400 Years – A Case for the Deliberate Destruction of the Black Community (2020) is the story of black people in America, from the 1400s all the way to 2020. This is a heavy history, full of pain, but it must be understood. Enjoy and wake up. A film by Kenjah King.
400 Years – A Case for the Deliberate Destruction of the Black Community (2020)
This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. 
The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor 
A dance and fitness class for seniors taught by Walter Rutledge Nereid Older Adult Center 720 Nereid Ave, Bronx, NY 10466 This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor 