Alvin Ailey first began sketching out a suite of Ellington works on the newly formed the Repertory Workshop of the Alvin Ailey American Dance Center which later became known as Ailey II. Continue reading
Blues Suite is the first work Alvin Ailey created for the Ailey company in 1958 and we hope you enjoy this 1985 recording that was a part of an hour-long TV special called Three by Three, which was aired on PBS’ Dance in America series. Available for one week only, now through July 30 at 7pm EDT. Continue reading
The documentary film A Hymn for Alvin Ailey goes behind the scenes of Judith Jamison’s Hymn and gives you a look at Alvin Ailey’s life from the perspective of those who knew him best. Continue reading
“Dance can elevate our human experience beyond words,” says Judith Jamison, artistic director emerita of the Alvin Ailey American Dance Theater. In between performances of excerpts from Alvin Ailey’s classic works “Revelations” and “Cry,” Jamison reflects on the enduring power of dance to transform history into art that thrills audiences around the world. (Performances by Solomon Dumas, Samantha Figgins and Constance Stamatiou)
Alvin Ailey American Dance Theater performs a full live evening of dance. In this 2015 Lincoln Center at Home rebroadcast. the works presented include: Chroma by Wayne McGregor ‘Grace,’ Artistic Director Robert Battle’s ‘Takademe’ and the company’s signature work Revelations choreographed by company founder Alvin Ailey.
By Walter Rutledge
In 2003 I called Ailey Dancer Emeritus Dudley Williams at that time he was a 39 year veteran of the Ailey Company, one year from a forty year milestone as an Ailey dancer. The Bearden Foundation and The Nanette Bearden Contemporary Dance Theater were planning a centennial celebration for renowned artist Romare Bearden. The dance company would present a new work On The Block based on the six panel mural by Bearden, which is in the permanent collection at the New York Metropolitan Museum of Art.
I introduced myself and explained the projected; we wanted him to play an abusive husband opposite Hope Clark. I finished the introduction with “I have called you the Lyric Crown Prince of modern dance but in this work I’m going to need you to be a real son of a bitch”. He paused then quickly responded “I can do that”. This began a working relationship and friendship that would last until his death. I still miss Dudley’s dry wit and even drier Bombay Blue Sapphire Martini. I know that you are still dancing this solo probably with Alvin directing and Donny singing. Continue reading
By Walter Rutledge
Ailey II Artistic Director Emerita Sylvia Waters has shaped the lives and careers of countless young artists. During her 38 year tenure the Alvin Ailey Repertory Ensemble grew into the world respected Ailey II- a dance company, choreographic laboratory and “dancing boot camp”. In 2012, shortly before her departure, we had an opportunity to talk with her about her career as a dancer, teacher and director.
A tribute to the great jazz musician Charlie “Bird” Parker, For ‘Bird’ – With Love brings the audience back to the relaxed atmosphere of an after-hours jam session at a local jazz club. Continue reading
By Walter Rutledge
Louis Johnson’s passing marks the end of an era in Black dance. Johnson was the last of the of his generation of 20th century American choreographers of African descent and International renowned. His contemporaries, Alvin Ailey, Talley Beatty, Geoffrey Holder, Donald McKayle, and Arthur Mitchell, all forged through the restrictive Jim Crow era of hatred and segregation; that unfortunately included the arts- and dance. Continue reading
Alvin Ailey American Dance Theater dancer and Baltimore School for the Arts alumna Jacqueline Green ’07 performs Ailey’s iconic solo Cry (1972). Continue reading