9/15/14 Reflections on Katherine Dunham and Lavinia Williams (part one)

By Noel Nantambu Hall

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 Katherine Dunham laid some sturdy foundations in arts and education that would not only benefit her era, but mushroom through the years and inspire new foundations and further growth. Education and the self-reaffirming power it wielded on an individual, group or society had clearly evidenced itself on her development and growing consciousness in the mid-nineteen thirties, and at the forefront were dance and anthropology. Continue reading

8/16/17 (REPOST) O&A WILDIN OUT WEDNESDAY: Grace Jones in Boomerang

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Who else but Grace Jones could have played the over the top model/fashion icon Helen Strangé in the 1992 romantic comedy Boomerang. The model turned song stylist and actress used her exotic and erotic persona to create Strangé. Jones dominates these two scenes with outragous, broad humor.   Continue reading

1/9/16 O&A NYC (REPOST) Bambi and Thumper – Diamonds Are Forever featuring Trina Parks- The First African American Bond Girl

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Trina Parks was born on December 26, 1946 in Brooklyn, New York. Her father Charles Frazier, was a renowned tenor saxophonist with Cab Calloway’s orchestra. Parks majored in modern dance at the New York High School of Performing Arts. She also studied with Katherine Dunham and subsequently joined Dunham’s professional dance company in 1964. Additional concert dance credits include Donald McKayle, Anna Sokolow, Talley Beatty, Geoffrey Holder, Eleo Pomare and Rod Rodgers. Parks performed in numerous Broadway productions as a vocalist and dancer, including a lead role in the 10th anniversary touring production of Duke Ellington’s Sophisticated Ladies. She was the first African- American Bond girl Thumper in the 1971 James Bond classic Diamonds are Forever. Continue reading

Dance Theatre of Harlem New York Season 2014 (Review)

By Walter Rutledge

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 The Dance Theatre of Harlem held their New York season at the Frederick P. Rose Hall, Jazz at Lincoln Center Wednesday, April 23 through Sunday, April 27. Two very ambitious programs were offered featuring works by five choreographers. The season, which had something for everyone, could best be described as uneven. Continue reading