Robert Garland made the leap from principal dancer to emerging choreography with his 1979 company debut Return. Garland described the work as “post-modern urban neoclassicism – an attempt to fuse an urban physical sensibility and a neoclassical one.” Continue reading
Tag: Donald Williams
8/2/24 O&A NYC SHALL WE DANCE FRIDAY: Happy Birthday Geoffrey Holder- Banda
By Walter Rutledge
Happy Birthday renaissance man Geoffrey Holder. The dancer, actor, choreographer, director, visual artist and all around force of nature was born on August 1st, 1930 in Port of Spain; the capital city of the Caribbean island nation of Trinidad and Tobago. Continue reading
3/15/24 O&A NYC CELEBRATING WOMEN ON SHALL WE DANCE FRIDAY: Firebird- Dance Theatre of Harlem
Dance Theatre of Harlem’s iconic Firebird places the Russian folk tale about a magical bird that triumphs over evil in an exotic Caribbean setting. John Taras’ choreography to Stravinsky’s familiar score was further enlivened by sets and costumes by Geoffrey Holder. The 1982 DTH production was a tremendous worldwide success. Continue reading
3/19/21 O&A NYC SHALL WE DANCE FRIDAY: DTH On Demand Presents: Firebird- (Last Day to Watch it !)
Dance Theatre of Harlem’s iconic Firebird places the Russian folk tale about a magical bird that triumphs over evil in an exotic Caribbean setting. John Taras’ choreography to Stravinsky’s familiar score was further enlivened by sets and costumes by Geoffrey Holder. The 1982 DTH production was a tremendous worldwide success.
3/16/23 O&A NYC SHALL WE DANCE FRIDAY- WOMEN’S HISTORY MONTH: Excerpt of Banda with Carmen de Lavallade and Geoffrey Holder (1957)
By Walter Rutledge
Geoffrey Holder’s Banda dance debuted in the 1954 Truman Capote/Harold Arlen musical House Of Flowers. Holder the Baron of The Cemetery (based on the Haitian Loa of Death Baron Samedi) received both a performer and choreographer credit in the program. The Broadway musical takes place somewhere in the West Indies during Mardi Gras weekend. Continue reading
4/12/19 O&A NYC SHALL WE DANCE FRIDAY: Alicia Graf and Donald Willams Perform Return (Dance Theatre of Harlem)
Dance Theatre of Harlem former principal dancers Alicia Graf and Donald Williams perform Robert Garland’s Return Continue reading
10/26/16 O&A NYC DANCE ENCORE PERFORMANCE: Banda (excerpt) Geoffrey Holder and Carmen de Lavallade (Repost From 10/3/14)
Geoffrey Holder’s Banda dance debuted in the 1954 Truman Capote/Harold Arlen musical House Of Flowers. Holder the Baron of The Cemetery (based on the Haitian Loa of Death Baron Samedi) and received both a performer and choreographer credit in the program. The Broadway musical takes place somewhere in the West Indies during Mardi Gras weekend. Continue reading
12/31/21 O&A NYC Shall We Dance Friday (Repost): Banda (excerpt)- Geoffrey Holder and Carmen de Lavallade
Geoffrey Holder’s Banda dance debuted in the 1954 Truman Capote/Harold Arlen musical House Of Flowers. Holder the Baron of The Cemetery (based on the Haitian Loa of Death Baron Samedi) and received both a performer and choreographer credit in the program. The Broadway musical takes place somewhere in the West Indies during Mardi Gras weekend. Continue reading
11/21/14 O&A Shall We Dance Friday: Review- Complexions Contemporary Ballet Gala
By Walter Rutledge
Complexions Contemporary Ballet held their 20th anniversary gala performance Thursday, November 20 at the Joyce Theater. I believe galas should not be held under the same critical scrutiny as a regular season performance; these events have a different focus. Galas acknowledge company milestones such as dancers transitioning, directors passing the torch, season openings and in this case celebrating the company’s 20th anniversary. Continue reading
8/7/17 (REPOST) O&A NYC DANCE: Dance Theatre Of Harlem- Troy Game (1985)
(Text from Jennifer Dunning- New York Times June 20, 1985)
Robert North’s Troy Game is one of Dance Theater of Harlem’s happiest dances. Set to a stylishly syncopated, Brazilian-flavored score by Bob Downes, Troy Game is a funny and sexy romp with a special wit by the dancers. Continue reading