Steven Hill, aka Bones The Machine is a Flex/Bonebreaking dancer, actor and model. He performs jaw-dropping style of dance that originated from Jamaican brukup, and is rooted in the streets of east Brooklyn. Continue reading
Bones The Machine choreographed and performed in Night Terror, an urban abstract dance narrative. As darkness settles in on the streets of Los Angeles combating the vices of the night through dance. Continue reading
In life there are no detours, it is always the course appointed. Despite all of our plans and dreams we can count on the universe to add some unexpected twists and turns. Thelma Hill Preforming Arts Center’s Executive Chairman Alex Smith Jr. knows this all to well. In 1995 Smith become the guiding force of the organization by proxy, now twenty-one years later he was honored with a Service to the Field Award at the 29th New York Dance and Performance Awards- The Bessies.Continue reading
Bones The Machine has become one of the most visible members of Flex dance community. Bones style of contortion, illusion, and an urban theatrics has caught the eye of the public, and the notoriety has propelled him and his crew, The Next Level Squad, to worldwide acclaim. Bones and Next Level Squad have introduced their special brand of Flex to international audiences with performances in London, Japan, and Germany and recently starred in an ad campaign with Diesel for Joog Jeans.Continue reading
The Thelma Hill Performing Arts Center’s 40th Anniversary season at the Actor Fund Center, 160 Schermerhorn Street, is in high gear. The third evening presented new, emerging and mid-level choreographers with works ranging from ballet to hip-hop. The performance expressed the founding credo of the organization by presenting the diverse and innovative choreography of artists of color.
The evening opened with a series of solo works. Francesca Harper’s Deconstructing Flack consisted of two solo works echoing the theme of love and loss. Both works, set to the music of Roberta Flack, took the audience from prologue to epilogue.
Erika Lisaku danced the opening solo with a poignant despair. Harper captured the haunting quality of Flack’s First Time Ever I Saw Your Face. In the second solo dancer Amanda Sachs conveyed the acceptance of her situation. More reflective and introspective Ballad of the Sad Young Men had a feeling of resolve.
Toro (pool in a river) by Takeshi Ohashi moved with an elegant quiet control. Danced by Ohashi, with live trumpet accompaniment by Justin Osouna Chance, the impressive movement quality combined tight, isolated movement with sweeping floor work. The works fluidity and grounded quality evoked both the purposeful nature Tai Chi and the explosive excitement of break dance.
The last solo, William Isaac’s charming No Banana Skirt, offered an upbeat and fun variation. Amanda Smith danced the lively and energetic pointe piece with technical proficiency and an effervescent deportment. Both the performance and choreography encapsulated the fun spirit of the Josephine Baker’s rendition of Bye Bye Blackbird.
Purelements: An Evolution in Dance closed the first act with The Call by Men Ca. Danced by the junior company the work effectively blended West African and modern dance. The level of professionalism and commitment endeared this group of young performers to the audience, and became one of the most satisfying aspects of the performance.
The Hip-Hop dance crew Special Ops five-man dance crew consisting of Ptah, Floats, Twist, Press, Rachett and Ej wowed the audience. The crew exemplified the evolution of the urban art form synonymous with 80’s street culture to 21st century inner city storytelling through a codified movement style. Using Flexing (isolated movement and contortions, Gliding (floating across the floor) and Shotta Dance (derived from Reggae dancehall) Special Ops shared a gritty reality ripped from today’s headlines.
Nijawwon Matthew’s XY Dance Project transported us from rap to Bach with his ensemble dance Work Forty. The work blended modern, ballet, gymnastics and “Matthews” to create a visual and kinesthetic excitement. Costumed in white bras, and briefs the dancers donned olive-green ski mask type headgear by Project Runaway’s Mondo Guerra, which reminiscence Robert Rauschenberg work in Paul Taylor’s Three Epitaphs. Matthew continues to find his own voice, and we commend and encourage him to keep exploring.
Earl Mosley’s Diversity of Dance closed with Wild and Free! (Draft 5). The jazz infused modern dance ensemble work featured a cast of 23 dancers, and quickly evolved into a witty high-energy pure dance crescendo. Mosley’s ability to bring out the best in every member of the ensemble has become one of his true strengths.
Alexander Diaz distinguished himself with abandoned risk taking and a focused attack, which made it hard not to watch him. The duet between Christine Caimares and Riccardo Bataglia had a strong yet sensual combativeness attack that (thankfully) avoided violence.
The 40th Anniversary Season continues tonight with a new line up diverse choreographers. The roster includes Jamal Story, Jean Emile, HSA Dance Ensemble, Charles Moore Dance Theater, Ronald K. Alexander, Abdiel Jacobsen and Bones The Machine. The evening will open with a special tribute to Loretta Abbott presented by Tony and Emmy Award winner George Faison.
For more information and tickets visit www.thelmahill.com tickets can also be purchased at the box office 30 minutes prior to the performance.
The Thelma Hill Performing Arts Center (THPAC) announced the roster of artists they will present for their 40th Anniversary season June 19 through 22 and June 28 at the Actors Fund Center, 160 Schermerhorn Street, Brooklyn. The Brooklyn based THPAC has presented companies and choreographers of color for 40 consecutive years making it the oldest continuous presenting organization in the country. The list of artists reaches back to the past with established artists while remaining true to its credo offering performance opportunity to the new and emerging.
“When you put it in prospective back in 1976 there were very few presenters programming artists of color,” states THPAC Executive Chairman Alex Smith Jr. “Dance Theatre of Harlem had made their premiere only five years earlier in 1971, The Alvin Ailey Repertory Ensemble (Ailey II) was two years old, and the George Faison Universal Dance Experience was one of the hottest emerging companies in town. We presented the controversial Eleo Pomare and female powerhouse Dianne McIntyre when mainstream presenters were looking elsewhere. We have planned an exciting season for 2016, look for some surprise appearances from our dance family.”
Over the last forty years THPAC has made it a mission to seek out the new and cutting edge. The organization has helped introduce many of today dance notables including Complexions, Ronald K. Brown Evidence, Kyle Abraham, Camille A. Brown and Sidra Bell. This year promises to be more than a retrospective; it remains a referendum on dance programming for artists of color.
The 2016 40th Anniversary Season:
Sunday June 19 Danse4Nia Darrel Grand Moultrie George Faison Germaul Barnes Gierre Godley Johnnie Mercer Philadanco Rodger C. Jeffery Tiffany Rea-Fisher
Monday June 20 Alpha Omega Andre’ Zachery Bloodline Dance Theater Creative Outlet DaVon Doane Harambee Judah International Dance Theatre Patricia Carby Rod Rodgers Dance Company Sidra Bell
Tuesday June 21 AREA Charles Moore Dance Theater Earl Mosley Francesca Harper Nehemiah Spencer Nijawwon Matthews Special Ops Takeshi Ohashi William Isaac
Wednesday June 22 Abdiel Jacobsen Bones The Machine HSA Dance Ensemble Jamal Story Jean Emile Orlando Hunter Ronald K. Alexander Walter Rutledge
Tuesday June 28 Marshall SwineywithBeauty For Ashes Contemporary School of Dance
Tickets are on sale for the 2016 Thelma Hill Performing Arts Center 40th Anniversary season. The tickets are $20/$15 (students and seniors) due to the exciting roster and limited seating advanced ticket sales is advised. Tickets can be purchased on-line at www.thelmahill.com. or in the lobby 30 minutes prior to the performance.
Public School, New York’s upscales streetwear label, and Jordan are is set to collaborate on two sneakers and a full apparel collection.
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The Air Jordan XII and the Jordan Horizon are the two new sneakers behind the latest footwear collaborations poised to create the first pre-holiday buzz. Sporting Public School’s signature monochrome look the Air Jordan XII featuring concrete grey nubuck upper complemented by tonal detailing. The Jordan Horizon takes it a step further with a brand new Jordan silhouette, which sports a knitted upper adorned with some pretty eye-catching patterns.
Public School fans will want to wear the full collab look from head to toe. The all-black colorways with urban camouflage patterns are the right amount of edgy and atheletic. Prior to the December 12 release the was an exclusive release party at Terminal 23, which featured a performance by Bones The Machine and DJ Aaron.
Steven Hill, aka Bones The Machine is a Flex dancer, actor and model. He performs jaw-dropping style of dance that originated from Jamaican brukup, and is rooted in the streets of east Brooklyn. The dance, which consists mainly of shapes you form with your arms, is called ‘Bone Breaking’ as it really looks like Steven has traded his skeleton for some sort of elastic gum. Bones has spent several years to develop his unique technique where he mixes contortion and improvisation with other styles from parallel dance movements such as tutting, popping, connecting and waving – and even a bit of ballet.Continue reading
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