Diana Vishneva is a Russian ballet dancer who performs as a principal dancer with both the Mariinsky Ballet (formerly the Kirov Ballet) and the American Ballet Theatre. Vishneva’s repertoire includes Don Quixote, Romeo and Juliet, La Bayadère, Sleeping Beauty, Swan Lake, The Firebird and Giselle. She also performs the works of modern choreographers, especially those of George Balanchine, William Forsythe, Martha Graham, Roland Petit and Moses Pendleton. Continue reading
Out and About NYC Magazine is proud to present three dance and music clips from the legendary Cotton Club. Opened in 1923, the Cotton Club on 142nd St & Lenox Ave in the heart of Harlem, New York. The Cotton Club was operated by white New York gangster Owney Madden who used the club as an outlet to sell his alcohol to the prohibition crowd.
The Cotton Club at first excluded all but white patrons although the entertainers and most of staff were African-American. Dancers at the Cotton Club were held to strict standards; they had to be at least 5’6” tall, light-skinned with only a slight tan, and under twenty-one years of age.
Shows at the Cotton Club were musical reviews that featured dancers, singers, comedians, and variety acts, as well as a house band. Duke Ellington led that band from 1927 to 1930, and sporadically throughout the next eight years. The Cotton Club and Ellington’s Orchestra gained national notoriety through weekly broadcasts on radio station WHN some of which were recorded and released on albums. In this clip Duke Ellington and his orchestra perform Rockin in Rhythm & Bugle Call Rag with dancers Bessie Dudley and Florence Hill from 1933.
Cotton Club Dancers Bessie Dudley and Florence Hill
The entertainers who played at the Cotton Club were some of the most widely known blues and jazz performers of their time including Cab Calloway. This is one of Cab’s broadcasts from The Cotton Club in the 30’s after Duke Ellington took to touring on the road. They later became co- house bands at the club.
Cab ( Cotton Club) Calloway 1934 Zaz Zuh Zaz
Elegant black show girls ditch Opera for Jazz as they get seduced by a hot jazz tune in Red Hot. You’ve never seen this kind of action from the 1930s main stream Hollywood before, it was cut by the Hays Code. Red Hot stars Dorothy Salter and Maurice Rocco.
Red Hot 1930s Cotton Club Show
The Silver Belles of Harlem are dancers who performed at the Cotton Club during its heyday era. Group members include Marion Coles, Elaine Ellis, Cleo Ellis, Fay Ray, and Bertye Lou Wood were featured in the 2006 documentary directed by Heather Lyn MacDonald, entitled Been Rich All My Life.
Been Rich All My Life
One of Martha Graham’s most memorable quotes, “It takes ten years, usually, to make a dancer. It takes ten years of handling the instrument, handling the material with which you are dealing, for you to know it completely.” This year marks Lloyd Knight’s tenth year with the Martha Graham Dance Company. His ascent through the ranks of the company culminated with Knight becoming a principal dancer prior to the 2015 New York City season. Continue reading
To celebrate the 90th Anniversary Season of the Martha Graham Dance Company April 14th, 15th, 16th and 18th at New York City Center O&A NYC Magazine reposts Martha Graham’s Appalachian Spring.
Appalachian Spring premiered on October 30th, 1944, at the Library of Congress, Coolidge Auditorium in Washington DC, with Martha Graham dancing the lead role. Created during the darkest days of War World II Graham wanted to create inspiring art that came out of the American experience. Graham spoke of the work, “To be great art… it must belong to the country in which it flourishes, not be a pale copy of some art form perfected by another culture and another people”. Continue reading
On Thursday October 23, Clack Center NYC hosted A Conversation with Dudley Williams at the New York Public Library for the Performing Arts Bruno Walter Auditorium, 40 Lincoln Center Plaza at 6pm. Dance critic and author Jennifer Dunning talked with Williams about his career that spans almost six decades. Williams was frank, funny and informative, discussing a wide range of his experiences with some of the world’s most renowned choreographers. Continue reading
Maya Plisetskaya, Prima Ballerina Assoluta of the Bolshoi Ballet, danced Maurice Bejart’s Bolero set to the famous Ravel score in 1975. Plisetskaya created a stunning theatrical experience. What makes the piece so compelling is that although Plisetskaya may be accompanied by dozens of other dancers mirroring her movement, the first and only focus is on the prima ballerina herself. Continue reading
Charles “Lil Buck” Riley, was born May 25, 1988, in Chicago, while growing up in Memphis he was introduced to an urban street dance style called Memphis Jookin. In 2013 Buck just wrapped up a 9 month contract in the Cirque du Soleil show Michael Jackson: One, in Las Vegas. And in 2014, he presented his skills globally for the world to see. Continue reading
Black and Blue is a musical revue celebrating the black culture of dance and music in Paris between World War I and World War II. Choreographed by Henry LeTang, Cholly Atkins, Frankie Manning, and Fayard Nicholas the cast of forty-one singers, dancers, and musicians included Ruth Brown, Linda Hopkins, Carrie Smith, Savion Glover, Claude Williams, Roland Hanna, Grady Tate, Jimmy Slyde, Bill Easley, Jimmy “Preacher” Robins, Lon Chaney (the jazz tap dancer, not the actor) Bunny Briggs and Dianne Walker. The Broadway production opened on January 26, 1989. Continue reading
Storyboard P has pushed street dancing in a darker, more mature direction of urban storytelling he calls Mutant. The twenty-three year old Brooklyn dancer combines jarring feats of contortion, pantomime, floating footwork and simulated levitation. His choreography, most of it improvised, has a wide range of influences: Jerome Robbins, especially his work in West Side Story; the Nicholas Brothers, whose acrobatic tap-dancing routines amazed Fred Astaire in the nineteen-forties; and, above all, Michael Jackson. Continue reading
In 1971, Alvin Ailey created Cry, one of his signature dance works, as a birthday present for his mother Lula Elizabeth Ailey. Ailey dedicated the ballet to “all black women everywhere — especially our mothers.” The three-part ballet, set to popular and gospel music by Alice Coltrane, Laura Nyro and Chuck Griffin, depicts a woman’s journey through the agonies of slavery to an ecstatic state of grace. Cry premiered at New York City Center on May 4, 1971. Continue reading
Ghanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6RGhanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6R
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 