11/3/19 O&A NYC DANCE: A Conversation With Alex Clayton and Devon Louis

By Walter Rutledge 

The Paul Taylor Dance Company has gone through a major transition. Over the last two years the company has seen many Taylor dancers retire, the acquisition of eight new dancers and a new artistic director. New works by the next wave of modern dance makers have become an exciting addition the predominately Taylor based repertoire. O&A NYC Magazine Editor-in-Chief Walter Rutledge sat down with Alex Clayton and Devon Louis two new members of the Taylor company. 

A Conversation With Alex Clayton and Devon Louis

Clayton joined the company in the summer of 2017 and made his New York City debut during the 2018 season. A self- described high energy mover he has also served as rehearsal assistant for Lila York’s 2016 Continuum for the Taylor Company Commissions. Louis makes his New York City debut with the Taylor company this season; October 29 through November 17. In our conversation we discuss how they are acclimating to the technique, the repertoire and all things Taylor.

10/27/19 O&A NYC DANCE REVIEW: A.I.M (Abraham In Motion) At The Joyce

By Walter Rutledge 

A.I.M. (Abraham In Motion) presented their New York City season at the Joyce Theater Tuesday, October 15 through Sunday, October 20, 2019. The six- day, seven performance season offered five works, including three world premieres and one company premieres, by three choreographers. The concise, focused and extremely audience friendly program was a successful blend of both visceral and cerebral movement and imagery.

In Big Rings (2019 World Premiere) choreographer and company member Keerati Jinakunwiphat presented a cleanly crafted ensemble work for six dancers.  Jinakunwiphat clearly understands the craft of choreography, approaching this work with strong compositional form and design. Extremely fluent in “Abraham”; she proficiently worked in Abraham’s vernacular and canon. The use of music from different genres and the well employed choreographic device of theme and development kept the work fast past and well defined. This was especially evident in the second movement of the work where she brought freshness to Camille Saint-Saens “chestnut” The Swan.

Show Pony (2018) presented performer Marcella Lewis and choreographer Abraham in a very favorable light. In true Abraham style the choreographer established a finite movement vocabulary; which he manipulated, variated and developed throughout. Shifting between pure and gesture driven movement (with a pleasant dash of personality) Abraham created a work that was dynamic, original and fun.   

Clad in a metallic gold unitard Lewis danced with unmitigated aplomb; commanding the stage and at times relegated the audience to unwitting voyeurism.  If the arms are the language of the dance, Abraham allowed her to speak in a clear choreographic voice. She gave new meaning to the phrase “the hostess with the mostest”; when retreating to a pool of clear light she smiled while offering salutations and greetings to the audience. 

Trisha Brown’s Solo Olos (1976 company premiere) epitomizes the phase God mic. The work for five dancers and initially performed in silence took an unexpected twist when dancer Donovan Reed jumped off the stage and sat on the first row with a wireless microphone. The almost Deis Machine devise became an omnipresent dictate guiding the dancers through the movement, which consisted of reversing many of the movement passages. This thinking man’s (excuse me- thinking person’s) abstract ballet lived up to it’s title. 

Cocoon (2019 World Premiere), a solo choreographed and performed by Kyle Abraham, opened with a chorus of singers placed in the audience in front of the stage. Performing music by Bjork (arranged by lead singer Nicholas Ryan Gant) the nine- member chorus accompanied Abraham; who began in a crouched position on the floor in a circle of Azurite blue light. As if on a slow- moving carousel Abraham unfolded his body shifting position as Dan Scully’s light design expanded to eventually encompass the entire stage.

The choreography shifted between explosive passages to exploring the plastique of movement through sustained stillness. Abraham removed the sash that sequestered his shirt, and an offstage gust of wind surrounded him. Symbolically his motionless form was being propelled to a new metaphysical plain- a metamorphosis.  

The evening concluded with Studies On A Farewell (2019 world premiere) an episodic ensemble work for eight dancers and choreographed by Abraham in collaboration with A.I.M. Set to Four Studies by Nico Muhly and performed live by Katherine Liccardo and Chelsea Starbuck Smith in tandem with a recorded track. The work depicted a series of encounters and partings tinged with a collective personal, almost autobiographic feeling. Jinakunwiphat slowly walking backward alone retreating upstage into the darkness culminating theballet and the evening.

Abraham continues to share his unique gift of abstract storytelling. The sophisticated and aesthetically satisfying A.I.M. New York season combined solid choreography with high production value.

In Photo:  2) Tamisha Guy, Marcella Lewis, Javon Jones, and Catherine Ellis Kirk  3) Marcella Lewis  4) Catherine Ellis Kirk 5) Kyle Abraham  6) Tamisha Guy and Javon Jones

Photo by: 1) Tatiana Wills 2) Sharen Bradford 3) Christopher Duggan 4, 5 & 6) Stephen Schreiber 

10/14/19 O&A NYC WHAT’S HAPPENING THIS WEEK: October 14- 21, 2019

Fall is finally here! In New York that means cool mornings, sweater weather afternoons, jacket evenings and the arts. We have street art in Da Bronx, 90’s R&B in Harlem and Dance honors its own in the Village.  Here are a few of the many events happening in the city that never sleeps, guaranteed to keep you Out and About. Continue reading

9/22/19 O&A NYC DANCE- REVIEW: Legacy- Creative Outlet and Deeply Rooted at BAM Fisher

By Walter Rutledge

Legacy, a shared concert between Brooklyn based Jamel Gaine’s Creative Outlet and Chicago’s Deeply Rooted Dance Theater, presented a well curated evening of dance theatre works at BAM Fisher on Friday and Saturday September 13 and 14, 2019. Founding directors Jamel Gaines and Deeply Rooted’s Kevin Jeff (both Queens natives and Bernice Johnson Dance School alums) presented a concert of shared dance philosophies. The evening had a kindred aesthetic; presenting seven works spanning thirty-five years. Continue reading

7/30/19 O&A NYC DANCE: Stanzas: A dance performance by Du’Bois A’Keen

Stanzas, A revolutionary change occurs inside the mind and soul of one man. A dance performance by Du’Bois A’Keen based on a poem by Aldous Huxley. Produced by Max Rothman and Du’Bois A’Keen with music by Leo Caruso. Continue reading

7/19/19 O&A NYC SHALL WE DANCE FRIDAY: Kyle Abraham- City Hall (5/15/18)

Choreographer/dancer Kyle Abraham takes us on a funky stroll through downtown Manhattan near City Hall to the music of Bosq Featuring Evan Laflamme. Continue reading

The 7/9/19 O&A NYC DANCE:   Connor Scott – Contemporary Duet – BBC Young Dancer 2015 Grand Final Contemporary Duet

Conner Scott’s Contemporary Duet during the grand final of BBC Young Dancer 2015.

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7/1/19 O&A NYC HOLLYWOOD MONDAY: Benjamin Millepied’s Bach Studies with Aïden Carberry

In his latest film, a collaboration with choreographer Aïdan Carberry, choreographer and dancer Benjamin Millepied tackles the sound of music—JS Bach’s Prelude No. 1, in particular—within an earthy historical home that reflects the German composer’s own era, while the dance is injected with modern moves and gestures.
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5/30/19 O&A NYC WHATS HAPPENING THIS WEEKEND: May 30th through June 3, 2019

The weather is warming as the days are getting longer this gives New Yorkers are time to be out and about. We have a tribute to an R&B legend at the legendary Apollo Theater, a first Saturday celebration in Brooklyn and seniors dancing in Harlem. Here are a few of the many events happening in the city that never sleeps, guaranteed to keep you Out and About. Continue reading