Le Jeune Homme et la Mort (1946) choreography by Roland Petit, set to Bach’s Passacaglia and Fugue in C Minor, BWV 582, with a one-act libretto by Jean Cocteau. The story of a young man driven to suicide by his faithless lover. Two of the most memorable interrupters of the male role (both stage and film) have been Rudolf Nureyev and Mikhail Baryshnikov. Continue reading
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