11/17/23 O&A NYC SHALL WE DANCE FRIDAY: Robert Battle Resigns

 

From the Ailey Press Office

The Board of Trustees of Alvin Ailey Dance Foundation today announced that Robert Battle, Artistic Director of Ailey since 2011, has informed them that he needs to focus on his health and has submitted his resignation. The Board has accepted Mr. Battle’s resignation with regret. Mr. Battle will remain available to the Board through December 31, 2023. Continue reading

6/11/23 O&A NYC DANCE REVIEW: Ailey At BAM

By Walter Rutledge

The Alvin Ailey American Dance Theater presented a Brooklyn dance series June 6th thru 11th at the Brooklyn Academy of Music (BAM). The six-day seven performance series offered two well curated programs of new works and Ailey classics. The Saturday evening performance consisted of four works by four modern dance luminaries, Kyle Abraham, Robert Battle, Ron Brown and Paul Taylor. Continue reading

3/21/22 O&A NYC DANCE: Francesca Harper Sets New Direction For Ailey II

By Walter Rutledge

The Ailey II season begins March 23 and run thru April 3 at the Ailey Citigroup Theater 405 west 55th Street at the corner of Ninth Avenue This is not only the company’s return to the theater since the pandemic, but also the debut season for the company’s new Artistic Director Francesca Harper. During the two-week season the company will offer 10 performances and present works by Alvin Ailey American Dance Theater (AAADT) Artistic Director Robert Battle, internationally renowned choreographer William Forsythe, AAADT principal dancer Yannick Lebrun, Andrea Miller, and Harper. Continue reading

12/24/21 O&A NYC SHALL WE DANCE FRIDAY: Ailey’s 2021 Opening Night Gala

As special holiday gift from the Ailey company to you, watch the Opening Night Gala now through Dec 28. The performance honors you, our audience, our inspiration. Happy Holidays! Featuring: Robert Battle’s ‘Ella’(performed to live music by Jazzmeia Horne) and the finale of Love Stories,’ plus Bird’ Lives!, an excerpt from Alvin Ailey’s For Bird’ – With Love featuring Company member Clifton Brown with students from The Ailey School, and Mr. Ailey’s beloved Revelations. Continue reading

12/13/21 O&A NYC DANCE REVIEW: Ailey Presents Two Premieres Offering Hope

By Walter Rutledge

The Alvin Ailey American Dance Theater began their 2021 fall New York City season December 1 at New York City Center. The annual holiday season usually runs five weeks ending with a festive New Year’s Eve finale. This highly anticipated return to live indoor performance (the first since 2019) will offer the public an abridged three-week season that runs through December 19, 2021.

The Company is presenting a total of eighteen works over eighteen days. The ambitious fall offering includes seven works by founder Alvin Ailey, five from Robert Battle, four new productions and two premieres by Battle and the company’s first resident choreographer Jamar Roberts. The recently retired company member, (Roberts last performance was during this season on December 9th) created a cathartic and holistic environment in the age of COVID designed to foster healing. 

Robert’s Holding Space, a twelve-member ensemble work, filled the space with what can be best described as “organized choreo-chaos”. The dancers performed the same movement, but in different time signatures and at different angles. Slowly the dancers begin moving in individual patterns forming duets, trios, and small groups. The multiple patterns, happening simultaneously, heighten the tension and pushed the audience to visually dart from one group and configuration to another.

Eventually the dancers formed three lines (stage right, stage left and center) these linear progressions provided a modicum of order while allowing the dancers to maintain their movement individuality. One distinct image Roberts used effectively had dancers balanced on a forced arch with the pelvis dramatically thrusted forward, giving the turns and extensions an off kilter look and a desolate feeling. Tim Hecker’s harrowing score and the atmospheric lighting by Brandon Stirling Baker created an austere and sober otherworld.

A large square frame supported by four dancers (one at each corner) appears upstage left making the proceeding section the most thought provoking. Filled with arresting imagery the dancers one at a time entered the space inside the cube/isolation chamber; mirroring the isolation many people faced at the height of the pandemic.

The series of solos evolved into character studies portraying angst, aloneness and frustration. These emotions permeated the tight and expressive movement embellished by open mouths, outstretched arms and reaching hands. Personal and introspective these psychodramas recalled Ana Sokolow’s Rooms, where inner city people living in proximity were still isolated and alone. Throughout, the raw and abandon movement was tempered by the dancer’s incredible control.

The lights changed from a cool darkness to warm amber in the last section, while the dancers reprised the movement from the opening section. This time the choreography was performed in unison. The chaos was replaced by a meditative synchrony symbolizing the beginning of the end of despair.

Holding Space is an ambitious undertaking. The strong introspective elements produced a cerebral, “thinking man’s” ballet. Roberts’ efforts were admirable, but needed more contrast. The combination of dark lighting, musical monotony, nuanced movement and protracted length caused the work to meander. 

One thing the company founder and its present artistic director have in common is an affinity for jazz music. Both artists understood/understand the fusion of function, form and style synonymous with jazz music and dance. From the beginning Ailey’s portrayal of the African American experience was acclaimed for the works universal consciousness.

Blues Suite (1958), his first work for the then newly established Alvin Ailey American Dance Theater, is a fusion of modern dance, ballet, jazz, black vernacular dance and non-verbal storytelling. From the down-home feel of Backwaters Blues to the symphonic power of Ellington, the poetry of Parker and the lyric longing of Jarrett; Ailey created dances that captured the majesty of this great American art form.

An American art form born and reared by former slaves and their descendants in the speakeasies and brothels of New Orleans Storyville District. Sadly, Storyville is another community where the people were displaced, and the community eased. (How wonderful would a revival Donald McKayle’s District Storyville be?)

To commemorate his 10th anniversary as company artistic director Battle created For Four set to a jazz rendering by New Orleans native and jazz phenom Winton Marsalis. With classic Battle wit the quartet’s title is derived from the composition’s 4 x 4-time signature, but there is nothing “four square” about this work. Battle created a stylish and fun celebration marking our enthusiastic return to normality.

Fusing a multiplicity of style with strong dance theater elements this abstract narrative is a perfect vehicle to showcase his stellar cast. Renaldo Maurice opened and closed the work with a Master of Ceremonies whirling dervish aplomb; while Samantha Figgins executed a series of undulating fouetté inspired turns that oozed with liquid perfection. Jacqueline Green moved with such a total commitment that even her hair danced! And Solomon Dumas “do no wrong persona” wooed the audience the moment he walked on stage. In fact, the entire cast ricocheted through the energetic score with whimsical syncopated verve.

There are six more opportunities to experience the Alvin Ailey American Dance Theater live at New York City Center. For ticket information visit ailey.org.

Ailey Performance Schedule

December 14, 7:30pm- Ailey and Ellington: The River, Pas de Duke, Reflections In D,                                                               Revelations

December 15, 7:30pm- 50 Years of Cry: Blues Suite, Cry, Revelations

December 16, 7:30pm- Lazarus

December 17, 8pm- Battle 10th Anniversary: Mass, Ella, In/Side, For Four, Untold, Love Stories                                                                                   (finale)

December 18, 8pm- Shelter, BUSK, Revelations

December 19, 3pm- Season Finale: Season Highlights, Revelations

 In Photo: 1) Robert Battle and Company 2) Jamar Roberts and Robert Battle 3) Company (Holding Space) 4) Yannick Lebron and Company (Holding Space) 5) Alvin Ailey and Company (Blues Suite) 6) Marilyn Banks (District Storyville) 7)  Renaldo Maurice, Samantha Figgins, Belén Indhira Pereyra and Solomon Dumas 8) Samantha Figgins

Photographer: 1, 2, 3, 6, 7, 8 Christopher Duggan 5 & 6) Jack Mitchell

6/18/21 O&A NYC SHALL WE DANCE FRIDAY: Ailey Juneteenth Celebration

Ailey Celebrates Juneteenth is an uplifting program that features performance highlights from Alvin Ailey’s Cry and Revelations, as well as Rennie Harris’ Lazarus. Continue reading

1/15/21 O&A NYC SHALL WE DANCE FRIDAY: Alvin Ailey American Dance Theater- Chroma, Grace, Takademe, Revelations (2015)


Alvin Ailey American Dance Theater performs Revelations, Chroma, Grace, and Takademe in this 2015 rebroadcast. Continue reading

6/7/20 O&A NYC LOCKDOWN CONCERT: Alvin Ailey American Dance Theater: Chroma, Grace, Takademe, Revelations (2015)

Alvin Ailey American Dance Theater performs a full live evening of dance. In this 2015 Lincoln Center at Home rebroadcast. the works presented include:  Chroma by Wayne McGregor ‘Grace,’ Artistic Director Robert Battle’s ‘Takademe’ and the company’s signature work Revelations choreographed by company founder Alvin Ailey.

Continue reading

5/28/20 O&A NYC DANCE: Robert Battle’s The Hunt

The Ailey company first premiered The Hunt, one of Robert Battle’s most popular works, in 2010. Fueled by a thundering percussion soundtrack, the piece explores the relationship between modern sports and the rites of the gladiators. Continue reading

12/8/19 O&A NYC DANCE: A Conversation With Yannick LeBrun- Ailey’s Danseur Noble

By Walter Rutledge 

A danseur noble is a male dancer who projects great nobility of character. A dancer who performs at the highest theatrical level combining exceptional grace, technique and strength. In a prior review I referred to Ailey principal dancer Yannick LeBrun as a danseur noble. It was not one performance or one season that brought me to that conclusion, but a career collective. Continue reading