4/19/23 O&A NYC WALESTYLEZ HIP HOP WEDNESDAY: KOTD – DNA/Charlie Clips vs Real Sikh / Lu Castro I #RapBattle

King of The Dot Entertainment, also known as KOTD is a North American Battle Rap league founded in Toronto,Ontario, Canada in 2008. The company’s HQ is based in Toronto, from which it gets its name. Successful battlers such as Pat Stay, Dizaster, Head Ice, Rone, Arsenal Math Hoffa and Madchild.  Continue reading

2/27/19 O&A NYC WALESTYLEZ HIP HOP WEDNESDAY: DNA VS MICKEY FACTZ SMACK RAP BATTLE | URLTV

The Ultimate Rap League commonly referred to as SMACK/ URL is a Battle Rap League based out of New York by acclaimed hip hop promoter Troy Smack White Mitchell out of Queens, NewYork. This is a heated rap battle between DNA and Mickey Factz. Continue reading

11/15/17 O&A NYC WALESTYLEZ HIP HOP WEDNESDAY: Most Legendary Battle Rap Bars of All Time – Chronological Order

Battle rap is a type of rapping that includes bragging, insults and boasting content.Battling can occur on recorded albums, though rap battles are often recited or freestyled spontaneously in live battles, where MC’s will perform on the same stage to see who has the better verses. Continue reading

8/28/17 O&A NYC SONG OF THE DAY: Kendrick Lamar Performs ‘DNA’ & ‘Humble’ Medley at 2017 VMAs- MTV

Kendrick Lamar kicked off the 2017 VMA Awards with an explosive performance of DNA and Humble. Continue reading

2/3/16 O&A NYC WILDIN OUT WEDNESDAY: Paul Mooney- Dropping Knowledge

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Paul Mooney drops knowledge with Reelblack in 2010. In this clip, he talks about the difference between being half-African and half-Black, DNA, his Rip Van Winkle screenplay, Willie Lynch and the fear Black women instill in their sons.
Continue reading

7/28/15 O&A REVIEW: The 2015 Fire Island Dance Festival

By Walter Rutledge

Fire-Island-Dance-Festival-2015-cast-photo-by-Daniel-Roberts

The Fire Island Dance Festival 2015 took place July 17- 19 in Fire Island Pines. The three-day dance event has become Fire Island’s premiere summer dance showcase; spotlighting the talents of new, emerging and established choreographers, dancers and dance companies. This year the festival presented ten works by nine choreographers, and featuring forty-three performing artists.

Due to the high level of artistry and the picturesque setting (overlooking the bay) the entertainment element is the festival’s focal point; but the purpose and mission should always be reinforced and reiterated at every opportunity. The Fire Island Dance Festival is the successful result of two communities that have been greatly impacted by HIV/AIDS coming together to make a difference in the lives of the most vulnerable. Dancer Responding To AIDS (DRA) was founded in 1991 during the bleakest days for the AIDS pandemic.

The Fire Island Dance Festival achieves its goal through the very essence of the art form- by sharing. The response and generosity of the dance and Fire Island communities has allowed DRA to surpass the previous year’s financial accomplishments. This year the festival raised $544,555 that will assist in their year round support for people living with HIV/AIDS.

Due to the freelance nature of the “no business like show business”, many artists living with HIV/AIDS lack adequate health services, emergency financial assistance and contingency funds, lifesaving medications, counseling, healthy meals, and vital support systems. Through various programs including The Actors Fund, the HIV/AIDS Initiative and The Dancers’ Resource, artists and the community at large receive assistance.

 Desmond-Richardson-Fire-Island-Dance-Festival-2015-photo-by-Daniel-Roberts

Festival host Desmond Richardson is quickly becoming dance’s eloquent elder statesmen. Richardson (who participated in the very first festival) is also co-founder of Complexions Contemporary Ballet; and along with Artistic Director Dwight Rhoden remain a staple throughout the festival’s 21-year history. This year Rhoden offered a solo set two Bach’s Chromatic Fantasy and Fugue, and performed by his present muse Clifford Williams. Williams gave an articulate and impassioned performance.

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The ten works ranged from lighthearted dance theatre to ballet bravura, which epitomized the range, scope and inclusiveness of the event and the mission. Choreographers: Joshua Beamish, Al Blackstone, Pontus Lidberg, Duncan Lyle, Annabelle Lopez Ochoa, Stephen Petronio, Jules Perrot, Dwight Rhoden, Manuel Vignoulle, and Charlie Williams.

Dance Companies: Ailey II, Ballet Hispanico, Intermezzo Dance Company, Joshua Beamish/Move: the company, Manuel Vignoulle Dance– M/motions, and Pontus Lidberg Dance.

And dancers: Paulo Arrais, Alex Biegelson, Biscuit, Shay Bland, Christopher Bloom, Mary Carmen Catoya, Chloe Cambelll, Marc Cardarelli, Mario Ismael Espinoza, Mark Gieringer, Jacob Guzman, Christopher Hernandez, Jakob Karr, Justin Keats, Dimitri Kleioris, Lindsay Janisse, Adrian Lee, Pontus Lidberg, Kourtni Lind, Reed Luplau, Chase Madigan, Raymond Matasamura, Johan Rivera Mendez, Adam Perry, Karine Plantadit, Kleber Rebello, Isaies Santamaria, Logan Schyvynck, Nicholas Sciscione, Corey Snide, Terrell Spence, Manuel Vignoulle Clifford Williams, Stephanie Williams, and Joshua Winzeler should all be commended for donating their time and sharing their artistry.  

The Fire Island Dance Festival is a once a year event that take place on the third Saturday of July, but the services provided by Broadway Cares/Equity Fights AIDS are year round. DRA supports more than 450 AIDS and family service organizations in all 50 states.To find out more about the programs and service provide or to make a donation visit dradance.org.

1) 2015 Fire Island Dance Festival 2) Desmond Richardson

Daniel Roberts Photographer

On Carousel  1) Pontus Lidberg Dance 2) Mary Carmen Catoya and Kleber Rebello 3) Manuel  Vignoulle Dance M/motions 4) Joshua Beamish/Move: the company 5) Charlie Williams 6) Ballet Hispanico 7) Al Blackstone 8) Ailey II 9) 10 Hairy Legs

Whitney Browne Photographer