8/1/20 O&A NYC SATURDAY MORNING CONCERT: Maria Kochetkova & Daniil Simkin – ‘Le Corsaire’ Pas de Deux

“I danced this pas de deux from the ballet ‘Le Corsaire’ with the wonderful ballerina Maria Kochetkova in August 2009 at the World Ballet Festival in Tokyo, Japan”- Daniil Simkin.
Continue reading

6/12/20 O&A NYC SHALL WE DANCE FRIDAY: Creole Giselle (DTH On Demand)

When the ballet Giselle was created in 1841, it was not imagined to be performed by men and women of color, Black men and women. In 1984, Dance Theatre of Harlem Co-Founder Arthur Mitchell changed that. The acclaimed DTH production of this classic, Creole Giselle, was re-conceived by Arthur Mitchell and staged by Frederic Franklin, based on the original by Jean Coralli and Jules Perrot

Continue reading

6/7/20 O&A NYC LOCKDOWN CONCERT: Alvin Ailey American Dance Theater: Chroma, Grace, Takademe, Revelations (2015)

Alvin Ailey American Dance Theater performs a full live evening of dance. In this 2015 Lincoln Center at Home rebroadcast. the works presented include:  Chroma by Wayne McGregor ‘Grace,’ Artistic Director Robert Battle’s ‘Takademe’ and the company’s signature work Revelations choreographed by company founder Alvin Ailey.

Continue reading

6/1/20 O&A NYC DANCE: Spectre de la Rose- Rudolph Nureyev and Denise Jackson

DeniseJacksoninLeSpectredelaRose197Le Spectre de la rose (English: The Spirit of the Rose) about a young girl who dreams of dancing with the spirit of a souvenir rose from her first ball.  Continue reading

5/22/20 O&A NYC SHALL WE DANCE FRIDAY: A Conversation With Calvin Royal III- The Best Is Yet To Come

By Walter Rutledge

 

On an unseasonably cold Sunday April morning Calvin Royal III met my at the East Harlem storefront dance studio of Robin William’s Uptown Dance Academy. The interview was in conjunction with his first upcoming New York City season as a soloist with American Ballet Theater (ABT). This also marked the first time in over two decades a black man ascended to the rank of soloist with ABT. Continue reading

(Repost) 5/8/20 O&A NYC SHALL WE DANCE FRIDAY: The A- Z of Dance

a-z of dance hero alt IIHIH

A-Z of Dance shows you how to set hearts alight and clubs on fire. Shot on the streets and rooftops of sunny LA, float like an Arabesque, spin like a B-Boy, wobble like a Chicken Noodle Soup… it’s time to step up! In a very special project for i-D and Diesel, director Jacob Sutton has captured the world’s hottest dancers walking in the air in their Jogg Jeans and cut-offs.

c41876b3598b09f4957597fc24c69f1a

Lil Buck shows us the way of Memphis Jookin. Super-thighs Nicole the Pole – star of Rihanna’s Pour It Up video – takes us to a whole other level. And fresh from the Rick Owens catwalk, the Soul Step team show us how to dance to Le1f. Continue reading

4/11/20 O&A NYC SATURDAY MORNING CONCERT: Louis Johnson’s Forces of Rhythm (Excerpts) Dance Theatre Of Harlem


Dance Theatre of Harlem mourns the loss of the great Louis Johnson. His ballet, Forces of Rhythm choreographed in 1971, became a signature piece for the Dance Theatre of Harlem Company, finding its place alongside the works of George Balanchine, Arthur Mitchell, Geoffrey Holder, and other choreographers for the fledging ballet company. Continue reading

4/10/20 O&A NYC SHALL WE DANCE FRIDAY: Dance Theatre of Harlem- Creole Giselle

Arthur Mitchell’s Creole Giselle performed by the Dance Theatre Of Harlem (DTH), and set the traditional story of Giselle in 1841 Louisiana broke barriers with this all African American adaptation.  Continue reading

3/31/20 O&A NYC IN MEMORIUM: Dancer, Choreographer Louis Johnson Died at 90

By Walter Rutledge

Dancer, choreographer and director Louis Johnson passed away he was 90 years old. Born March 19, 1930 in Statesville, North Carolina Johnson’s parents moved to Washington D.C. and he became a standout in the D.C. school system for his artistic and gymnastic abilities. While in high school Johnson enrolled and trained at the Jones Haywood School of Dance, where he blossomed under the tutelage of Doris Jones and Clair Haywood.

Johnson moved to New York City and continued his dance training at the famed New York City School of American Ballet, where he was mentored by Jerome Robbins and George Balanchine. Johnson performed on Broadway in Four Saint in Three Acts, House of Flowers (George Balanchine choreographer) Damn Yankees (Bob Fosse) and Hallelujah Baby. The success of one of his early choreographic works Lament for the New York City Ballet Club led to offers to choreograph the Broadway production of Langston Hughes’ Black Nativity. This lead to additional theatrical productions including Lost In The Stars, Treemonisha and Purlie, which garnered Johnson a Tony Award nomination.

Johnson choregraphed La Giaconda (starring Martina La Rowe) and Aida (starring Leontyne Price) for the New York Metropolitan Opera. Johnson also choreographed two motion pictures the 1970 Cotton Come To Harlem and The Wiz starring Diana Ross and Michael Jackson. Johnson never lost his love for concert dance choreographing for the Alvin Ailey American Dance Theater, Dance Theatre of Harlem, Joffrey Ballet, Atlanta Ballet, Philadanco and the Nanette Bearden Contemporary Dance Theater. In 1980 Johnson started the dance department at the Henry Street Settlement (New York City), where he remained until 2003. He also taught the first Black theater course at Yale University and stated dance department at Howard University (D.C.). His directorial credits include Porgy and Bess, Miss Truth and Jazzbo Brown.