1/4/19 O&A NYC SATURDAY MORNING CONCERT: Deborah Manning in Cry- Alvin Ailey American Dance Theater

Deborah Manning performs Alvin Ailey’s tribute to woman (especially our mothers) Cry (1971).  Continue reading

1/3/20 O&A NYC SHALL WE DANCE FRIDAY: Alvin Ailey American Dance Theater- Revelations


Alvin Ailey’s masterwork Revelations (1960), one of the most recognizable modern dance works, remains a powerful testament to the human spirit. This cast includes Marilyn Banks, April Berry, Kevin Brown, Gary DeLoatch, Ralph Glenmore, Deborah Manning, Renee Robinson and Dudley Williams. 

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12/23/19 O&A NYC DANCE: A Conversation With Masazumi Chaya- The Golden Age Of Ailey

By Walter Rutledge

Masazumi Chaya, affectionately called Chaya, has been a part of Ailey organization for almost half a century. Chaya joined the Alvin Ailey American Dance Theater in 1972 during an era we refer to as the Golden Age of Ailey. During Chaya’s fifteen years as an Ailey dancer he distinguished himself as an intense performer; who excited audience with an almost effervescent abandon. Continue reading

11/22/19 O&A NYC SHALL WE DANCE FRIDAY: Diana Ross & Donald McKayle – Soulful Strut at the Hollywood Palace [3/8/69]

Diana Ross and Donald McKayle perform Soulful Strut at the Hollywood Palace March 8, 1969 

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10/28/19 O&A NYC DANCE: A Conversation With Michelle Fleet

By Walter Rutledge

Michelle Fleet has been affiliated with the Taylor organization since 1999. During her twenty-year association she has been a member of Taylor 2 (1999- 2002) and a seventeen-year member of the Paul Taylor Dance Company. The Bronx native talked with Out and About NYC Magazine Editor-in Chief Walter Rutledge about her career, favorite roles, and future ambitions prior to her final season (October 29 through November 17 at Lincoln Center’s Koch Theater) as a member of the Taylor company. Continue reading

9/28/19 O&A NYC SATURDAY MORNING CONCERT: Motown Returns to The Apollo (1985)

Motown Returns to The Apollo (1985) a star studded celebration of the 50th anniversary and re-opening of The Apollo Theatre in Harlem, New York. Proceeds from the concert went to the Africare/Ethiopian Relief Fund. The program received a 1985 for Emmy Award for Outstanding Variety Program. Continue reading

9/22/19 O&A NYC DANCE- REVIEW: Legacy- Creative Outlet and Deeply Rooted at BAM Fisher

By Walter Rutledge

Legacy, a shared concert between Brooklyn based Jamel Gaine’s Creative Outlet and Chicago’s Deeply Rooted Dance Theater, presented a well curated evening of dance theatre works at BAM Fisher on Friday and Saturday September 13 and 14, 2019. Founding directors Jamel Gaines and Deeply Rooted’s Kevin Jeff (both Queens natives and Bernice Johnson Dance School alums) presented a concert of shared dance philosophies. The evening had a kindred aesthetic; presenting seven works spanning thirty-five years. Continue reading

9/16/19 O&A NYC HOLLYWOOD MONDAY: Fred Astaire and Rita Hayworth Dance So Near and Yet So Far (You’ll Never Get Rich – 1941)

You’ll Never Get Rich (Columbia Pictures) is a 1941 Hollywood musical comedy film with a wartime theme directed by Sidney Lanfield and starring Fred Astaire, Rita Hayworth. The picture was very successful at the box office, turning Hayworth into a major star, and provided a welcome boost to Astaire who felt his career.
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9/15/19 O&A NYC SUNDAY AFTERNOON JAZZ CONCERT: Bad Blood- Ulysses Dove

ulysses-doveBad Blood received its World Premiere, in 1984 on Les Ballets Jazz de Montreal. Featuring music by Laurie Anderson (Gravity’s Angel and Walking and Falling) and Peter Gabriel (Excellent Birds) the work in an erotic tour de force battle of the sexes. The Alvin Ailey American Dance Theatre premiered the work in 1986. It is one of seven Dove ballets in the Ailey Company repertoire.  Continue reading

8/3/19 O&A NYC DANCE: A. Piazzolla- Libertango

Libertango is a composition by tango composer Astor Piazzolla, recorded and published in 1974 in Milan. The title is a portmanteau merging “Libertad” (Spanish for liberty) and “Tango”, symbolizing Piazzolla’s break from Classical Tango to Tango Nuevo.  Continue reading