By Walter Rutledge
Three Black Kings was the last dance and music collaboration between choreographer Alvin Ailey and composer/musician Duke Ellington. Continue reading
By Walter Rutledge
Three Black Kings was the last dance and music collaboration between choreographer Alvin Ailey and composer/musician Duke Ellington. Continue reading
by Walter Rutledge
The Martha Graham Dance Company opening night gala performance need only be described with one word…ART. The company began their four-performance season at New York City Center, Wednesday, March 19 with an abbreviated program that left the audience hungry for more. Continue reading
By Walter Rutledge
The Dallas Black Dance Theatre returned to New York for a three-day four-performance season at the Ailey Citigroup Theater. This is the third consecutive year that the company has performed in New York and the eleven-member ensemble, under the direction of founder and artistic director Ann M. Williams, presented six works by new and emerging choreographers. Continue reading
By Walter Rutledge
Paul Taylor’s Marathon Cadenzas, his 141st work, premiered on Friday, March 14 at the David Koch Theater at Lincoln Center. The ensemble work for twelve dancers was inspired by the 1969 Sidney Pollack film They Shoot Horses Don’t They?, which depicts a depression era dance marathon. Continue reading
By Walter Rutledge
The Martha Graham Dance Company will present their annual New York season, Wednesday, March 19 through Saturday March 22 at New York City Center, 131 West 55th Street. The season will celebrate two company milestones, the seventieth anniversary of the modern dance classic Appalachian Spring and the thirtieth anniversary of Graham’s The Rite of Spring. The season will also present two additional Graham masterworks Maple Leaf Rag and a new one-act production of Clytemnestra. Continue reading
By Walter Rutledge
Martha Graham once said, “Great dancers are not great because of their technique, they are great because of their passion.” The reason truly memorable performances reach across the footlight to connect with the audience, is because the performer is imbued with something extra. It is an almost unexplainable sharing that takes place from one soul, one spirit, to the members of audience. It is an honesty that transcends artistic discipline, language and occasionally even time. When I think of artists who have this special gift of communication, I think of Lloyd Knight
Knight is a soloist with the Martha Graham Dance Company. During his seven-year association with the company he has demonstrated a stalwart commitment and dedication to his craft and artistry. He returns to the stage this season after a year of recovering from an injury. Knight approached his physical rehabilitation with same resolute determination that has distinguished him as an artist on the ascent, and he is back this season performing the choreography he describes simply as “art”.
Born in England Knight was reared in Miami, Florida. In middle school a teacher got him to try a dance class, and he was hooked. He trained at the Miami Conservatory of Ballet, and later attended the renowned New World School of the Arts where he earned a Bachelor of Fine Arts degree.
Knight adapted well to the long hours and rigorous training at New World School of the Arts, and he performed leading roles in Jose Limon’s There is a Time, Merce Cunningham’s Inlets II, and Donald McKayle’s Rainbow ’Round My Shoulder. It was also at the New World School of the Arts he was introduced to the choreography and technique of Martha Graham.
His strong technique, pliant physique and natural stage presence gave him the opportunity to excel in many styles of dance; but his inner muse was drawn to Graham. He auditioned for the Graham Company while a senior at New World School of the Arts, and literally walked down the aisle at graduation and into the Martha Graham Dance Company. Over the past seven years he has worked at mastering the Graham style with a passion it’s founder would have been proud to see.
In 2009 only four years after joining the company Knight was promoted to Soloist. He has performed in many of Graham’s seminal works including Errand into the Maze; and in the roles of the snake in Embattled Garden, and the preacher in what is perhaps Graham’s most recognizable work Appalachian Spring. It is little wonder that Dance Magazine named Knight one of the “Top 25 Dancers to Watch in 2010”.
The 2012 season of the Martha Graham Dance Company will begin on March 13 at the Joyce Theater. The company will revive Graham’s 1939 comic work Every Soul is a Circus. This work marked the first appearance of Merce Cunningham, who became the second male dancer (after Erick Hawkins) to join the Graham Company. In this season Knight will perform the role originally choreographed for Cunningham. Welcome back Lloyd Knight we wish you an inspired year, as we know your dancing will continue to inspire us.
(This article was originally posted February 29, 2012 for Harlem World Magazine)
By Walter Rutledge
The Paul Taylor Dance Company begins their New York season today at the David H. Koch Theater at Lincoln Center. The season marks the 60th anniversary of the company and the third consecutive season at Lincoln Center. During the three-week engagement, Tuesday, March 11 through Sunday, March 30, the company will present 22 works that span Founder/Artistic Director Paul Taylor’s seven decades of dance making. Continue reading
By Walter Rutledge
The Edwynn Houk Gallery,745 Fifth Avenue, will present an exhibition of rare, vintage photographs by celebrated American photographer Herb Ritts through March 22. The exhibition focused exclusively on the five models in his iconic work, Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood, 1989. Continue reading
By Walter Rutledge
The Oscar speech by Lupita Nyong’o was a historic moment; but her most powerful message was delivered during the 7th annual Black Women in Hollywood Luncheon sponsored by Essence Magazine. Nyong’o was honored with the Best Breakthrough Performance Award for her work in then Oscar nominated 12 Years a Slave. She shared a poignant letter from a girl whose dark complexion gave her feeling of inadequacy. She was able to find her own beauty through Lupita’s journey. Then Lupita share her own story of self-doubt because of her complexion. It is a moving and inspiring affirmation on the meaning of true beauty. Continue reading
By Walter Rutledge
Apollo Club Harlem returned to the Apollo Theater for four performances Thursday, February 20 through Sunday, February 23, 2014. The evening consisted of a pre-show musical interlude by pianist Isaac Ben Ayala, a lively revue and post show dancing on stage for orchestra patrons. The stylish evening was a true up-scale date night combining entertainment, dining and dancing while celebrating the history of Harlem’s most venerable performance venue. Continue reading