Brown Sugar: The History of the Black Female Entertainer (1985/1990) is a 1985 documentary based on film historian Donald Bogles’ book Brown Sugar. One of the best docu-film about black female entertainers hosted by actor Billy Dee Williams. Continue reading
With a plot inspired by the history of the Supremes, Sparkle is a period film set in Harlem, New York during the late 1950s and early 1960s. Continue reading
In The Pirate (1948) both Gene Kelly and Judy Garland fought to get The Nicholas Brothers (Fayard Nicholas and Harold Nicholas) included in the movie. They succeeded, but the Be a Clown sequence was cut by exhibitors in Memphis and other U.S. cities in the South because it included The Nicholas Brothers, who were black. Continue reading
This new depiction of the Nativity story recounts in beautiful detail the sacred events found in the Bible about Jesus’s birth over 2,000 years ago. Journey with Joseph and Mary from Nazareth to Bethlehem. Continue reading
The Old Settler is an adaptation of John Henry Redwood‘s play starring Phylicia Rashad, Bumper Robinson and Debbie Allen, who also directed the production. Set in Harlem in the 1940s, about two sisters whose lives are altered when a young Southern man takes temporary lodging in their apartment. Continue reading
Scary Movie 4 is a American Horror parody film.This is the fourth installment in the Scary Movie Film Series, as well as the first film in the franchise to be released under The Weinstein Company banner since the purchase of Dimension Films from Disney. It was directed by David Zucker, written by Jim Abrahams, Craig Mavin and Proft and produced by Robert K. Weiss. Continue reading
Maximillian (Eddie Murphy) is the only survivor from a race of vampires on a Caribbean Island, and as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a woman who had a vampire father, and he searches for her (Angela Bassett) in Brooklyn. Continue reading
A mysterious high-value item must be delivered to a buyer. What was supposed to be a routine exchange turns into a crazy all out hunt from several parties all looking to get the Payload for themselves, using whatever means they can. Continue reading
CGI 3D Animated Short Film: Gladius Animated Short Film by Margaux Latapie, Grégory Diaz, Florian Cazes, Marie-Charlotte Deshayes-Ducos, Clément Petellaz, Baptiste Ouvrard, Jimmy Natchoo, Guillaume Mellet at ESMA. Featured on CGMeetup Gallery. Continue reading
Paris Is Burning is a 1990 American documentary film directed by Jennie Livingston. Filmed in the mid-to-late 1980s, it chronicles the ball culture of New York City and the African-American, Latino, gay, and transgender communities involved in it. The film is considered to be an invaluable documentary of the end of the “Golden Age” of New York City drag balls, and critics have praised it as a thoughtful exploration of race, class, gender, and sexuality in America.”
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Ghanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6R
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid Ghanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6RGhanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6RGhanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6RGhanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6R
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid Ghanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6RGhanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6RGhanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6RThe Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 