2/10/24 O&A NYC DANCE REVIEW: Philadanco at the Joyce

By Walter Rutledge

The Philadelphia Dance Company, better known by its sobriquet Philadanco, is having a stellar New York City season at the Joyce Theater.  The all-to-short four-day five performance series will conclude to today Saturday, February 10 with two performances: a 2pm family matinee and an 8pm finale. The season has successfully highlighted the works of four emerging choreographers Tommie-Waheed Evans, Nijawwon Matthews, Ray Mercer and Chris Rudd: thus, continuing the company’s role in perpetuating the Black dance tradition. Continue reading

2/5/24 O&A NYC DANCE PREVIEW: Ray Mercer- Philadanco- Balance of Power

By Walter Rutledge


Dance/choreographer Ray Mercer is living his best life out loud! The Omaha, Nebraska native can be seen eight times a week as a member of the Broadway juggernaut The King Lion. This week Mercer’s artistry will be on full display at the Joyce theater during the New York Season of Philadanco, February 6th through February 10th at the Joyce Theater. Continue reading

2/1/24 O&A NYC DANCE REVIEW: RudduR Dance

By Walter Rutledge


RudduR Dance presented a three-day New York season January 25th through January 27th at the Chelsea Factory. Founder and choreographer Christopher Rudd continues to develop choreography that both entertaining and enlightening. The well curated seventy-five-minute concert presented three works and offered a retrospective into choreographer Rudd’s work and artistic evolution.  Continue reading

1/26/24 O&A NYC SHALL WE DANCE FRIDAY: Chris Rudd’s Touché featuring Calvin Royal III and João Menegussi

Touché, a work for two dancers, explores the themes of male love. The pas de deux was created by Chris Rudd and featured dancers danced by Calvin Royal III (Adam) and João Menegussi (Steve). Continue reading

1/21/24 O&A NYC DANCE REVIEW: Ronald K. Brown /Evidence

By Walter Rutledge

Ronald K. Brown /Evidence presented their 2024 New York season January 16 through 21 at the Joyce Theater. The nine-member ensemble offered two works Walking Out the Dark (2001) and Torch (2012). The program provided an overview of the range and diversity of choreographer Brown and his company in what is best described as an American artist’s declaration of his diasporic roots. Continue reading

1/19/24 O&A NYC SHALL WE DANCE FRIDAY: Four Corners- Ronald K. Brown and Evidence: A Dance Company

Ronald K. Brown’s Four Corners was originally commissioned for Alvin Ailey American Dance Theater in 2014. Dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. Continue reading

10/1/23 O&A NYC DANCE REVIEW: Ballet X At The Joyce

By Walter Rutledge

Philadelphia based Ballet X returned to New York City’s Joyce Theater for a five-day six performance season. The expectations were high for this ethnically diverse contemporary ballet company and the talented dancers rose to the occasion. It was unfortunate that the choreography and the programming were not able to support the performers despite their valiant efforts. Continue reading

9/30/23 O&A NYC SATURDAY MORNING CONCERT: Roberto Bolle and Misty Copeland – Romeo and Juliet


Misty Copeland (Juliet) and Roberto Bolle (Romeo) are joined by a stellar cast of dancers from the Teatro alla Scala in the 2016 production.
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9/28/23 O&A NYC SHALL WE DANCE FRIDAY: Debbie Allen Part Two- On Choreography and Directing

By Walter Rutledge

The second installment from the Out and About NYC Magazine 2015 interview with entertainment icon Debbie Allen. In this section we discussed her views on choreography and directing.  Continue reading

9/17/23 O&A NYC REVIEW: Is Heart of Brick A Black Queer Sex In The City?

By Walter Rutledge

The Joyce Theater’s fall 2023 season began September 15 with the interdisciplinary gay romance saga Heart of Brick. The theatrical production combined live vocal music, spoken narrations, voiceovers, dance, lighting and a clean, simple set design to recreate an evening at Langstons, New York City’s oldest Black gay bar. This is the first presentation in Director of Programming Danni Gee augural season, and in the truest downtown dance style she left the audience with something to talk about.   Continue reading