1/26/24 O&A NYC SHALL WE DANCE FRIDAY: Chris Rudd’s Touché featuring Calvin Royal III and João Menegussi

Touché, a work for two dancers, explores the themes of male love. The pas de deux was created by Chris Rudd and featured dancers danced by Calvin Royal III (Adam) and João Menegussi (Steve). Continue reading

1/21/24 O&A NYC DANCE REVIEW: Ronald K. Brown /Evidence

By Walter Rutledge

Ronald K. Brown /Evidence presented their 2024 New York season January 16 through 21 at the Joyce Theater. The nine-member ensemble offered two works Walking Out the Dark (2001) and Torch (2012). The program provided an overview of the range and diversity of choreographer Brown and his company in what is best described as an American artist’s declaration of his diasporic roots. Continue reading

1/19/24 O&A NYC SHALL WE DANCE FRIDAY: Four Corners- Ronald K. Brown and Evidence: A Dance Company

Ronald K. Brown’s Four Corners was originally commissioned for Alvin Ailey American Dance Theater in 2014. Dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. Continue reading

1/6/23 O&A NYC ITS SATURDAY- ANYTHING GOES: Carnival – Debbie Allen- Fame TV Series

Carnival is written by Henry Thompson & Vanessa Dale and is performed by Debbie Allen, from the season 1 of the hit television series Fame episode The Crazies. Continue reading

1/3/23 O&A NYC DANCE REVIEW: The Genius of Alvin Ailey

By Walter Rutledge

Another bout of Covid (our third slow dance) prevented me from seeing the new works presented during the first and second weeks of the Ailey season. When Covid and I finished our Rumba, I attended an All-Ailey matinee featuring four works, Night Creature, Cry, Survivors and Revelations.   Continue reading

11/24/23 O&A NYC SHALL WE DANCE FRIDAY: Dear Quincy- Carmen De Lavallade and Wesley Fata

Carmen de Lavallade dancing to Quincy Jones’s “Soul Bossa Nova” with Wesley Fata on November 16, 1968. Ms. de Lavallade’s late husband, the great Geoffrey Holder, choreographed this piece This is jut an excerpt of a much longer dance. Continue reading

11/20/23 O&A NYC THEATRE- REVIEW: Hadestown- Sometimes True Love Can Be Hell.

By Walter Rutledge

Recently I had the extreme pleasure to see the Broadway smash hit Hadestown at the Walter Kerr Theater. The 2019 eight-time Tony Award winning musical is still wowing audiences with Anais Mitchell’s incredible lyric music score and touching book featuring dual love stories. Before we talk about Hadestown lets first have a Greek mythology tutorial. Continue reading

11/6/23 O&A NYC DANCE REVIEW: Vespers- Paul Taylor Dance Company

By Walter Rutledge

The Paul Taylor Dance Company began its sixty-ninth season on Tuesday October 31 at the New York State Theater. The two-week fifteen performance season will offer a total of fourteen works by five choreographers. The season will present a world premieres by Larry Keigwin and Lauren Lovette, the return of a work by Amy Hall Garner, company premiere by and Ulysses Dove and nine Taylor classics.

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10/6/23 O&A NYC SHALL WE DANCE FRIDAY: Alvin Ailey’s “Mary Lou’s Mass” and “Hidden Rites” Excerpts

Mary Lou’s Mass (1971) with John Parks, Dudley Williams and Clive Thompson and Hidden Rites (1973) with John Parks and Judith Jamison Continue reading

10/1/23 O&A NYC DANCE REVIEW: Ballet X At The Joyce

By Walter Rutledge

Philadelphia based Ballet X returned to New York City’s Joyce Theater for a five-day six performance season. The expectations were high for this ethnically diverse contemporary ballet company and the talented dancers rose to the occasion. It was unfortunate that the choreography and the programming were not able to support the performers despite their valiant efforts. Continue reading