James Earl Jones, the 92-year-old acting legend who in 2014 made his return to Broadway in the play You Can’t Take It With You, discusses the highs and lows of his six-decade-long career, from his modest beginnings suffering from a stutter to a celebrated star of stage and screen with one of the most recognizable voices in the world. Continue reading
Widely regarded as the one of greatest stage and screen actors both in his native USA and internationally, James Earl Jones has died he was 93. Continue reading
Claudine is a 1974 American romantic comedy-drama film, directed by John Berry. Claudine was written by Lester Pine and Tina Pine, starring James Earl Jones, Diahann Carroll and Lawrence Hilton-Jacobs. The film was released on April 22, 1974, grossing about $6 million, a modest hit for the times. It was praised for showing a new dimension in black cinema during the height of blaxploitation. Continue reading
Reposted by popular demand O&A NYC Magazine present an extraordinary live performance of William Shakespeare’s King Lear with the one and only James Earl Jones in the title role. Filmed in 1974 before a live audience in Central Park for the New York Shakespeare Festival the production featured Jones, Paul Sorvino and Raul Julia. Continue reading
Hallelujah is the extremely rare third feature by filmmaker Charles Lane (Sidewalk Stories) was produced for the 11th season of PBS’ American Playhouse. This drama focuses on one Christmas at the Messiah Church in Washington D.C., when a young preacher and, later in the day, a mysterious pregnant girl arrive at the church doors looking to begin new lives. Continue reading
The River Niger is a 1976 film adaptation of the 1972 Joseph A. Walker of the same name. The film was directed by Krisha Shah, and starred James Earl Jones, Cicely Tyson, and Louis Gossett Jr. Continue reading
On July 5, 1852, in Rochester, New York, Frederick Douglas gave one of his most famous speeches, “The Meaning of July Fourth for the Negro.” He was addressing the Rochester Ladies Antislavery Society. Continue reading
The Great White Hope, the film and play are based on the true story of Jack Johnson and his first wife, Etta Terry Duryea and the controversy over their marriage and Duryea’s death by suicide in 1912. Continue reading
The Bingo Long Traveling All-Stars & Motor Kings is a 1976 comedic sports film about a team of enterprising Negro League baseball players in the era of racial segregation. The movie starred Billy Dee Williams, James Earl Jones and Richard Pryor. Directed by John Bedham the movie was produced by Berry Gordy for Motown Production and Rob Cohen for Universal Pictures. Continue reading
To Be A Drum read by James Earl Jones, written by Evelyn Coleman with illustrations by Aminah Brenda Lynn Robinson. Continue reading
This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. 
The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor 
A dance and fitness class for seniors taught by Walter Rutledge Nereid Older Adult Center 720 Nereid Ave, Bronx, NY 10466 This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This dynamic showcase—described as an “extravaganza” by curator Adrienne Edwards—brings together visual art, live performance, music, a range of archival materials, and a multi-screen video installation drawn from recordings of Alvin Ailey American Dance Theater (AAADT) repertory to explore the full range of Ailey’s personal and creative life. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due. The Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor 