12/28/18 O&A NYC SHALL WE DANCE FRIDAY: Lil Buck performs Petrouchka at Fondation Louis Vuitton

Lil Buck, ambassador of Memphis Jookin, performed his interpretation of Stravinsky’s ballet Petrouchka on October 29-30, 2016 at the Frank Gehry designed Fondation Louis Vuitton in Paris.

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5/30/18 O&A NYC DANCE: Pascal Rioult- The Craft of Choreography

By Walter Rutledge

RIOULT Dance NY begins the New York City season on Wednesday, May 30 thru Sunday, June 2 at the Joyce Theater (175 Eighth Avenue, at 19th Street, NYC). The company will present Written for Dance an evening by founder/choreographer Pascal Rioult that celebrates the historic connection and collaborative power of the choreographer and composer. Written for Dance is inspired by the music of Russian composers representing three distinct musical periods – the romantic, the neo-classic, and the contemporary. Continue reading

11/11/16 O&A NYC SHALL WE DANCE FRIDAY: Balanchine Jewels (the female variations) Emeralds-Rubies-Diamonds Mariinsky Ballet

Shall We Dance
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Balanchine’s Jewels, the female variations Emeralds (Gabriel Fauré’s Pelléas et Mélisande), Rubies (Capriccio for Piano and Orchestra (1929) by Igor Stravinsky)  and Diamonds (Symphony No. 3 in D major (1875) by Pyotr Ilyich Tchaikovsky) performed by the Mariinsky Ballet. Continue reading

10/2/15 O&A NYC Shall We Dance Friday: Agon – With Additional Footage Featuring Diana Adams and Arthur Mitchell

Shall We Dance

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Agon (1957) is a ballet for twelve dancers, with music by Igor Stravinsky and choreography by George Balanchine. The cast includes:First Pas de Trios Peter Boal, Zippora Karz, Kathleen Tracey Second de TriosAlbert Evans, Arch Higgins, Wendy Whelan Pas de DuetDarcey Bussell, Lindsay Fischer                                                                                               

And an excerpt from the Pas de Duet featuring Diana Adams and Arthur Mitchell

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9/18/15 O&A NYC Shall We Dance Friday: Maurice Béjart- La Sacre du printemps (1970)

Shall We Dance

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Le Sacre du printemps (1959) is a milestone in the history of dance, and  choreographer Maurice Béjart approached the work with great courage. His version full of new meanings, physicality and sensuality became a universally recognized success.  “Human love, in its physical appearance, symbolizes the act by which God creates the cosmos, and the joy it brings. Let this ballet be bare of all picturesque artifice, let it be the hymn to the union between man and woman at its deepest level, between heaven and earth, the dance of life and death, let it be as eternal as spring!” – Maurice Bejart Continue reading