Le Sacre du printemps was originally choreographed by Vaslav Nijinsky for the Ballets Russes . Commissioned by company impresario Serge Diaghilev and set to music by Igor Stravinsky, the ballet premiered 29 May 1913 at the Théâtre des Champs-Elysées, Paris. Continue reading
Le Spectre de la rose (English: The Spirit of the Rose) about a young girl who dreams of dancing with the spirit of a souvenir rose from her first ball. Continue reading
Le Spectre de la rose (English: The Spirit of the Rose) about a young girl who dreams of dancing with the spirit of a souvenir rose from her first ball. Jean-Louis Vaudoyer wrote the ballet story. Continue reading
Rudolph Nureyev is Valentino. The world’s greatest lover dances the tango with the world’s greatest male dancer Vaslav Nijinsky (Anthony Dowell)..
Vaslav Nijinsky choreographed Afternoon of a Faun, using the music of Claude Debussy. In this interpretation, Leon Bakst‘s scenery and costumes have been stunningly reconstructed by Ralph Holmes. The original choreography, designed to evoke the two-dimensional flatness of a Greek frieze, was reconstructed by Elizabeth Schooling and William Chappel. Continue reading
Rudolph Nureyev as Valentino, a biographical drama film very loosely based on the life of Rudolph Valentino, directed by Ken Russell in 1977. In this scene former dance hall performer Rudolpho Valentino dances a tango with dance legend Ballet Russe star Vaslav Nijinsky.
Rudolf Nureyev & Anthony Dowell- Valentino (1977)
Nureyev & The Joffrey Ballet Tribute to Nijinsky, features three ballets Petrouchka, Le spectre de la rose, L’après-midi d’un faune was recorded on August 1980 in Nashville.
As Robert Joffrey, artistic director of the company, explains toward the end of this program, no one really knows in precise detail how the Vaslav Nijinsky of legend danced. These re-creations were assembled by reading about him and by looking at photographs in costume. Needless to say, dance scholars have been afforded endless opportunity for taking indignant exception to bits and pieces of the reconstructions.
Nureyev & The Joffrey Ballet Tribute to Nijinsky 1980
Petrouchka (Rudolf Nureyev, Denise Jackson, Christian Holder, Gary Chryst)
Le spectre de la rose (Rudolf Nureyev, Denise Jackson)
L’après-midi d’un faune (Rudolf Nureyev, Charlene Gehm)
National Philharmonic Orchestra ; Terence Kern, conductor ; Paul Jacobs, solo piano.
NUREYEV and the Joffrey Ballet/In Tribute to Nijinsky, the Dance in America broadcast, debuted on March 9, 1981. Recorded in August 1880 in Nashville the program presented a collection of three ‘reconstructed ballets had been seen in a special limited run on Broadway. For television, the dances have been supplemented with biographical comments on Nijinsky by Dale Harris and snippets of interviews with Rudolf Nureyev. Continue reading
In The Ballerinas, a sumptuously produced two-part ballet drama, Fracci places her rare artistry in the service of dance history as she recreates roles first premiered by such luminous ballerinas as Marie Taglioni, Emma Livry, Carlotta Grisi, Fanny Elssler, Giuseppina Bozzacchi, Carlotta Brianza, Matilde Kschessinska, Anna Pavlova, Tamara Karsavina and Olga Spessitzeva. Continue reading
Vaslav Nijinsky himself did the choreography for Afternoon of a Faun, using the music of Claude Debussy. In this interpretation, Bakst’s scenery and costumes have been stunningly reconstructed by Ralph Holmes. The original choreography, designed to evoke the two-dimensional flatness of a Greek frieze, was reconstructed by Elizabeth Schooling and William Chappel. Continue reading
Ghanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6RGhanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6R
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid Ghanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6RGhanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6R
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 