3/22/20 O&A NYC GOSPEL SUNDAY: Alvin Ailey’s Cry With Yolanda Adams and Jacqueline Green (Black Girls Rock 2018)

Alvin Ailey American Dance Theater dancer and Baltimore School for the Arts alumna Jacqueline Green ’07 performs Ailey’s iconic solo Cry (1972).  Continue reading

2/28/20 O&A NYC SHALL WE DANCE FRIDAY: Mourner’s Bench- Talley Beatty Choreographer

mourn2Talley Beatty choreographed and performed Mourner’s Bench in 1947. It represents the anguish and loss for former slaves, now free men, killed during the Reconstruction Era at the beginning of the rise of the Klu Klux Klan. Beatty explained to me, “People were murdered by the Klan and at daybreak their relatives would find their bodies in the fields still covered in the morning dew.”

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2/14/20 O&A NYC SHALL WE DANCE FRIDAY- CELEBRATING BLACK HISTORY MONTH: Rainbow Round My Shoulder- Donald McKayle with Mary Hinkson

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Donald McKayle’s 1959 masterwork, Rainbow Round My Shoulder, is acclaimed as a modern dance classic. A searing dramatic narrative, it is set on a chain gang in the American south where prisoners work, breaking rock from “can see to can’t see.” Their aspirations for freedom come in the guise of a woman, first as a vision then as a remembered sweetheart, mother, and wife. The songs that accompany their arduous labor are rich in polyphony and tell a bitter, sardonic, and tragic story. It was created for the Donald McKayle Dance Company, and has been in the repertoire of the Alvin Ailey American Dance Theater, Batsheva Dance Company and Dayton Contemporary Dance, among others. The cast in the video excerpt includes Donald McKayle and Mary Hinkson. Continue reading

1/25/20 O&A NYC SATURDAY MORNING CONCERT- DANCE: City of Rain by Camille A. Brown

 

City of Rain by choreographer  Camille A. Brown performed by the Mason Gross School of the Arts at Rutgers University (2015). Continue reading

12/28/19 O&A NYC DANCE REVIEW: Fandango- Pure Magic

By Walter Rutledge 

Actress, author and burlesque entertainer Gyspy Rose Lee once said, “If a thing is worth doing, it worth doing slowly… very slowly”. Fandango by choreographer Lar Lubovitch embodies Lee’s philosophy and more. Instead of flashy flurries of movement, the sensual duet performed by Danica Paulos and Clifton Brown; and set to Maurice Ravel’s contemporary classic chestnut Bolero, smoldered with a steady and intense heat. Continue reading

12/8/19 O&A NYC DANCE: A Conversation With Yannick LeBrun- Ailey’s Danseur Noble

By Walter Rutledge 

A danseur noble is a male dancer who projects great nobility of character. A dancer who performs at the highest theatrical level combining exceptional grace, technique and strength. In a prior review I referred to Ailey principal dancer Yannick LeBrun as a danseur noble. It was not one performance or one season that brought me to that conclusion, but a career collective. Continue reading

12/6/19 O&A NYC SHALLL WE DANCE FRIDAY: Momix Performs Fandango- Choreographer Lar Lubovitch

Set to Maurice Ravel’s classic Bolero Momix dancers Mia Babalis and Sylvaine Lafortune perform choreographer Lar Lubovitch’s Fandango directed by Barbara Willis Sweete with conductor Charles Dutoit. 
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12/3/19 O&A NYC DANCE: Meet Alice Halter- newsteps a choreographers showcase

The fall 2019 newsteps: a choreographers series presented by the Chen Dance Center, 70 Mulberry Street 2nd floor in historic Chinatown, will take place December 5 through December 7; 7:30pm. The series will showcase the works of six emerging choreographers Jessica Alexander & Madison Doyle, Caitlin Javech, Amanda Spilinga, Alice Halter, Catherine Eng and Susanne McHugh. These artists were selected by a panel of established dance makers and provided rehearsal space, mentoring and performance opportunities. The newsteps series offers three performances for an intimate audience of approximately 100 people.  Continue reading

11/28/19 O&A NYC DANCE: A Conversation With Khalia Campbell- Her Journey Continues

By Walter Rutledge 

In the early 2000’s the Uptown Dance Academy was located in the large loft space above a discount department store in East Harlem. After climbing the steep double flight of stairs, I met a  group of young dancers warming up in a small subdivided studio. Director Robin Williams introduced me to the cherubic faced girls and boys; whose youthful exuberance and joy of endless possibilities filled the room. Williams and I had a brief conversation, which ended in a private joke. In the corner a girl stretching on the floor responded to my comment with a hearty “ole soul” laugh; that doe-eyed precocious eleven-year old was Khalia Campbell. Continue reading

12/23/19 O&A NYC DANCE: A Conversation With Masazumi Chaya- The Golden Age Of Ailey

By Walter Rutledge

Masazumi Chaya, affectionately called Chaya, has been a part of Ailey organization for almost half a century. Chaya joined the Alvin Ailey American Dance Theater in 1972 during an era we refer to as the Golden Age of Ailey. During Chaya’s fifteen years as an Ailey dancer he distinguished himself as an intense performer; who excited audience with an almost effervescent abandon. Continue reading