9/1/25 O&A NYC DANCE REVIEW: Chicago Black Dance Legacy Project – Unbound: Shattered Frames, Endless Visions.

By Walter Rutledge

It seems our narratives, our cultural and historic legacy, is being erased or altered to fit a new national fiction. It is becoming extremely important to tell our own stories and to share and protect our narratives. This was the mission of the Chicago Black Dance Legacy Project production Unbound: Shattered Frames, Endless Visions. The impressive and stylish sold-out presentation took place on Saturday, August 23 at the Harris Theater for Music and Dance.

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8/22/25 O&A NYC SHALL WE DANCE FRIDAY: Chicago Black Dance Legacy Project’s Artists Speak

By Walter Rutledge

Shall We Dance Friday

The Chicago Black Dance Legacy Project (CBDLP) 2025 presentation, Unbound: Shattered Frames, Endless Visions will grace the stage of the Harris Theater for Music and Dance this Saturday, August 23, 6pm. This unprecedented dance/theatre event showcases ten of Chicago’s most dynamic and diverse dance companies. The event is more than a dance concert. The production is a collective of Chicago-based artists celebrating the continued historic contributions of the Black dance community on the city’s cultural landscape. Continue reading

8/19/25 O&A NYC DANCE: The Chicago Black Dance Legacy Project And Dr. King’s Beloved Community

By Walter Rutledge

The Chicago Black Dance Legacy Project (CBDLP) will present Unbound: Shattered Frames, Endless Visions on Saturday August 23, 6pm at the Harris Theater for Music and Dance (205 E. Randolph Street). Co- Directors Kevin Iega Jeff and Mashaune Hardy in coordination with co-curators Gary Abbott and Jeff have assembled a cast of ten of Chicago’s most exciting and progressive dance companies. This production will put meaning/message to movement for a transformative evening celebrating the city’s Black dance excellence. It will also emphasize the historic impact of Black dance on the cultural identity of the city of Chicago. Continue reading

8/16/25 O&A NYC DANCE: The Era Footwork Crew – Chicago’s Urban Terpsichoreans

By Walter Rutledge

Los Angles urban dance warriors perform Krump, Memphis dancers have the Juke, New Yorkers are Flexn and Chicago homies dance Footwork. Footwork music began evolving in Chicago in the early 90s, drawing on Ghetto House and Juke but adding complex layers of odd, almost compulsively frenetic rhythms; it grew hand in hand with the athletic, high-octane dance style that shares its name.

The dance/theatre urban storytelling style is accompanied by original lyrics and music tracks that reflect social justice, inequality and systemic racism. For over ten years Chicago’s Era Footwork Crew has introduce Footwork to the urban “dance battles” and the greater international dance community. Era Footwork Crew continues to make the urban dance style as synonymous to Chicago’s cultural identity as Deep-Dish Pizza. These Urban Terpsichorean will be part of the Chicago Black Dance Legacy Project (CBDLP) in Unbound: Shattered Frames, Endless Visions, which will premiere Aug 23, 2025, 6:00pm at the Harris Theater for Music and Dance (205 E. Randolph Street). Continue reading

8/8/25 O&A NYC SHALL WE DANCE FRIDAY: Chicago’s Hiplet Ballerinas To Perform In The Chicago Black Dance Legacy Project Debut

By Walter Rutledge

Shall We Dance Friday

Who would defile the sacred world of ballet (the last bastion of “pure” euro-centric dance and culture) by adding a healthy dose of urban flair? Move over Swan Lake and make way for the Hiplet Ballerinas. The Chicago – based dance company, whose unique style has taken the dance world by storm. The company will be part of The Chicago Black Dance Legacy Project – Unbound: Shattered Frames, Endless Visions  on Saturday, August 23, 6 pm at the Harris Theater for Music and Dance (205 E. Randolph Street). The performance is a showcase of Black dance excellence and will feature ten of the city’s most innovative and diverse dance companies.   Continue reading

1/31/25 O&A NYC SHALL WE DANCE FRIDAY: Jamel Gaines Creative Outlet Educates Through Dance

By Walter Rutledge

Jamel Gaines Creative Outlet will commemorate the company’s 30th anniversary with a three-day New York City season Friday, February 13 through Sunday, February 15 at BAM Fisher Fishman Space. The season will offer Remembering, a program that reflects Gaines continued commitment to educate and enlighten the next generation through the dance theatre genre. Continue reading

11/6/23 O&A NYC DANCE REVIEW: Vespers- Paul Taylor Dance Company

By Walter Rutledge

The Paul Taylor Dance Company began its sixty-ninth season on Tuesday October 31 at the New York State Theater. The two-week fifteen performance season will offer a total of fourteen works by five choreographers. The season will present a world premieres by Larry Keigwin and Lauren Lovette, the return of a work by Amy Hall Garner, company premiere by and Ulysses Dove and nine Taylor classics.

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9/22/19 O&A NYC DANCE- REVIEW: Legacy- Creative Outlet and Deeply Rooted at BAM Fisher

By Walter Rutledge

Legacy, a shared concert between Brooklyn based Jamel Gaine’s Creative Outlet and Chicago’s Deeply Rooted Dance Theater, presented a well curated evening of dance theatre works at BAM Fisher on Friday and Saturday September 13 and 14, 2019. Founding directors Jamel Gaines and Deeply Rooted’s Kevin Jeff (both Queens natives and Bernice Johnson Dance School alums) presented a concert of shared dance philosophies. The evening had a kindred aesthetic; presenting seven works spanning thirty-five years. Continue reading

12/8/14 O&A REVIEW: Deeply Rooted Dance Theater- Generations II Here’s To Life!

 By Walter Rutledge

deeply

Deeply Rooted Dance Theater presented Generations II Here’s To Life! for three performances; Friday, November 21 through Sunday November 23 in the James and Martha Duffy Performance Space at the Mark Morris Dance Center, downtown Brooklyn. The Chicago based ensemble presented a concert that was deeply rooted in the dance theatre tradition. Artistic Director Kevin Iega Jeff and Associate Artistic Director Gary Abbott have made the courageous decision to offer original dance works that ranged from dance narratives to theatrical abstract works with strong dramatic undertones. The result was an evening of well structured choreography performed with considerable artistic depth. Continue reading