flips his “Nails, Hair, Hips, Heels” hit from 2019 into the sleigh-worthy holiday bop “Bells, Bows, Gifts, Trees” with an equally electrifying music video.
Hall magically appears underneath a green neon light in the shape of a Christmas tree for the accompanying visual. He and his dancers-turned-reindeer prance around an empty warehouse in shimmering black leather jumpers with matching red leather gloves and stilettos.
Bells, Bows, Gifts, Trees
This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. 
The Havana-based Malpaso Dance Company returns for its tenth engagement at The Joyce. Since its founding in 2012 by Daile Carrazana, Osnel Delgado, and Fernando Sáez, the company remains committed to nurturing new voices in Cuban choreography. Joyce TheaterThis dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Havana-based Malpaso Dance Company returns for its tenth engagement at The Joyce. Since its founding in 2012 by Daile Carrazana, Osnel Delgado, and Fernando Sáez, the company remains committed to nurturing new voices in Cuban choreography. Joyce TheaterThis dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Havana-based Malpaso Dance Company returns for its tenth engagement at The Joyce. Since its founding in 2012 by Daile Carrazana, Osnel Delgado, and Fernando Sáez, the company remains committed to nurturing new voices in Cuban choreography. Joyce TheaterThis dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. A thrilling evening of Cuban dance featuring premiere works by bold choreographers, accompanied by live music from the Alma String Quartet and Aldo López-Gavilán and Ilmar Gavilán, this program brings “stirring new ideas about movement, dance, and the intermingling of social and individual relationships” (CVNC). Joyce Theater
All Style Of Dance: Breaking, Krump, Litefeet, Afrobeat, Popping, Jookin, Jousr, Vogue, Jerz ClubAll Style Of Dance: Breaking, Krump, Litefeet, Afrobeat, Popping, Jookin, Jousr, Vogue, Jerz ClubThe Havana-based Malpaso Dance Company returns for its tenth engagement at The Joyce. Since its founding in 2012 by Daile Carrazana, Osnel Delgado, and Fernando Sáez, the company remains committed to nurturing new voices in Cuban choreography. Joyce TheaterThis dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. A thrilling evening of Cuban dance featuring premiere works by bold choreographers, accompanied by live music from the Alma String Quartet and Aldo López-Gavilán and Ilmar Gavilán, this program brings “stirring new ideas about movement, dance, and the intermingling of social and individual relationships” (CVNC). Joyce TheaterThe Havana-based Malpaso Dance Company returns for its tenth engagement at The Joyce. Since its founding in 2012 by Daile Carrazana, Osnel Delgado, and Fernando Sáez, the company remains committed to nurturing new voices in Cuban choreography. Joyce Theater
A dance and fitness class for seniors taught by Walter Rutledge Nereid Older Adult Center 720 Nereid Ave, Bronx, NY 10466 This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. 
Compagnie Hervé KOUBI performs What The Day Owes To The Night, a gravity-defying work blending capoeira, martial arts, and contemporary dance. Inspired by Algerian author Yasmina Khadra’s novel, What The Day Owes To The Night traces Koubi’s own personal lineage as a French-Algerian choreographer. Joyce Theater