Louis Johnson’s passing marks the end of an era in Black dance. Johnson was the last of the of his generation of 20th century American choreographers of African descent and International renowned. His contemporaries, Alvin Ailey, Talley Beatty, Geoffrey Holder, Donald McKayle, and Arthur Mitchell, all forged through the restrictive Jim Crow era of hatred and segregation; that unfortunately included the arts- and dance.Continue reading
The Leslie-Lohman Museum For Gay and Lesbian Art Gala took place on October 22 at one of the first venues for modern dance the Judson Theater. The celebration/ raised funds and awareness to the many projects and exhibitions directly effecting the LGTBQ community. One of the true highlights of this festival fundraising evening was the internationally acclaimed dance company Ballet Eloelle.
A five-member ensemble from the all- male comedy ballet company entertained and enlightened the audience; sharing the message of diversity and tolerance through humor. The company is one of only a handful of professional “gender bending” dance companies in the world (Les Ballets Trockadero de Monte Carlo being the most recognizable). Founded and directed by Victor Trevino the New York City based Ballet Eloelle has an extensive internationally touring portfolio, delighting audiences and receiving rave reviews throughout Europe, Asia, South America, the Caribbean and the United States.
The dancers are a collective of veteran comic male ballerinas and new faces from around the globe; a hallmark of this very special band of globetrotting troubadours. The Dying Swan performed by Nina Minimaximova (aka Trevino) with brilliant self- effacing comedic timing that brought the house down!
Ballet Eloelle- Harliquenade Pas de Deux
Another standout was principal dancer Marianel Moarorles (aka Walter Battistini). The diminutive powerhouse performed Harliquinade Pas de deux with male lead Tetsushi Segawa. Battisini’s strong fleet-footed allegro perfectly balanced his comedic and oft-times coquettish partnering style; making the duet and variations one of the evening’s high points.
Ballet Eloelle- Pas de Quatre
Battisini was also featured in Pas de Quatre, a spoof on the renowned divertissement choreographed by Jules Perrot in 1845. Dancing as famed nineteen century ballerina Franni Cerrito, he was joined onstage with three other divas: Tamara Verde (Roberto Forleo) as Marie Taglioni, Palomina Carrera (Jonathan Mendez) as Carlotta Grisi, and Teresa Carino (Estefano Gil) as Lucille Grahn. Together this fearsome foursome was electric as they parodied this Romantic ballet classic.
Ballet Eloelle brought the right amount of humor, satire and solid dance technique to the Leslie-Lohman Museum Gala. The troupe definitely are dancing ambassadors helping all of us leap in to a more tolerate and inclusive world. And they are doing it with laughter- one bourree at a time.
Fall is finally here! In New York that means cool mornings, sweater weather afternoons, jacket evenings and the arts. We have street art in Da Bronx, 90’s R&B in Harlem and Dance honors its own in the Village. Here are a few of the many events happening in the city that never sleeps, guaranteed to keep you Out and About.Continue reading
Bad Blood received its World Premiere, in 1984 on Les Ballets Jazz de Montreal. Featuring music by Laurie Anderson (Gravity’s Angel and Walking and Falling) and Peter Gabriel (Excellent Birds) the work in an erotic tour de force battle of the sexes. The Alvin Ailey American Dance Theatre premiered the work in 1986. It is one of seven Dove ballets in the Ailey Company repertoire. Continue reading
Indigois part of the 100 Degrees Of Sergeiseries Choreography: 100 Degrees Celsiusby Emil Faskiwith music entitled Lacrima Desperide by Damiano Baldon performed by Sergei Polunin and Kristina Shapran.Continue reading
Misty Copeland literally leaped into the public consciousness through a well orchestrated and highly visible media campaign. Her performances with music icon Prince helped catapulted Copeland into the public eye. Continue reading
Principal dancers Edward Watson and Marianela Nuñez dance the final pas de deux in Wayne McGregor’s abstract ballet Infra, a moving exploration of emotion, set to Max Richter’s melancholic and beautiful score.Continue reading
In his latest film, a collaboration with choreographer Aïdan Carberry, choreographer and dancer Benjamin Millepied tackles the sound of music—JS Bach’s Prelude No. 1, in particular—within an earthy historical home that reflects the German composer’s own era, while the dance is injected with modern moves and gestures. Continue reading
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