5/4/18 O&A NYC SHALL WE DANCE FRIDAY: Maya Plisetskaya Dances Bolero, And The Dying Swan

Shall We Dancemed_1408733786_image

Maya Plisetskaya, Prima Ballerina Assoluta of the Bolshoi Ballet, danced Maurice Bejart’s Bolero set to the famous Ravel score in 1975. Plisetskaya created a stunning theatrical experience. What makes the piece so compelling is that although Plisetskaya may be accompanied by dozens of other dancers mirroring her movement, the first and only focus is on the prima ballerina herself.  Continue reading

9/24/17 O&A NYC ITS SATURDAY- ANYTHING GOES: Maya Plisetskaya Dances Bolero (Choreography by Maurice Béjart) And The Dying Swan

It is Saturday
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Maya Plisetskaya, Prima Ballerina Assoluta of the Bolshoi Ballet, danced Maurice Bejart’s Bolero set to the famous Ravel score in 1975. Plisetskaya created a stunning theatrical experience. What makes the piece so compelling is that although Plisetskaya may be accompanied by dozens of other dancers mirroring her movement, the first and only focus is on the prima ballerina herself.  Continue reading

1/23/15 O&A Shall We Dance Friday: Maya Plisetskaya Dances Bolero (Choreography by Maurice Béjart) And The Dying Swan

Shall We Dance

med_1408733786_image

Maya Plisetskaya, Prima Ballerina Assoluta of the Bolshoi Ballet, danced Maurice Bejart’s Bolero set to the famous Ravel score in 1975. Plisetskaya created a stunning theatrical experience. What makes the piece so compelling is that although Plisetskaya may be accompanied by dozens of other dancers mirroring her movement, the first and only focus is on the prima ballerina herself.  Continue reading

(REPOST) O&A NYC SHALL WE DANCE FRIDAY: Maurice Bejart: Bolero featuring Jorge Donn

Shall We Dance

Maurice Bejart choreographed Bolero in 1960 for the Ballet du XXe Siècle (Ballet of the Twentieth Century). In Bolero Béjart returns to the spirit of his 1959 Rite of Spring, by negating the easy choices of a picturesque exterior in favor of a stripped down simplicity. He gives the central role, the Melody, to a solo dancer and the ensemble is described as the Rhythm. Argentinian dancer Jorge Donn was best known for his work with Bejart. His theatricality and androgynous attack epitomized the 80’s.

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