Tag: Martha Graham

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4/30/24 O&A NYC DANCE REVIEW: The Martha Graham Dance Company

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By Walter Rutledge

The Martha Graham Dance Company presented their 98th season April 17 thru 20th at New York City Center. The season offered only four performances featuring works by Agnes DeMille, Martha Graham, Jamar Roberts and Hofesh Shechter. The Thursday night program featured two Graham masterworks Rite of Spring (1984) and her icon Appalachian Spring (1944) and We The People, a new work by Roberts. The audience was treated to a season of live music (a former dance staple now a luxury) by the Mannes Orchestra and the Gabe Witcher Sextet. Continue reading

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2/24/23 O&A NYC SHALL WE DANCE FRIDAY- CELEBRATING BLACK HISTORY MONTH: Rainbow Round My Shoulder- Donald McKayle with Mary Hinkson

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dance.doncarmen

Donald McKayle’s 1959 masterwork, Rainbow Round My Shoulder, is acclaimed as a modern dance classic. A searing dramatic narrative, it is set on a chain gang in the American south where prisoners work, breaking rock from “can see to can’t see.” Their aspirations for freedom come in the guise of a woman, first as a vision then as a remembered sweetheart, mother, and wife. The songs that accompany their arduous labor are rich in polyphony and tell a bitter, sardonic, and tragic story. It was created for the Donald McKayle Dance Company, and has been in the repertoire of the Alvin Ailey American Dance Theater, Batsheva Dance Company and Dayton Contemporary Dance, among others. The cast in the video excerpt includes Donald McKayle and Mary Hinkson. Continue reading

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12/24/22 O&A NYC FROM THE VAULT: A Conversation with Clive Thompson- The Ailey Years

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By Walter Rutledge

Clive Thompson danced in the Golden Era of the Alvin Ailey American Dance Theater. Officially becoming a permanent member in 1970 when choreographer Ailey was entering a creative zenith. He viral good looks, skillful partnering, and his ability to capture audiences in both dramatic and abstract roles made him Ailey royalty. Continue reading

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11/6/21 O&A NYC AFTER THE CONVERSATION: Elisa Monte, Sarita Allen, Lloyd Knight, Marzia Memoli

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The Martha Graham Dance Company concluded its New York fall performances at the Joyce Theater. O&A NYC Editor-in-Chief Walter Rutledge sat down with Treading choreographer Elisa Monte, Graham dancers Lloyd Knight and Marzia Memoli, and “dance Icon” former Ailey principal Sarita Allen for a spirited conversation about Monte’s signature work. After the interview ended the the conversation continued.   Continue reading

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10/27/21 O&A NYC DANCE: Treading With Elisa Monte, Sarita Allen, Lloyd Knight, Marzia Memoli

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By Walter Rutledge

The Martha Graham Dance Company will has began their fall 2021 Joyce Theater season. The season, which runs October 26 thru October 31, will present two programs featuring Graham classics, new works and revivals. Elisa Monte‘s signature duet Treading, originally commissioned by Martha Graham in 1979, will have its anticipated return to the repertoire tonight at the Joyce Theater. O&A NYC Editor-in-Chief Walter Rutledge sat down choreographer Elisa Monte, former Ailey principal dancer Sarita Allen and present cast Lloyd Knight and Marzia Memoli for a fun and informative conversation.   Continue reading

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10/22/21 O&A NYC SHALL WE DANCE FRIDAY: A Conversation With Lloyd Knight

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By Walter Rutledge

Martha Graham Dance Company begins it’s fall season on Tuesday, October 26 through October 31 at the Joyce Theater. Principal dancer Lloyd Knight discussed the upcoming season, working through the pandemic, and all things Graham with O&A NYC Editor-in-Chief Walter Rutledge.  Continue reading

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10/30/21 O&A NYC SATURDAY MORNING CONCERT: Appalachian Spring

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Graham Letter to World 1

Appalachian Spring premiered on October 30th, 1944, at the Library of Congress, Coolidge Auditorium in Washington DC, with Martha Graham dancing the lead role. Created during the darkest days of War World II Graham wanted to create inspiring art that came out of the American experience.  Graham spoke of the work, “To be great art… it must belong to the country in which it flourishes, not be a pale copy of some art form perfected by another culture and another people”. Continue reading

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2/14/20 O&A NYC SHALL WE DANCE FRIDAY- CELEBRATING BLACK HISTORY MONTH: Rainbow Round My Shoulder- Donald McKayle with Mary Hinkson

  By , , , , , , ,

dance.doncarmen

Donald McKayle’s 1959 masterwork, Rainbow Round My Shoulder, is acclaimed as a modern dance classic. A searing dramatic narrative, it is set on a chain gang in the American south where prisoners work, breaking rock from “can see to can’t see.” Their aspirations for freedom come in the guise of a woman, first as a vision then as a remembered sweetheart, mother, and wife. The songs that accompany their arduous labor are rich in polyphony and tell a bitter, sardonic, and tragic story. It was created for the Donald McKayle Dance Company, and has been in the repertoire of the Alvin Ailey American Dance Theater, Batsheva Dance Company and Dayton Contemporary Dance, among others. The cast in the video excerpt includes Donald McKayle and Mary Hinkson. Continue reading

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3/5/19 O&A NYC SHALL WE DANCE FRIDAY: Appalachian Spring- Martha Graham Dance Company

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Shall We Dance Graham Letter to World 1

To celebrate the 93th Season of the Martha Graham Dance Company, April 2 through April 14 at the Joyce Theater, O&A NYC Magazine reposts Martha Graham’s Appalachian Spring.

Appalachian Spring premiered on October 30th, 1944, at the Library of Congress, Coolidge Auditorium in Washington DC, with Martha Graham dancing the lead role. Created during the darkest days of War World II Graham wanted to create inspiring art that came out of the American experience.  Graham spoke of the work, “To be great art… it must belong to the country in which it flourishes, not be a pale copy of some art form perfected by another culture and another people”. Continue reading

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4/1/19 O&A NYC DANCE: A Converstion with Lloyd Knight

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By Walter Rutledge

The Martha Graham Dance Company will begin their New York City season April 2 through April 14 at the Joyce Theater. Continue reading