Leo Holder, son of the choreographer Geoffrey Holder, and Dance Theatre of Harlem Artistic Director Virginia Johnson discuss the origins of Dougla. This is followed by a special presentation of Dougla from a 1977 PBS Broadcast.
The 2018 return of Geoffrey Holder’s masterwork Dougla to the repertoire Dance Theatre of Harlem (DTH) was a resounding success. The work is a sensorially sumptuous movement fest; and it is no wonder Dougla has remained an audience favorite since its premiere on April 16, 1974.
Blues Suite is the first work Alvin Ailey created for the Ailey company in 1958 and we hope you enjoy this 1985 recording that was a part of an hour-long TV special called Three by Three, which was aired on PBS’ Dance in America series. Available for one week only, now through July 30 at 7pm EDT. Continue reading
Ailey All Access presents Rennie Harris’ Lazarus. It’s the Company’s first ever evening length work shown in two acts. Through hip-hop dance, Harris reflects on Alvin Ailey’s life and addresses the racial inequities America faced when the Ailey company was founded 1958 and still faces today. Watch it now through Thurs, July 9 at 7pm EDT.Continue reading
James “Banks” Davis is a real New York success story. Banks grow up in the urban environment of Queens and Brooklyn and as a teenager found acceptance and recognition as an urban street dancer. A natural athlete Banks quickly excelled in dance and gymnastics. He loved entertaining people often turning a street corner into a stage.
Then on Halloween night 2009, gun fire erupted on a crowded Brooklyn street and Banks was shot in the knee- another innocent victim of a random shooting. His injuries would have been a death knell for anyone pursuing a career in dance. Instead, Banks treated this not as a detour, but the course appointed.
The original diagnosis was amputation; but miraculously sensation returned to his leg and Banks immediately turned his attention toward recovery. Through mediation, prayer, dedication and hard work Banks was able to return to dance. Banks broaden his aesthetic horizons through his association with Jamel Gaines and his dance company
For over 26 years Gaines has used dance to inspire inner city youth to achieve; and often his prodigy has aspired beyond their own expectations. Gaines has the unique gift of working with dancer from many diverse disciplines. And Banks (whose specialty was the L.A. street dance style called Krump) developed his art under Gaines holistic approach to dance.
Banks combines the refined, codified styles of modern and jazz with the raw edginess of Krump. In 2014 Banks stole the hearts of many on social media as a contestant on So You Think You Can Dance Season 11. Banks played the role of the angel Gabriel in the English National Opera’s The Gospel According To Mary and toured New Zealand with the Park Avenue Armory’s production FLEXN. In 2019 Banks was featured in the groundbreaking Revelation of Proverbs Reggie “Regg Roc” and the D.R.E.A.M. Ring at The Shed.
Jamel Gaines Creative Outlet Behind The Scenes
On June 19 Creative Outlet and Summerstage will present Hanging Tree, an on-line celebration of the 155th anniversary of Juneteenth. The virtual presentation will take place on June 19, 7-8pm on Summerstage YouTube. In addition to Banks the production (choreographed, staged and conceived by Gaines) also features vocalist Marcelle Davies Lashley, poet Carl Hancock Rux, and musician Talu Green. The performance will be followed by a panel discussion entitled The Importance of Juneteenth’s History & How It Affects Our Community’s Lives Today. The panel will feature RestorationArt Executive Director Dr. Indira Etwaroo, Gaines and Rux.
For more information about Creative Outlet’s programs, classes and upcoming event visit jgcodance.org.
When the ballet Giselle was created in 1841, it was not imagined to be performed by men and women of color, Black men and women. In 1984, Dance Theatre of Harlem Co-Founder Arthur Mitchell changed that. The acclaimed DTH production of this classic, Creole Giselle, was re-conceived by Arthur Mitchell and staged by Frederic Franklin, based on the original by Jean Coralli and Jules Perrot
“Dance can elevate our human experience beyond words,” says Judith Jamison, artistic director emerita of the Alvin Ailey American Dance Theater. In between performances of excerpts from Alvin Ailey’s classic works “Revelations” and “Cry,” Jamison reflects on the enduring power of dance to transform history into art that thrills audiences around the world. (Performances by Solomon Dumas, Samantha Figgins and Constance Stamatiou) Continue reading
Alvin Ailey American Dance Theater performs a full live evening of dance. In this 2015 Lincoln Center at Home rebroadcast. the works presented include: Chroma by Wayne McGregor ‘Grace,’ Artistic Director Robert Battle’s ‘Takademe’and the company’s signature work Revelations choreographed by company founder Alvin Ailey.