Choreographer/dancer Kyle Abraham takes us on a funky stroll through downtown Manhattan near City Hall to the music of Bosq Featuring Evan Laflamme. Continue reading
Principal dancers Edward Watson and Marianela Nuñez dance the final pas de deux in Wayne McGregor’s abstract ballet Infra, a moving exploration of emotion, set to Max Richter’s melancholic and beautiful score. Continue reading
The kinematic street art of vogue dancing performed byKassandra Ebony, directed by Micheal Rice with music by Kevin Jz Prodigy.
Svetlana Zakharova and Roberto Bolle in Black Swan variation from the 1953 Bourmeister rendering of Swan Lake. Continue reading
Le Jeune Homme et La Mort, the iconic masterwork choreographed by Roland Petit featuring Nicolas Le Riche and Marie-Agnès Gillot as Death.
With a libretto by Jean Cocteau and choreography by Roland Petit, the 1946 ballet Le Jeune Homme et la Mort is a highly theatrical mix of post-war existentialism and chic. It has an explosive star part for a male dancer, all soaring jumps and writhing gymnastics, and a vampish figure of death. This rendition set in 2005 for the Paris Opera is a very sensual interpretation probably staged by Petit who died in 2010.
Le Jeune Homme Et La Mort
The Black Network (1936) the all-black musical short starring Nina Mae McKinney and including this dance number with the Nicholas Brothers, a fifteen-year-old Harold and twenty-two-year-old Fayard Nicholas, perform the song Lucky Number.
Apollo, one of George Balanchine‘s early masterpieces, filmed in Montreal in 1968 the cast included a very young Suzanne Farrell, Peter Martins, Marnee Morris, and Karin Von Aroldingen. Continue reading
Fosse– A 2001 Broadway tribute to the work of Bob Fosse and dedicated to Gwen Verdon. Including appearances by Ann Reinking and Ben Vereen. Continue reading
To celebrate the 93th Season of the Martha Graham Dance Company, April 2 through April 14 at the Joyce Theater, O&A NYC Magazine reposts Martha Graham’s Appalachian Spring.
Appalachian Spring premiered on October 30th, 1944, at the Library of Congress, Coolidge Auditorium in Washington DC, with Martha Graham dancing the lead role. Created during the darkest days of War World II Graham wanted to create inspiring art that came out of the American experience. Graham spoke of the work, “To be great art… it must belong to the country in which it flourishes, not be a pale copy of some art form perfected by another culture and another people”. Continue reading
New York City Ballet principals Heather Watts and Mel Tomlinson perform George Balanchine’s Agon pas de deux. Continue reading