demeanor in repose.

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The Scar by Laura Henry featured a quintet clad in distressed khaki shorts and torn tops, which reminisced television’s Survivor, set in Scythia (the land of the Amazons). The angular arms adorned deep plies in second position, and counterbalanced a barrage of a la seconde battlements and athletic jumps. The worked ended with a solo dancer sequestered in a center stage downspot slowly descending in darkness.

Takeshi Ohashi’s textural duet The time presented a multi-faceted relationship performed by Maki Shinagawa and Vivake Khamsingavath. The work opened with Shinagawa slowly walking downstage left balancing an apple on the head of a crouching Khamsingavath. Eventually Khamsingavath sat downstage right and begins to peel the apple.

Throughout the duet Ohashi displayed strong choreographic form showering us with focused imagery that extended beyond elementary poses. One example, a movement passage void of physical contact; then the duet exploded in a flurry of lifts. The “partnering abstinence” made the proceeding section of lifts extremely powerful. The work ended with Khamsingavath now leading a couching Shinagawa upstage. The role reversal produced a clever new perspective to the movement and an unexpected plot twist.

The evening concluded with Quiet, a quartet featuring Elliott Keller, Sarina Taggart, Fola Walker and choreographer Gina Montalto. The work offered good spatial relationships with a strong reliance on symmetry. Montalto displayed good form with quick movement passages that retreated into stillness providing a fitting contrast to the music.

The skyrocketing cost of retail rentals space has forced many non-profit organizations to become homeless. This makes the efforts of organizations like Chen Dance Center not only commendable, but also necessary. newsteps: a choreographer’s series continues the time-honored tradition of nurturing the next generation of choreographers. The next series scheduled for May 19 through May 21 will begin accepting candidates for auditions on February 2. For more information about the newsteps: a choreographer’s series and Chen Dance Center’s other programs visit chendancecenter.org.

 

 

 

 

 

 

 

1/15/16 O&A NYC Shall We Dance Friday: Michaela DePrince

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Michaela DePrince has gone from war orphan to a globally recognized dancer. Her undeniable talent has lead this baby ballerina to American Ballet Theatre, Dance Theatre of Harlem, and the Dutch National Ballet.  Continue reading

1/13/16 O&A NYC REVIEW: Daniil Simkin’s Intensio

By Walter Rutledge

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Daniil Simkin’s Intensio had their inaugural New York City season January 5 through January 10 at the Joyce Theater. Simkin presented a stylistically diverse audience friendly program, featuring four works by four internationally recognized choreographers. The company of nine highly trained professionals performed with impressive technical prowess that was only surpassed by the high level of artistry.

The program opened with Jorma Elo’s trio Nocturne/Etude/Prelude featuring Danili Simkin, Isabella Boylston and James Whiteside; with live piano accompaniment by David Friend. Boylston danced with exceptional assuredness, combining quirky circular arm movements with impeccable line and a crystalline attack. The work faired better when the choreography broke from the classical/ballet conventions of arabesque, attitude and pirouette and allowed the performers to just dance. Elo captured the mood and temperament of each section and the clean bright lighting complimented the choreography and the performers.

Welcome A Stranger by Gregory Dolbashian set to a music collage (including mixes by Dolbashian) presented a quintet featuring Celine Cassone, Blaine Hoven, Alexandre Hammond, Calvin Royal III, and Cassandra Trenary. The dark and introspective contemporary ballet was the only work set off pointe, which gave the dancers an opportunity to work through a more grounded center of gravity. Designed in three sections, the work was an excellent vehicle for guest artist Celine Cassone; whose fiery red hair matched her onstage temperament.

Simkin and the City, an amusing short film by Alexander Ekman, had Simkin dancing through Manhattan en route to the Metropolitan Opera House in Lincoln Center. Dressed in princely attire consisting white tights, ballet slippers and a white jeweled tunic; the farce drew laughter from the audience as Simkin entertained passers-by and a barking dog (it’s amazing how much New Yorkers and their pets take for granted). He finally arrives at the Met only to find the front doors locked.

"Simkin and the Stage"  /Alexander Ekman / Daniil Simkin’s INTENSIO

The second part Simkin and the Stage featured home movie footage of a young Simkin (starting at age nine) receiving dance class from his mother in their apartment. The serious, almost stoic child with the page-boy haircut looked more duty-bound than joyous. The adult Simkin danced onstage to a combination of music and a recorded narrative of his own voice. Throughout the work Simkin’s narration directed his dancing autobiography ranging from comedic to poignant.

The final work Island Of Memories by Annabelle Lopez Ochoa began with Simkin lying on the stage while an ocean of whirling light slowly rolled across the stage like an ebbing high tide. Lighting designer Dmitrij Simkin (Daniil’s father) using infrared sensors to track the heat of the dancer’s footwork illuminating the performers’ path with every step. Set to Vivaldi’s The Four Seasons the full ensemble work lived up to Daniil Simkin’s objective of marrying dance and technology.

The simple, but effective stage set consisting of rectangular mirrors suspended above the stage provided another visual perspective to the work; creating the illusion of viewing the dance from the orchestra and balcony simultaneously. The duel perspective revealed the choreographer’s visual intent and the pattern work/stagecraft from above. American Ballet Theatre dancer Hee Seo performed with notable abandon especially in the duet with fellow ABT member Calvin Royal III.

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Daniil Simkin’s Intensio bridges the artistic gap between traditional and contemporary ballet; and the company accomplishes this goal without sacrificing artistic integrity. The company made its first leap into the New York City dance arena offering good form and a lot of fun. Simkin embraces the idea that dance, especially ballet, can be innovative and entertaining. 

1) Isabella Boylston and Alexandre Hammoudi – Image by Paula Lobo

2) Daniil Simkin – Image by Yi-Chun Wu

3) Céline Cassone and Calvin Royal III – Image by Paula Lobo

      

 

 

 

 

 

 

 

 

 

 

 

1/8/16 O&A NYC Song Of The Day: Prince Royce – Back It Up featuring Jennifer Lopez and Pitbull

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Prince Royce’s music video for “Back It Up” features two of today’s biggest names in music: Jennifer Lopez and Pitbull. In the video released on VEVO, Royce (né Geoffrey Royce Rojas) becomes infatuated with the curvaceous Latina when they make eye contact while poolside in Miami. From the looks of it, she’s interested in him, too. Pitbull is seen having a great time dancing with beautiful women, finding time to donate a verse with advice to the lovestruck Romeo. Continue reading

1/8/16 O&A NYC SHALL WE DANCE FRIDAY: Pas de Quatre’ – Alicia Alonso, Carla Fracci, Ghislaine Thesmar and Eva Evdokimova

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Pas de Quatre, originally choreographed by Jules Perrot in 1846 to music by Cesare Pugni, caused a sensation with both critics and public at its London premiere in 1847. One reason for its success was that it brought together four of the greatest ballerinas of the time. In order of appearance in the work, the ballerinas were Lucile Grahn, Carlotta Grisi, Fanny Cerrito, and Marie Taglioni, with this order being according to age. This cast only performed four times together.  Continue reading

1/5/16/ O&A NYC DANCING INTO 2016: The Legion of Extraordinary Dancers- The Dark Doctor Deal- Episode 7

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O&A NYC Magazine continues to present the Legend of Extraordinary Dancers series, commonly called The LXD, the web series from 2010- 2011. The good versus evil dance series features two groups of rival dancers: The Alliance of the Dark the villains and The Legion of Extraordinary Dancers, the heroes, who discover they have superpowers referred to as “the Ra” through their dance abilities. Continue reading