By Margo Sappington
Vicente Nebrada called me in 1973 because he had seen my ballet “Weewis” which I choreographed for the Joffrey Ballet. It was a ballet for 3 couples set to a commissioned score for rock band and chamber orchestra. He said the Harkness Ballet needed something like that for their repertoire and I said, “Well, I do have something else in mind.” He stated that would be up to Mrs. Harkness and I would need to discuss it with her.
Larry Rhodes discusses the events leading to the formation of the Harkness Ballet in an excerpt from the upcoming documentary An American Ballet Story. The story about the all too short life of the Harkness Ballet, will have its New York live screening premiere on April 20th at the New York Public Library Performing Arts – Bruno Walter Auditorium. O&A NYC Magazine Editor-in-Chief Walter Rutledge will moderate the post screening Q and A. Continue reading
A Few 1966 and Beyond Harkness Memories for Walter Rutledge
By Cheryl Clark
Dear Walter,
I am sending you the above attached Playbill Legacy Bio when I received the 2019 Legacy Award (that is housed now in the Jerome Robbins collection at Lincoln Center for Performing Arts Library…). It mentions my great appreciation for Mrs. Harkness and Patricia Wilde, 1st Director of Harkness House who recommended me to Mrs. H. Both gave me my full scholarship at age 15 at Harkness House for Ballet Arts, and it mentions many of the great teachers, etc. In another article I will try to send you, I mention the great pianists that Mrs. Harkness hired to play class for us training- hugely inspiring, particularly John Anderson and John Childs. Continue reading
I’ve Been Around (Excerpt from upcoming book of the same name)
By Lawrence Leritz
I arrived in NYC on a Sunday afternoon during the intense summer heat of early July, 1974. David Howard, co-director of Harkness House, recommended that I stay at The East End Hotel, a rundown boarding hotel on the East River near Harkness House, which was located on East 75th off Fifth Avenue. Most of the dancers were there for the six-week intensive summer session.
By Walter Rutledge
A.I.M. By Kyle Abraham presented their New York season from April 4th through April 9th at the Joyce Theater. The well curated program presented five works by three choreographers including three world premieres. All the works, which ranged from dance theatre/storytelling to pure dance, fit the A.I.M. By Abraham aesthetic surprisingly well, this successfully produced a visual cohesive, but uneven evening of dance. Continue reading
In the dance film autobiography Ballet For Life: Harkness Ballet former dance and acclaimed teacher Finis Jhung reminisces about his years with the Harkness Ballet where he reached the pinnacle in his career and discovered Buddhism, which dramatically changed the course of his life. Continue reading
Afrobeats star Wizkid has released a short film entitled Made In Lagos which you can watch it below). The film, which is directed by Kuukua Eshun and Wizkid, illustrates his most recent tracks, Anoti, Mood and Steady and is named after his latest album. Continue reading
Beauty Is Never Easy, But Always Worth Striving Toward
By Claudia Folts
I was late to the party. By the time I walked through those beautiful doors at 4 East 75th St. in 1975/76 the decline had already begun. Of course, I did not yet know this. To me, it was a magical place – beautiful studios, art, elegant marble staircase, and everyone there was beautiful. As with all art, there is often darkness underneath, supporting the beauty. That was Harkness. Continue reading
I Cherish Those Days
By Luc Louis de Lairesse
Now 44 years ago, Nikita Talin (director) and Rebekah Harkness invited me teach and choreograph for what grew into the Harkness Dance Theatre. The next spring of 1980, Mrs. Harkness, in a private meeting, arranged for my working permit as her administrator, Mr. Bartwink, called the White House. I was impressed to say the least! Continue reading
Foreward by Walter Rutledge
Patricia Williams is the founder and executive chef of 10 Chairs NYC, the Hell’s Kitchen boutique dining concept developed and presented by Chef Williams. But did you know this culinary diva actually received her first New York reviews as a ballet dancer? Starting at the Harkness School for Ballet Arts, Williams performed with the Harkness Ballet of New York, Ruth Page’s Chicago Ballet, and culminated her performance career with the New York City Opera. From her years of training she learned one universal truth, “Creating beauty does not take form as an accident. It comes by design and hard work.”
She applied this truth as she began her career in the world of food. As executive chef, she gained two stars from the New York Times. Along the way, Chef Williams has frequently appeared on nearly all National morning talk shows demonstrating her brilliance in combining fresh seasonal unique multicultural flavors at affordable prices.
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 