Dracula: Pages from a Virgin’s Diary– a ballet rendition of Bram Stoker’s gothic novel Dracula performed by the Royal Winnipeg Ballet. The work was filmed in a style reminiscent of the silent expressionistic cinema of the early 20th century. Continue reading
StepUp 3D- Robo Dance (First Battle) is an awesome dance scene from “Mad” Chadd Smith. Continue reading
Rudolph Nureyev as Valentino- the world’s greatest lover dances the tango with the world’s greatest male dancer. Continue reading
Maximillian (Eddie Murphy) is the only survivor from a race of vampires on a Caribbean Island, and as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a woman who had a vampire father, and he searches for her (Angela Bassett) in Brooklyn. Continue reading
London-based director Andrew Margetson follows Memphis-born jookin’ dancer Lil Buck as he twists and turns past masterpieces by the likes of Picasso and Matisse to mark the current exhibition at Fondation Louis Vuitton in Paris, Icons Of Modern Art: The Shchukin Collection. Continue reading
Frenel Morris (a Miliner/Father) Terence Nance (Director) Chanelle Aponte Pearson (Producer) Shawn Peters (Photography) Storyboard P. & Daphe Lee (Dancers) Nelson Mandela Nance (aka Norvis Junior) (Editor). Continue reading
All That Jazz is the semi-autobiographical fantasy film based on aspects of Bob Fosse’s life and career as dancer, choreographer and director. The musical film was directed by Bob Fosse with screenplay by Robert Alan Aurthur and Fosse.
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Chocolate City (2015) stars Robert Ri’ chard, Michael Jai White, Carmen Electra and Vivian Fox. Continue reading
Gay Like Me is a documentary short that explores issues of masculinity, stigma and sefl acceptance among black gay men. Continue reading
Gay Like Me is a documentary short that explores issues of masculinity, stigma and sefl acceptance among black gay men. Continue reading
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
FrankieFridays at The Happiness Lounge, 1458 St. Johns Place (bet. Utica Avenue and Rochester Avenue, Brooklyn), presents legendary DJ Frankie Paradise spinning House Soulful Classic every Friday.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Bear Mountain Full-Day Cruise is a leisurely cruise up the Hudson River to gorgeous Bear Mountain State Park. After a 2.5-hour cruise, you'll have three hours to explore the park's natural beauty, abundant hiking trails and zoo. On the way back, join the onboard Oktoberfest complete with craft beer, German food and live music. Boat leaves from Pier 84 555 12th Avenue at 44th street at 12 noon on weekends through November 11th, 2018. For a complete schedule and tickets call (212) 627- 2020.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Join J CHEN PROJECT in an evening celebrating 10 Years as a Modern Dance Company in New York City. Performances will include repertory from the past decade, new works, and a World Premiere of “Before You Fly” at Ailey Citigroup Theater, 405 West 55th Street
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Bear Mountain Full-Day Cruise is a leisurely cruise up the Hudson River to gorgeous Bear Mountain State Park. After a 2.5-hour cruise, you'll have three hours to explore the park's natural beauty, abundant hiking trails and zoo. On the way back, join the onboard Oktoberfest complete with craft beer, German food and live music. Boat leaves from Pier 84 555 12th Avenue at 44th street at 12 noon on weekends through November 11th, 2018. For a complete schedule and tickets call (212) 627- 2020.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Luna VS lady Gutta, Legacy VS Dice, Element Vs Bless,Join J CHEN PROJECT in an evening celebrating 10 Years as a Modern Dance Company in New York City. Performances will include repertory from the past decade, new works, and a World Premiere of “Before You Fly” at Ailey Citigroup Theater, 405 West 55th Street
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
FrankieFridays at The Happiness Lounge, 1458 St. Johns Place (bet. Utica Avenue and Rochester Avenue, Brooklyn), presents legendary DJ Frankie Paradise spinning House Soulful Classic every Friday.
