Glory performed by Karen Clark Sheard and the Sphinx Symphony Orchestra featuring Jessica Care Moore, and the University of Michigan Men’s Glee Club. Continue reading
Glory performed by Karen Clark Sheard and the Sphinx Symphony Orchestra featuring Jessica Care Moore, and the University of Michigan Men’s Glee Club. Continue reading
Bobby McFerrin performs 23rd Psalm featuring SLIXS & Friends, live in Gdansk, Poland at the Solidarity of Arts Festival, 17 August 2013. Continue reading
When Sunday Comes performed by Daryl Coley was featured on Donald Lawrence’s 1995 gospel narrative album Bible Stories (1995). Continue reading
Richard Smallwood’s Calvary, led by Maurette Brown Clark, Darlene Simmons, and Carolene Hatchet, combines good compositional form with strong dramatic narrative elements creating a true gospel classic.
Revelations tells the story of African-American faith and tenacity from slavery to freedom. This enduring classic is a tribute to that tradition, born out of the choreographer Alvin Ailey’s “blood memories” of his childhood in rural Texas and the Baptist Church. Continue reading
Dottie Peoples has been a star in the gospel music industry for more than 30 years, since she was nine years old. Called the Songbird of the South by Atlanta WAOK radio announcer Brother Esmond Patterson, Peoples won the top four honors at the 1995 Stellar Awards with her album, On Time God. Continue reading
Mahalia Jackson sings How Great Thou Art. From her first million-copy seller in 1946 until her death in 1972 Mahalia Jackson (born 1911) was the face and voice of gospel music for millions around the world. These television appearances from 1957 to 1962 catch her at her vocal and interpretive peak. Continue reading
Tamela Mann sings God Provides (Live) the sophomore single from her 2016 album release, One Way. Continue reading
(Ain’t Gonna let Nobody) Turn Me Round performed by The Freedom Singers at the White House Celebration of Music from the Civil Rights Movement.
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Talley Beatty choreographed and performed Mourner’s Bench in 1947. It represents the anguish and loss for former slaves, now free men, killed during the Reconstruction Era at the beginning of the rise of the Klu Klux Klan. Beatty explained to me, “People were murdered by the Klan and at daybreak their relatives would find their bodies in the fields still covered in the morning dew.”