By Walter Rutledge
Martha Graham had a fondness for Greek literature and mythology, and utilized these larger than life characters and themes as a source for inspiration. If we were to describe the present Martha Graham Dance Company using a figure from antiquity it would definitely be the Phoenix. The death of Graham, a nasty legal battle for control of work and the changing public attitude toward “how modern was modern dance” seemed to predict the final curtain call for the venerable dance company.
So many institutions struggled to survive after the death of the company’s name sake and major artistic voice, unfortunately many were not able to redefine their mission and are now just a memory. The Graham Company has found a way to not only redefine, and like the Phoenix, to rise with a renewed vigor. Through innovative programming, thoughtful reconstructions and exciting new commissions the Martha Graham Dance Company is once again making a bold artistic statement.
After what can only be described as a triumphant return to New York City Center last year, the company will begin their 2015 New York Season Tuesday, February 10 at the Joyce Theater.Ā The company pays tribute to Grahamās defining influence as an American Modernist with Shape&Design, a program highlighting the sculptural and architectural aspects of choreography by Graham and others. The expanded season, which runs through February 22, will offer 14 performances over twelve days.Ā
A Conversation With Janet Eilber- Artistic Director Martha Graham Dance Company
Panorama and Chronicle, Graham classics that set the standard for geometric force, are featured, along with Embattled Garden and Errand into the Maze, masterworks with evocative sets by Isamu Noguchi. Shape&Design includes recent works by renowned choreographers Nacho Duato, Andonis Foniadakis, and Annie-B Parson. The company celebrates the 85th anniversary of Grahamās iconic solo Lamentation with the world premiere of four new Lamentation Variations, choreographed by Kyle Abraham, Michelle Dorrance, Liz Gerring, and Sonya Tayeh.
The performance schedule:
Program A: Feb 11, 15 at 7:30pm; Feb 12, 20-21 at 8pm; Feb 22 at 2pm ā Satyric Festival Song, Embattled Garden, Lamentation Variations (including pieces by Kyle Abraham and Sonya Tayeh), Rust, Chronicle
Program B: Feb 17, 22 at 7:30pm; Feb 13-14, 19 at 8pm ā Lamentation Variations (including pieces by Michelle Dorrance and Liz Gerring), Errand Into the Maze, The Snow Falls in the Winter, Echo.
Each B Program will open with Essential Shape&Design:
Feb 13 ā Deep Song and Panorama
Feb 14, 17 ā Frontier and āSteps in the Streetā
Feb 19, 22 ā Deep Song and Primitive Mysteries (Excerpt)
Program C: Feb 15, 21 at 2pm; Feb 18 at 7:30pm ā Lamentation, Embattled Garden, At Summerās Full, Errand Into the Maze, Diversion of Angels
The Gala performance honoring Frank Gehry and Peter Arnell will take place on Tuesday February 10. The program will include Steps in the StreetĀ with stage design by Frank Gehry, Shape&Design-Ā a film by Peter Arnell, Misty Copeland in At Summerās Full and the World Premiere of all four Lamentation VariationsĀ by Kyle Abraham, Michelle Dorrance, Liz Gerring, and Sonya Tayeh. A Gala dinner will follow at IAC HQ, featuring Diane von Furstenbergās Dress The Kick.Ā For Gala tickets contact the Martha Graham Dance Company for tickets to the Gala Performance on Tuesday, February 10. For more information, email info@marthagraham.org or call 212-229-9200.
In Photo: 1)Ā PeiJu Chien-Pott in Lamentation 2)Ā Xiaochuan Xie in Annie-B Parsonās The Snow Falls in the Winter 3)Ā PeiJu Chien-Pott in Martha Grahamās Errand into the Maze
Photo Credit: Ā 1&3) Hibbard Nash Ā 2)Brigid Pierce
To view Graham’s masterworkĀ Appalachian Spring click below:
https://outandaboutnycmag.com/2615-shall-we-dance-friday-appalachian-spring/