Tamia Marilyn Hill known professionally as Tamia, is a Canadian born singer-songwriter. Tomorrow written by Carvin Lawrence Winans and Deborah Kerr Winans and appears on her third studio album More (2004). It was originally scheduled (and titled Still) for a 2003 release but was later delayed due to Tamia’s multiple sclerosis diagnosis. Tamia peformed to the song a few years earlier and performed it in 2001 on the BET. Continue reading
Somebody’s Watching Me by Rockwell, released by the Motown label on January 14, 1984, as the lead single from his debut studio album of the same name. Rockwell’s debut single release, the song features guest vocals by brothers Michael Jackson (in the chorus) and Jermaine Jackson (additional backing vocals). Continue reading
T.I. is going directly after President Trump and the First Lady with a salacious video of a Melania look-alike stripping in the Oval Office.
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Excuse Me Miss is a release by Jay Z. It released as a single for his seventh studio album The Blueprint 2: The Gift & The Curse.It was also co-written and produced by The Neptunes, whose Pharrell Williams sings the hook is a Falsetto voice. Continue reading
In a recent interview published Thursday by Billboard, the singer, songwriter, actress, director and film producer said that she felt that it was time to put her political beliefs into her music. Continue reading
Africa, the continent with rich and diverse cultures and traditions, and one of the more fun and vibrant traditions is dance. Dance has been one of many forms of expression, storytelling and enjoyment across the continent, and alongside traditional dances, so here are the 10 Most Popular African Dance Styles. Continue reading
Mahalia Jackson sings How Great Thou Art. From her first million-copy seller in 1946 until her death in 1972 Mahalia Jackson (born 1911) was the face and voice of gospel music for millions around the world. These television appearances from 1957 to 1962 catch her at her vocal and interpretive peak. Continue reading
Major Lazer is an electronic dance trio, which includes Diplo, DJ Jillionaire and Walshy Fire. It was founded in 2008 by Diplo and Switch, with Switch leaving after three years in 2011. He was then replaced by both Jillionaire and Walshy Fire. Continue reading
Matthew Bourne’s Swan Lake was first staged at Sadler’s Wells Theatre in London in 1995. The longest running ballet in London’s West End and on Broadway, it has been performed in the UK, Los Angeles, Europe, Russia, Australia, South Korea, Japan, Israel and Singapore. Continue reading
StepUp 3D- Robo Dance (First Battle) is an awesome dance scene from “Mad” Chadd Smith. Continue reading
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
FrankieFridays at The Happiness Lounge, 1458 St. Johns Place (bet. Utica Avenue and Rochester Avenue, Brooklyn), presents legendary DJ Frankie Paradise spinning House Soulful Classic every Friday.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Bear Mountain Full-Day Cruise is a leisurely cruise up the Hudson River to gorgeous Bear Mountain State Park. After a 2.5-hour cruise, you'll have three hours to explore the park's natural beauty, abundant hiking trails and zoo. On the way back, join the onboard Oktoberfest complete with craft beer, German food and live music. Boat leaves from Pier 84 555 12th Avenue at 44th street at 12 noon on weekends through November 11th, 2018. For a complete schedule and tickets call (212) 627- 2020.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Bear Mountain Full-Day Cruise is a leisurely cruise up the Hudson River to gorgeous Bear Mountain State Park. After a 2.5-hour cruise, you'll have three hours to explore the park's natural beauty, abundant hiking trails and zoo. On the way back, join the onboard Oktoberfest complete with craft beer, German food and live music. Boat leaves from Pier 84 555 12th Avenue at 44th street at 12 noon on weekends through November 11th, 2018. For a complete schedule and tickets call (212) 627- 2020.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
Maren Hassinger: Monuments consists of eight site-specific sculptures installed for approximately one year (through June 10, 2019) in Marcus Garvey Park (Madison Avenue between 120th and 124th Streets), beginning in June 2018. Hassinger, who has been associated with the Studio Museum since 1984, is a Harlem-based multidisciplinary artist whose work, spanning performance, installation, sculpture, and video, are often meditations on nature and community. Working in the tradition of her earlier projects such as Wreath (1979), Hassinger uses branches to create forms that respond to aspects of the park’s landscape—an outcropping of rock, a triangle near flower beds, an oval near the pool. The artist created the works with the assistance of volunteers from the Studio Museum’s Teen Leadership Council and Expanding the Walls program, so that Monuments is a project made in Harlem and for Harlem.
Judson Dance Theater: The Work Is Never Done at The Museum of Modern Art (through February 3, 2019) in the Donald B. and Catherine C. Marron Atrium is organized into multiple-week segments, each of which focuses on the work of one artist: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton and Trisha Brown. Additionally, a video installation edited by the artist Charles Atlas and related to the work of the choreographers featured in the performance program will be on view. Including footage of both individual and group pieces made during the Judson era and after, Atlas’s installation emphasizes the relationship of the soloist to the ensemble and shows how Judson influenced the later careers of these artists. In the final weeks of the exhibition, Movement Research, an organization with a direct lineage to Judson, will hold classes and workshops.
Constantin Brancusi Sculpture: The Films at the Museum of Modern Art (through Feb. 18) celebrates MoMA’s extraordinary holdings—11 sculptures by Brancusi will be shown together for the first time, alongside drawings, photographs, and films. A selection of never-before-seen archival materials shed light on his relationships with friends, sitters, and patrons, including this Museum. What emerges is a rich portrait of an artist whose risk-taking and inventive approach to form changed the course of the art that followed.
Firelei Báez continues the artist’s longstanding interest in representations of women, particularly Afro-Caribbean/Afro-Latina women in visual culture and history. In this exhibition, Báez features women whose legacies are preserved and maintained by the archives of the Schomburg Center for Research in Black Culture, reimagining them in conversation through imaginative portraits that incorporate materials such as reproductions of archival photographs, notes, diaries, letters, and manuscripts.
The Jim Henson Exhibition features a broad range of objects from throughout his remarkable career. It reveals how Henson and his team of builders, performers, and writers brought to life the enduringly popular worlds of The Muppet Show, the Muppet movies, Sesame Street, Fraggle Rock, The Dark Crystal, and Labyrinth. It also includes material from Henson’s experimental film projects and his early work, presenting him as a restlessly creative performer, filmmaker, and technical innovator. This is an ongoing exhibit at the Museum of the Moving Image.
