2/1/24 O&A NYC DANCE REVIEW: RudduR Dance

By Walter Rutledge


RudduR Dance presented a three-day New York season January 25th through January 27th at the Chelsea Factory. Founder and choreographer Christopher Rudd continues to develop choreography that both entertaining and enlightening. The well curated seventy-five-minute concert presented three works and offered a retrospective into choreographer Rudd’s work and artistic evolution.  Continue reading

1/28/24 O&A NYC DANCE: Philadanco- “Philly’s Finest” Returns to New York’s Joyce Theater

By Walter Rutledge

Philadanco- the Philadelphia Dance Company returns to New York City’s Joyce Theater, February 6th thru February 10th, 2024. The highly anticipated four-day five performance series will present the works of four emerging choreographers of merit, Tommie-Waheed Evans, Nijawwon Matthews, Ray Mercer, and Christopher Rudd. Evans, Matthews and Mercer have history with Philadanco as company members and in Mercer’s case choreographer-in-residence. While Rudd has gained recent notoriety for the two works set on American Ballet Theater.   Continue reading

1/27/24 O&A NYC ITS SATURDAY- ANYTHING GOES: Aunt Viv’s Got The Moves (The Fresh Prince of Bel-Air)

Aunt Viv (Vivian Banks) hits the big 4-0 and decides to become a dancer. She takes class with teacher Roumel Reaux and has the legally blonde Thomas Halstead in class.  Continue reading

1/26/24 O&A NYC SHALL WE DANCE FRIDAY: Chris Rudd’s Touché featuring Calvin Royal III and João Menegussi

Touché, a work for two dancers, explores the themes of male love. The pas de deux was created by Chris Rudd and featured dancers danced by Calvin Royal III (Adam) and João Menegussi (Steve). Continue reading

1/21/24 O&A NYC DANCE REVIEW: Ronald K. Brown /Evidence

By Walter Rutledge

Ronald K. Brown /Evidence presented their 2024 New York season January 16 through 21 at the Joyce Theater. The nine-member ensemble offered two works Walking Out the Dark (2001) and Torch (2012). The program provided an overview of the range and diversity of choreographer Brown and his company in what is best described as an American artist’s declaration of his diasporic roots. Continue reading

1/19/24 O&A NYC SHALL WE DANCE FRIDAY: Four Corners- Ronald K. Brown and Evidence: A Dance Company

Ronald K. Brown’s Four Corners was originally commissioned for Alvin Ailey American Dance Theater in 2014. Dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. Continue reading

1/15/24 O&A NYC DANCE REVIEW: Dallas Black Dance Theatre

By Walter Rutledge

The Black Dallas Dance Company (BDDC) began a two-day performance series at the Joyce theater on January 11th, 2024. The series was part of the Joyce Theater‘s eighth annual American Dance Platform. Jacob’s Pillow Associate Curator Melanie George presented a trilogy of performances and performers with a roster including Jazz at the Joyce (1/9 and 1/10) Soles of Duende (1/11 and 1/14) and Dallas Black Dance Theatre (1/12 and 1/13). Continue reading

1/6/23 O&A NYC ITS SATURDAY- ANYTHING GOES: Carnival – Debbie Allen- Fame TV Series

Carnival is written by Henry Thompson & Vanessa Dale and is performed by Debbie Allen, from the season 1 of the hit television series Fame episode The Crazies. Continue reading

1/3/23 O&A NYC DANCE REVIEW: The Genius of Alvin Ailey

By Walter Rutledge

Another bout of Covid (our third slow dance) prevented me from seeing the new works presented during the first and second weeks of the Ailey season. When Covid and I finished our Rumba, I attended an All-Ailey matinee featuring four works, Night Creature, Cry, Survivors and Revelations.   Continue reading

11/24/23 O&A NYC SHALL WE DANCE FRIDAY: Dear Quincy- Carmen De Lavallade and Wesley Fata

Carmen de Lavallade dancing to Quincy Jones’s “Soul Bossa Nova” with Wesley Fata on November 16, 1968. Ms. de Lavallade’s late husband, the great Geoffrey Holder, choreographed this piece This is jut an excerpt of a much longer dance. Continue reading