3/15/24 O&A NYC CELEBRATING WOMEN ON SHALL WE DANCE FRIDAY: Firebird- Dance Theatre of Harlem

Dance Theatre of Harlem’s iconic Firebird places the Russian folk tale about a magical bird that triumphs over evil in an exotic Caribbean setting. John Taras’ choreography to Stravinsky’s familiar score was further enlivened by sets and costumes by Geoffrey Holder. The 1982 DTH production was a tremendous worldwide success. Continue reading

3/8/24 O&A NYC SHALL WE DANCE FRIDAY: Lil Buck at Foundation Louis Vuitton

To mark the current exhibition at Foundation Louis Vuitton in Paris, Icons Of Modern Art: The Shchukin Collection, London-based director Andrew Margetson follows Memphis-born jookin’ dancer Lil Buck as he twists and turns past masterpieces by the likes of Picasso and Matisse. Continue reading

2/2/24 O&A NYC SHALL WE DANCE FRIDAY: It Don’t Mean a Thing! Phyllis Hyman, Hinton Battle and Gregg Burge.

On March 1 1981, Sophisticated Ladies debuted on Broadway. The show run for 767 performances  and garnered two Tony Awards for Willi Kim for Best Costume and Hinton Battle for Best Performance by a Featured Actor in a Musical. It Don’t Mean a Thing! featuring the sultry Phyllis Hyman, Hinton Battle and Gregg Burge.  Continue reading

1/19/24 O&A NYC SHALL WE DANCE FRIDAY: Four Corners- Ronald K. Brown and Evidence: A Dance Company

Ronald K. Brown’s Four Corners was originally commissioned for Alvin Ailey American Dance Theater in 2014. Dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. Continue reading

11/24/23 O&A NYC SHALL WE DANCE FRIDAY: Dear Quincy- Carmen De Lavallade and Wesley Fata

Carmen de Lavallade dancing to Quincy Jones’s “Soul Bossa Nova” with Wesley Fata on November 16, 1968. Ms. de Lavallade’s late husband, the great Geoffrey Holder, choreographed this piece This is jut an excerpt of a much longer dance. Continue reading

11/17/23 O&A NYC SHALL WE DANCE FRIDAY: Robert Battle Resigns

 

From the Ailey Press Office

The Board of Trustees of Alvin Ailey Dance Foundation today announced that Robert Battle, Artistic Director of Ailey since 2011, has informed them that he needs to focus on his health and has submitted his resignation. The Board has accepted Mr. Battle’s resignation with regret. Mr. Battle will remain available to the Board through December 31, 2023. Continue reading

10/20/23 O&A NYC SHALL WE DANCE FRIDAY: House of Flowers From Carmen & Geoffrey (2005)

This House of Flowers excerpt featuring Geoffrey Holder and Carmen De Lavallade  is from the 2005 documentary Carmen & Geoffrey. Holder and his brother Boscoe talk about their early roots in Trinidad, forming a dance company and Holder meeting his wife (De Lavallade) in the 1955 production of House of Flowers. Continue reading

10/6/23 O&A NYC SHALL WE DANCE FRIDAY: Alvin Ailey’s “Mary Lou’s Mass” and “Hidden Rites” Excerpts

Mary Lou’s Mass (1971) with John Parks, Dudley Williams and Clive Thompson and Hidden Rites (1973) with John Parks and Judith Jamison Continue reading

9/28/23 O&A NYC SHALL WE DANCE FRIDAY: Debbie Allen Part Two- On Choreography and Directing

By Walter Rutledge

The second installment from the Out and About NYC Magazine 2015 interview with entertainment icon Debbie Allen. In this section we discussed her views on choreography and directing.  Continue reading

9/8/23 O&A NYC SHALL WE DANCE FRIDAY: Empathy (Part One)- A Conversation with Debbie Allen

By Walter Rutledge


In 2015 O&A NYC Editor-in-Chief Walter Rutledge interviewed Debbie Allen at the Faison Firehouse Theater for Dance Noir Magazine (DNM). The print article would discuss her relationship with Katherine Dunham. The video was produced as visual notes for the upcoming Dunham article. When the magazine suspended publication, out of respect for DNM Founder/Editor-in-Chief Carol Lloyd, we held the material with hopes of eventually printing the article for DNM. After eight years Ms. Allen’s words remain relevant, inspiring and informative and should be shared. We call this first installment Empathy. Continue reading