6/22/16 O&A NYC REVIEW DANCE: Thelma Hill 40th Anniversary Season Continues

By Walter Rutledge

IMG_0050The Thelma Hill Performing Arts Center’s 40th Anniversary season at the Actor Fund Center, 160 Schermerhorn Street, is in high gear. The third evening presented new, emerging and mid-level choreographers with works ranging from ballet to hip-hop. The performance expressed the founding credo of the organization by presenting the diverse and innovative choreography of artists of color.

The evening opened with a series of solo works. Francesca Harper’s Deconstructing Flack consisted of two solo works echoing the theme of love and loss. Both works, set to the music of Roberta Flack, took the audience from prologue to epilogue.

Erika Lisaku danced the opening solo with a poignant despair. Harper captured the haunting quality of Flack’s First Time Ever I Saw Your Face. In the second solo dancer Amanda Sachs conveyed the acceptance of her situation. More reflective and introspective Ballad of the Sad Young Men had a feeling of resolve.

Toro (pool in a river) by Takeshi Ohashi moved with an elegant quiet control. Danced by Ohashi, with live trumpet accompaniment by Justin Osouna Chance, the impressive movement quality combined tight, isolated movement with sweeping floor work. The works fluidity and grounded quality evoked both the purposeful nature Tai Chi and the explosive excitement of break dance.

The last solo, William Isaac’s charming No Banana Skirt, offered an upbeat and fun variation. Amanda Smith danced the lively and energetic pointe piece with technical proficiency and an effervescent deportment. Both the performance and choreography encapsulated the fun spirit of the Josephine Baker’s rendition of Bye Bye Blackbird.

Purelements: An Evolution in Dance closed the first act with The Call by Men Ca. Danced by the junior company the work effectively blended West African and modern dance. The level of professionalism and commitment endeared this group of young performers to the audience, and became one of the most satisfying aspects of the performance.

The Hip-Hop dance crew Special Ops five-man dance crew consisting of Ptah, Floats, Twist, Press, Rachett and Ej wowed the audience. The crew exemplified the evolution of the urban art form synonymous with 80’s street culture to 21st century inner city storytelling through a codified movement style. Using Flexing (isolated movement and contortions, Gliding (floating across the floor) and Shotta Dance (derived from Reggae dancehall) Special Ops shared a gritty reality ripped from today’s headlines.

Nijawwon Matthew’s XY Dance Project transported us from rap to Bach with his ensemble dance Work Forty. The work blended modern, ballet, gymnastics and “Matthews” to create a visual and kinesthetic excitement. Costumed in white bras, and briefs the dancers donned olive-green ski mask type headgear by Project Runaway’s Mondo Guerra, which
 reminiscence Robert Rauschenberg work in Paul Taylor’s Three Epitaphs. Matthew continues to find his own voice, and we commend and encourage him to keep exploring.

Earl Mosley’s Diversity of Dance closed with Wild and Free! (Draft 5). The jazz infused modern dance ensemble work featured a cast of 23 dancers, and quickly evolved into a witty high-energy pure dance crescendo. Mosley’s ability to bring out the best in every member of the ensemble has become one of his true strengths.

Alexander Diaz distinguished himself with abandoned risk taking and a focused attack, which made it hard not to watch him. The duet between Christine Caimares and Riccardo Bataglia had a strong yet sensual combativeness attack that (thankfully) avoided violence.

The 40th Anniversary Season continues tonight with a new line up diverse choreographers. The roster includes Jamal Story, Jean Emile, HSA Dance Ensemble, Charles Moore Dance Theater, Ronald K. Alexander, Abdiel Jacobsen and Bones The Machine. The evening will open with a special tribute to Loretta Abbott presented by Tony and Emmy Award winner George Faison.

For more information and tickets visit www.thelmahill.com tickets can also be purchased at the box office 30 minutes prior to the performance.

Thelma Hill Performing Arts Center: Dancing the Single Life (part 2)

By Walter Rutledge

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Dancing the Single Life (part 2) concluded the choreographer’s showcase portion of the Thelma Hill Performing Arts Center three-day New York season at the Actor’s Fund Arts Center, 160 Schermerhorn Street. For the second night five choreographers were presented each testing the boundaries of contemporary dance. It was an engaging terpsichorean event defined by cutting edge, innovative and provocative choreography. Continue reading

Thelma Hill Performing Arts Center Series Begins Monday

By Walter Rutledge

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The Thelma Hill Performing Arts Center (THPAC) will present their annual Souls of Our Feet: People of Color Dance Festival June 23, 24, and 25; 7:30pm at the Actors Fund Arts Center, 160 Schermerhorn Street in Downtown Brooklyn. This year the performances will showcase the works of ten choreographers in a unique program of dance solos. The series is aptly entitled Dancing the Single Life. Continue reading

Kymera Dance 2014 New York Season

By Walter Rutledge

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Kymera Dance began their 2014 New York season on Sunday, May 25 at the Goldman-Sonnenfeldt Family Auditorium, JCC in Manhattan. The season featured two world premieres by commissioned artist Amy Hall Garner and Artistic Director William Isaac. The performance was a well-balanced and artistically succinct program, which successfully conveyed both choreographers’ intents and individual styles. Continue reading

O & A NYC: Thelma Hill Performing Arts Center Presents PEEKS works-in-progress

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The Thelma Hill Performing Arts Center began their spring performance season with PEEKS works-in-process on May 1 at the Actors Fund Arts Center, 160 Schermerhorn Street, Brooklyn. Two choreographers Ranardo-Domeico Grays and William Isaac were each given thirty-minutes each to present works in progress. Both choreographers shared their developing dances and creative process with an enthusiastic and supportive audience. Continue reading

Thelma Hill Performing Arts Center begins Spring Season May 1

By Walter Rutledge

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The Thelma Hill Performing Arts Center (THPAC) will begin their spring season with PEEKS Works In Progress on Thursday, May 1, 7:30pm at the Actors Fund Arts Center, 160 Schermerhorn Street, Brooklyn. The hour-long presentation will showcase works in development by Ranardo-Domeico Grays and William Isaac. Continue reading