1/9/18 O&A NYC FASHION: Tyson Beckford

Tyson Beckford, male supermodel and actor, go behind the scenes with featuring interview and runway coverage from as far back as 1996! Continue reading

1/9/18 O&A NYC INSPIRATIONAL TUESDAY: When God Says No- Inky Johnson Turns Tragedy into Triumph

Inky Johnson, safety University of Tennessee, was on track for a first-round NFL draft pick; but a life-changing injury that left his right arm paralyzed. Continue reading

1/8/18 O&A NYC WITH WaleStylez FASHION: Acne Studios | Spring Summer 2018 Full Fashion Show

By Adewale Adekanbi Jr

Acne Studios is a multidisciplinary luxury fashion house based in Stockholm, Sweden. Founded in 1996 as part of the creative collective ACNE, an acronym for Associated Computer Nerd Enterprises that was later changed to Ambition Create Novel Expressions, the fashion house specializes in men’s and women’s ready to wear fashion, footwear, accessories and denim. Continue reading

1/8/18 O&A NYC SONG OF THE DAY: Gucci Mane – I Get The Bag feat. Migos

I Get the Bag by Hip Hop artist Gucci Mane, featuring Quavo, Takeoff and Offset from the hip hop group Migos. It was release on September 5, 2017, as the third single from Gucci Mane’s album Mr.Davis. Continue reading

1/8/17 O&A NYC FOOD- IT’S TIME FOR COMFORT FOOD!: Salmon Cakes

These salmon patties are flaky, tender and so flavorful. The crisp edges and big bites of flaked salmon are the hallmark of these salmon patties. They are the real deal! It’s no wonder these salmon cakes have been so popular. Continue reading

1/8/17 O&A NYC DANCE: Arthur Mitchell And Anna Kisselgoff Discuss Agon And More

Arthur Mitchell discusses Agon with New York Times dance critic Anna Kisselgoff. Also bonus clip of Diane Adams and Arthur Mitchell in Agon pas de deux.  Continue reading

1/7/18 O&A NYC SUNDAY AFTERNOON JAZZ CONCERT: Art Blakey & The Jazz Messengers- Moanin’ (1958)

Moanin’ stands as one of the archetypal hard bop compositions and albums of the era, for the intensity of Blakey’s drumming and the work of Morgan, Golson and Timmons, and for its combination of old-fashioned gospel and blues influences with a sophisticated modern jazz sensibility. The album was identified by jazz critic Scott Yanow  as one of the 17 Essential Hard Bop Recordings.  Continue reading

1/7/18 O&A NYC DANCE: Agon- New York City Ballet (1960)

Agon– the complete ballet with the original cast featuring Diana Adams, Todd Bolender, Jillana,  Arthur Mitchell, Richard Rapp, Francia Russell, Roy Tobias, and Violette Verdy.  Continue reading

1/7/18 O&A NYC GOSPEL SUNDAY: Anthony Brown & group therAPy – Trust In You

Anthony Brown is a brilliant singer, songwriter, choir director and vocal arranger with writing credits for songs recorded by Maurette Brown Clark and Stephen Hurd along with being the vocal director for BET s Celebration of Gospel for 2006 & 2007. Continue reading

1/6/18 O&A NYC DANCE: Arthur Mitchell: Harlem’s Ballet Trailblazer- A Retrospect On A Life Devoted To Dance

By Walter Rutledge

Arthur Mitchell: Harlem’s Ballet Trailblazer will open at Columbia’s Miriam and Ira D. Wallach Art Gallery, 615 W 129th St, on Saturday January 13, 2018. The exhibit is presented in collaboration with Columbia’s Rare Book & Manuscript Library, where Mitchell donated his archive in 2015. This is the first major exhibition devoted to celebrating the life and accomplishments of   New York City Ballet’s first African American principal dancer and the co-founder and longtime director of the Dance Theatre of Harlem. Curated by Lynn Garafola, Professor Emerita of Dance, Barnard College the collection will be on view through March 11, 2018

“This exhibition pays homage both to Mitchell’s creative magic and to his visionary achievements, revealing to those who never saw him dance his charismatic stage presence and the full scope of his career as an artist,” said Garafola. “At the same time, it places the Dance Theatre of Harlem, which he co-founded and directed for more than 40 years, at the crossroads of political, artistic and racial change in the United States and beyond.”

Arthur Mitchell: Harlem’s Ballet Trailblazer will feature objects from Mitchell’s archive, including the telegram from Lincoln Kirstein to Mitchell inviting him to join the New York City Ballet, an Al Hirschfeld drawing of Suzanne Farrell and Mitchell in Balanchine’s Slaughter on Tenth Avenue, Mitchell’s 1952 Four Saints in Three Acts souvenir program and posters from the 1961 Spoleto Festival, where Mitchell both choreographed and performed.                                                                  

Other highlights are photographs of Mitchell and fellow dancers by Anthony Crickmay, Peter Basch, Martha Swope and Antony Armstrong-Jones (Lord Snowdon), and an eight-foot-long Dance Theatre of Harlem puzzle, created by Frank Bara in 1991, that chronicles the first two decades of the company’s history with illustrative detail of its artists, heroes and friends. Dancer Charmaine Hunter’s costume and headpiece designed by Geoffrey Holder for Firebird (1982), one of Dance Theatre of Harlem’s signature works, will be on view, as well as performance footage from a number of sources including the New York Public Library’s Jerome Robbins Dance Division.                                                                                                                                                                                                                                                                                                          

Dance Pioneer Arthur Mitchell

“I am a political activist through dance,” said Mitchell, who received a Doctorate of Humane Letters from Columbia in May of 2016. “I believe that dance, and the arts more broadly, can be used as a catalyst for social change—this is why I started the Dance Theatre of Harlem. With my archive at Columbia, artifacts of American dance history and African American history are accessible to young scholars, academics and the general public. The exhibition at the Wallach Gallery will further this push for change.”

The Wallach Art Gallery advances Columbia’s historical, critical and creative engagement with the visual arts. Serving as both a laboratory and a forum, the Wallach offers opportunities for curatorial practice and discourse, while bridging the diverse approaches to the arts at the University with a welcome broader public. Gallery hours are Wednesday through Friday, noon until 8pm and Saturday and Sunday, noon until 6 pm. The Wallach Art Gallery is free and open to the public.

“Our grand re-opening year at the Lenfest Center for the Arts is the perfect opportunity to celebrate Mitchell’s artistic genius, through the holdings of Columbia’s Rare Book & Manuscript Library. The Wallach is proud to collaborate on this presentation, offering a glimpse of these treasures to the public, while also appealing to those interested in the history of ballet, the history of Harlem and, more broadly, modern American race relations,” said Deborah Cullen, Director and Chief Curator of the Wallach Art Gallery.

For more information about the Wallach Art Gallery and the Arthur Mitchell: Harlem’s Ballet Trailblazer exhibition and related events including: An Afternoon with Arthur Mitchell (January 20, 2018, 1pm) and Panel Discussion with former dancers from the Dance Theatre of Harlem (February 24, 2018, 1pm) visit wallach.columbia.edu. 

To watch the complete Agon featuring the original cast click below

http://outandaboutnycmag.com/1-7-18-oa-nyc-dance-agon-new-york-city-ballet-1960/