The documentary film A Hymn for Alvin Ailey goes behind the scenes of Judith Jamison’s Hymn and gives you a look at Alvin Ailey’s life from the perspective of those who knew him best. Continue reading
Rosewood (1997) a historical drama film directed by John Singleton. While based on historic events of the 1923 Rosewood massacre in Florida, when a white mob killed black people and destroyed their town, the film introduces fictional characters as well as other creative departures from historical accounts of the incident.
How many have heard of the other towns like Greenwood in Tulsa Oklahoma? This video explores several more thriving and prosperous all Black communities.
Deborah Joy Winans, Erica Campbell, Keith David and more join gospel legend Tramaine Hawkins for a special rendition of the gospel classic, Goin’ Up Yonder.
In the early 1900s, Greenwood was home to a thriving, independent “Black Wall Street” until the violence of the Tulsa Race Riots changed the community’s legacy forever. Continue reading
The Roots reenact the history of the end of the slavery in “I Am Slave,” from the black-ish Season 4 Premiere.
Greenwood, Donald Byrd‘s fifth Ailey commission draws on the Company’s theatrical roots and legacy of addressing social injustice. The work’s title references a 1921 tragedy that happened in Tulsa, Oklahoma’s segregated Greenwood District. At the time, it was one of the country’s most affluent African American communities, known as Black Wall Street.
Back in 1988, Maya Angelou described to a predominantly white crowd in Salado, Texas, how a maid’s smile inspired one of her most enduring poems. She says she wrote it to honor a maid she once watched ride the bus in New York City. Continue reading
In the 1960s, the FBI amassed almost 2,000 documents in an investigation into one of America’s most celebrated minds. The subject of this inquiry was a writer named James Baldwin, one of the best-selling black authors in the world at the time. Continue reading
When the ballet Giselle was created in 1841, it was not imagined to be performed by men and women of color, Black men and women. In 1984, Dance Theatre of Harlem Co-Founder Arthur Mitchell changed that. The acclaimed DTH production of this classic, Creole Giselle, was re-conceived by Arthur Mitchell and staged by Frederic Franklin, based on the original by Jean Coralli and Jules Perrot