6/8/16 O&A NYC DANCE: Thelma Hill Performing Arts Center Dedicates 40th Anniversary Season To Loretta Abbott

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The Thelma Hill Performing Art Center (THPAC) will dedicate their 40th Anniversary season to dancer icon and longtime THPAC supporter Loretta Abbott. The 4 day season, which runs from June 19 through June 22 at the Actor Fund Center 160 Schermerhorn Strret in downtown Brooklyn, will showcase 40 choreographers, and dance companies during the milestone 40th season. The artists presented range from early THPAC contributors including such dance luminaries as Emmy and Tony Award winner George Faison, Philadanco, Charles Moore Dance Theatre, and Rod Rodgers Dance Company. Mid-career choreographers Marshall Swiney, Ronald K Alexander, Germaul Barnes and Rodger C. Jeffery; and emerging artists Nijawwon Matthews, DaVon Doane, and Sidra Bell. Continue reading

5/24/16 O&A NYC DANCE: The Thelma Hill Performing Arts Center (THPAC) Kicks Off 40th Anniversary Season With PEEKS Tonight

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The Thelma Hill Performing Arts Center (THPAC) will kick off their 40th Anniversary season with its works-in-progress showcase entitled PEEKS on Tuesday, May 24, 8pm at the Faison Firehouse Theatre (6 Hancock Place). THPAC offers choreographers an opportunity to present dance works in varying degrees of development in front of a live audience. An audience talkback, which provides constructive feedback for both dancers and dance makers follows the showing. Choreographers Marshall Swiney and Walter Rutledge will presents works at this PEEKS showcase.  Continue reading

4/17/16 O&A NYC DANCE: Janet Eilber Discusses Appalachian Spring

By Walter Rutledge

Janet Eilber discusses Appalachian Spring -Graham 90th Season (1) 2016

During a recent interview with Martha Graham Dance Company Artistic Director Janet Eilber we discussed the collaboration between Martha Graham   and Isamu Noguchi on Appalachian Spring. AppalachianSpring1

Graham and Noguchi worked together over 20 sets for Graham over the course of three decades, including those for her series based on Greek myths; Cave of the Heart (1946), Errand into the Maze (1947), Night Journey (1947), Clytemnestra (1958), Alcestis (1960), Phaedra (1962), Circe (1963), and Cartege of Eagles (1966) Noguchi also designed the set for her biblical and religious themes, including Herodiade (1944), Judith (1950), Seraphic Dialogue (1955), and Embattled Garden (1958). Probably the most recognizable collaboration is for her movement manifesto on Americana Appalachian Spring (1944). 

Janet Eilber discusses Appalachian Spring

(Repost) April 1, 2014- Martha Graham: Appalachian Spring and Rite of Spring:

At first glance the Isamu Noguchi set, with its sparse flat look established the boundaries of the performance space. The “house” structure with the downstage “porch” set on a diagonal stops short of center stage. The flat fence placed downstage left, and the preacher’s pedestal set upstage on an angle from the fence completed the set design.

Graham Perspective

These configurations of objects create the converging lines; the lines that produce the classic perspective used by artists to direct the eye in paintings. Noguchi’s house mimics Brunelleschi’s drawing of perspective almost exactly. This is not an accident, but a conscience decision by Noguchi and Graham to subtly frame the choreography.

Most of the primary action takes place within the converging lines. Very little group choreography is designed behind the fence and nothing is set stage right of the house. Without obvious overkill Graham was able to effectively direct the viewer’s eye the primary movement conversion.

The close proximity of the downstage porch and fence to the audience builds closeness/empathy for the characters (especially the husband and wife). When these characters look out past the audience we can see the splendor of the open prairie on their faces. And we see it in the glorious “Technicolor” of our individual imaginations.

The universality of the experience extends beyond the American Prairie. This is the story of new beginnings, the optimism of youth, and the promise/hope for the future. Graham’s technical prowess creates a clear and unfettered moving picture, combine this with her ability to convey the humanistic elements of her characters and it becomes apparent why the public has endeared Appalachian Spring for over 70 years.

4/14/16 O&A NYC DANCE: The Martha Graham Dance Company Begins 90th Anniversary Season Today

By Walter Rutledge

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The Martha Graham Dance Company begins their 90th anniversary season today at New York City Center (131 West 55th Street). The company will present four extraordinary programs on Thursday April 14, Friday April 15, Saturday April 16 and Monday April 18, featuring four of Graham’s most acclaimed masterworks Chronicle (1933), Appalachian Spring (1944) Cave Of The Heart (1946), and Night Journey (1947). In addition to the Graham works company will present premieres by internationally acclaimed choreographers Marie Chouinard, Mats Ek, and Pontus Lidberg, and recent works by Nacho Duato and Andonis Foniadakis. Continue reading

3/31/16 O&A NYC SHALL WE DANCE FRIDAY- REVIEW: Ailey II- Jean Emile’s In And Out Is Outstanding

By Walter Rutledge

Shall We Dance

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Ailey II began their annual New York City 2016 season Wednesday March 30th at the Ailey Citygroup Theater, in the Joan Weill Center For Dance (405 W 55th Street). The two-week season, which runs through April 10, 2016, will offer two programs, All New and Returning Favorites. The season opened with the All New program, featuring four works by Kyle “JustSole” Clark, Jean Emile, Ray Mercer, and Jamar Roberts. Continue reading

3/26/16 O&A NYC DANCE: A Conversation With Debbie Blunden- Diggs Rainbow Round My Shoulder

By Walter Rutledge

Rainbow Round My Shoulder (part one)

The Dayton Contemporary Dance Company (DCDC) will perform Donald McKayle’s Rainbow Round My Shoulder tonight with Paul Taylor’s American Modern Dance at the Koch Theater, Lincoln Center. This is the second season of the new initiative by the Taylor Company to showcase works by emerging choreographer and modern dance masters during their New York City season. O&A NYC Magazine talked with DCDC Artistic Director Debbie Blunden- Diggs about the work and the New York City performances. Continue reading

1/1/15 O&A NYC EXTRA!: Natalie Cole Dies

By Walter Rutledge

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Natalie Cole, chart-topping R&B singer, winner of nine Grammy Awards and daughter of the legendary singer, bandleader and television groundbreaker Nat (King) Cole died Thursday night at age 65. Cole, who had struggled with a variety of health issues in recent years, was forced to cancel a string of concert performances over the last three months after a recurrence of hepatitis C linked to her earlier drug abuse. The cause of death was reportedly congestive heart failure. Continue reading

10/27/15 O&A NYC Music: The Staten Island Jazz Festival

By Walter Rutledge

Staten Island Jazz Festival 28

The 28th Annual Staten Island Jazz Festival presented by the Universal Temple of the Arts (UTA) is becoming one of the city’s “don’t miss” events. The festival took place on Saturday, October 17th in the Music Hall at Snug Harbor. Over the years the festival has built a loyal Staten Island base, but this year it attracted an enthusiastic diverse Tri-State audience of both jazz aficionados and newcomers. Continue reading

9/2/15 O&A NYC Magazine: Brother And Sister Make Dreams A Reality

By Walter Rutledge

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The Frank Sinatra classic New York New York declares “If I can make it there, I’ll make it anywhere”. For a brother and sister their dreams of dancing on stage at the legendary Apollo Theater are about to come true. Jelani and Arnese Britton (who reside in the Bronx) will get a chance to strut their stuff tonight at Amateur Night At The Apollo.

Jelani (age 24) and Arnese (15) have a special big brother little sister bond. The self-trained duo rehearse their routine in Jelani’s living room. His apartment provides them unlimited rehearsal hours, but lacks the space and mirrors that would help hone the dance.

The Thelma Hill Performing Arts Center Genex Program provided Jelani and Arnese studio time and an advisor for professional feedback. “Its been our mission for almost 40 years to assist new and emerging dancers, choreographers and dance companies”, says Thelma Hill Performing Arts Center Executive Chairman Alex Smith Jr. “Our Genex Program is designed to offer young artists one-on-one assistance and technical support.”

You could see the excitement on the dancer’s faces as they began rehearsing at DANY Studios on 38th Street in Manhattan. “This was our first time ever working in a real studio”, Jelani explained. “We were able to get a feel for dancing in a big space with mirrors. It is something I’ll never forget.”

Jelani, the choreographer, has wanted to one day dance on the Apollo stage for as long as he can remember. His sister Arnese dances at church and at school, but this is the first time on a public stage. “I can’t wait to dance at the Apollo, I’m a little nervous; but I know it’s a once in a lifetime experience and I want to have fun”, says Arnese.

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The Apollo amateur night is the oldest continuous talent shows in the world. Ella Fitzgerald won the first Amateur Night in 1934, and received a prize of $25 and work for one week. The list of other Amateur Night winners include Billie Holiday, the Isley Brothers, Jimi Hendrix, and the Jackson 5.

The selection process for the The 81-year-old Amateur Night hasn’t changed, participants from all disciplines audition for chance to perform. Amateur Night At The Apollo remains an incubator for talent, and is also one of New York City’s most acclaimed live performances. The world-renowned weekly performances attract an international audience, who can either make or break a performer.

Jelani and Arnese hope to go to the next round and eventually win the Amateur Night competition. They are all ready winners for having the courage to turn their dreams into reality. Whatever the outcome they are performing tonight on the stage “Where stars are born and legends are made.”

For tickets for Amateur Night At The Apollo at $21, $27, $33 and are available in person at the Apollo Theater Box Office, online at Ticketmaster.com, and by calling Ticketmaster (800) 745-3000, for Groups Call (212) 531-5355.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

8/10/15 O&A NYC- A Conversation With Laiona Mitchelle

Laiona Michelle

Laiona Michelle is making her Broadway debut as Nanna in the new musical Amazing Grace at the Nederlander Theater. The production explores the true story of Josh Newton’s journey from slave trader to abolitionist. The statuesque Michelle has a commanding on-stage persona, and her character is an ancestral force of nature. Off-stage she is an intelligent, engaging young woman, who truly disarms you with her wit and vivacious spirit. She shares her inspiring story of diligence and determination with O&A NYC. Continue reading