Tag Archives: Arthur Mitchell

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3/25/24 O&A NYC IN MEMORARIUM: Lorraine Graves

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By Walter Rutledge

Dancer, and teacher Lorraine Graves passed away on March 21, 2024, at the young age of 66. Graves started dancing at the age of 8 in the hometown of Norfolk, Virginia. She began her training at the Academy of the Norfolk Ballet (under the direction of the late Gene Hammett) and made her performing debut with the Norfolk Civic Ballet. As a teenager Graves she spent summers in New York City studying dance at the Joffrey Ballet and the prestigious School of American Ballet (New York City Ballet). Continue reading

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3/15/24 O&A NYC CELEBRATING WOMEN ON SHALL WE DANCE FRIDAY: Firebird- Dance Theatre of Harlem

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Dance Theatre of Harlem’s iconic Firebird places the Russian folk tale about a magical bird that triumphs over evil in an exotic Caribbean setting. John Taras’ choreography to Stravinsky’s familiar score was further enlivened by sets and costumes by Geoffrey Holder. The 1982 DTH production was a tremendous worldwide success. Continue reading

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3/10/23 O&A NYC SHALL WE DANCE FRIDAY: They Called Her Moses

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They Called Her Moses is Donald McKayle‘s story of freedom fighter Harriet Tubman. The cast includes Jacqueline Walcott, Robert Powell, Sylvia Waters, Arthur Mitchell, Kathleen Stanford, Donald McKayle and Carmen DeLavallade. Continue reading

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1/4/23 SATURDAY MORNING CONCERT: John Henry- Dance Theatre of Harlem

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John Henry is the tale of the steel drivin’ man who fights against automation. He challenges the steam drill and wins, but dies with his hammer in his hand. Choreographed by DTH Co-founder Arthur Mitchell in 1988, his ballet is a testament to the singular perseverance that allowed the folk hero to triumph over impossible odds. Continue reading

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3/19/21 O&A NYC SHALL WE DANCE FRIDAY: DTH On Demand Presents: Firebird- (Last Day to Watch it !)

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Dance Theatre of Harlem’s iconic Firebird places the Russian folk tale about a magical bird that triumphs over evil in an exotic Caribbean setting. John Taras’ choreography to Stravinsky’s familiar score was further enlivened by sets and costumes by Geoffrey Holder. The 1982 DTH production was a tremendous worldwide success.

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2/2/21 O&A NYC INSPIRATIONAL TUESDAY: Cicely Tyson Remembering Arthur Mitchell

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Cicely Tyson and Arthur Mitchell had a friendship the spanned almost 60 years. Tyson shared her heartfelt memories of their meeting and endearing friendship at the December 3, 2018 memorial at Riverside Church, New York City. Continue reading

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7/28/20 O&A NYC INSPIRATIONAL TUESDAY: Dougla

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The 2018 return of Geoffrey Holder’s masterwork Dougla to the repertoire Dance Theatre of Harlem (DTH) was a resounding success. The work is a sensorially sumptuous movement fest; and it is no wonder Dougla has remained an audience favorite since its premiere on April 16, 1974. 

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6/12/20 O&A NYC SHALL WE DANCE FRIDAY: Creole Giselle (DTH On Demand)

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When the ballet Giselle was created in 1841, it was not imagined to be performed by men and women of color, Black men and women. In 1984, Dance Theatre of Harlem Co-Founder Arthur Mitchell changed that. The acclaimed DTH production of this classic, Creole Giselle, was re-conceived by Arthur Mitchell and staged by Frederic Franklin, based on the original by Jean Coralli and Jules Perrot

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11/20/21 O&A NYC SATURDAY MORNING CONCERT: Louis Johnson’s Forces of Rhythm (Excerpts) Dance Theatre Of Harlem

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Louis Johnson’s ballet, Forces of Rhythm choreographed in 1971, became a signature piece for the Dance Theatre of Harlem. Company. Johnson blended ballet, jazz, modern and West African dance creating a unique movement collage, which distinguished the company’s versatility. Forces of Rhythm took place alongside the works of George Balanchine, Arthur Mitchell, Geoffrey Holder, and other choreographers for the fledging ballet company. Continue reading

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4/10/20 O&A NYC SHALL WE DANCE FRIDAY: Dance Theatre of Harlem- Creole Giselle

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Arthur Mitchell’s Creole Giselle performed by the Dance Theatre Of Harlem (DTH), and set the traditional story of Giselle in 1841 Louisiana broke barriers with this all African American adaptation.  Continue reading