3/11/17 O&A NYC ITS SATURDAY- ANYTHING GOES: Gay Parisian Gaîté Parisienne Ballet Russe de Monte Carlo (1941) Featuring Leonide Massine And Frederick Franklin


Gaîté Parisienne (literally, “Parisian Gaiety”) choreographed by Léonide Massine  music by Jacques Offenbach and featuring Leonide Massine, Frederick Franklin, Nathalie Krassovska, Milada Mladova, Andre Eglevsky, Igor Youskevitch, Lubov Roudenko, Casimir Kokitch, and James Starbuck was film in 1941.  Continue reading

3/10/17 O&A NYC SHALL WE DANCE FRIDAY: Paul Taylor’s Auréole (Excerpt)- Royal Danish Ballet with Rudolf Nureyev

Excerpt from Paul Taylor’s Auréole performed by The Royal Danish Ballet (1978) featuring Vivi Flindt, Eva Kloborg, Anne Sonnerup, Johnny Eliasen and Rudolf Nureyev. Continue reading

3/8/17 O&A NYC DANCE: Misty Copeland On Changing The Face Of Ballet

Misty Copeland said “I never thought I could make a career out of something I enjoyed doing something I was passionate about, something that gave me a voice”  Copeland is the first African Americans to become a principal dancer with American Ballet Theatre. Continue reading

3/4/17 O&A NYC WITH WaleStylez DANCE: Flexin’ on ‘Em – Brooklyn’s Flex Dance Music

By Adewale Adekanbi Jr.

Flexing also called Bone Breaking, is a style of street dance from urban streets of  Brooklyn, New York. The sty is characterized by rhythmic contortionist movement combined with waving, tutting, floor moves, and gliding. Continue reading

3/4/17 O&A NYC WITH Flexin’ on ‘Em – Brooklyn’s Flex Dance Music

By Adewale Adekanbi Jr.

Flexing also called Bone Breaking, is a style of street dance from Brooklyn, NewYork that is characterized by rhythmic contortionist movement combined with waving, tutting, floor moves, and gliding. Continue reading

8/19/21 (REPOST) O&A NYC TRIBUTE: A Conversation With Dudley Williams Moderated By Jennifer Dunning

On Thursday October 23, 2014 Dance critic and author Jennifer Dunning talked with Dudley Williams about his career that spans almost six decades. Clack Center NYC hosted A Conversation with Dudley Williams at the New York Public Library for the Performing Arts Bruno Walter Auditorium, 40 Lincoln Center Plaza at 6pm.. Williams was frank, funny and informative, discussing a wide range of his experiences with some of the world’s most renowned choreographers. 

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2/20/17 O&A NYC DANCE: Geoffrey Holder- A True Renaissance Man (REPOST)

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Geoffrey Holder- a true renaissance man. Includes rare footage and interviews with wife Carmen de Lavallade and son Leo Holder.  Continue reading

(Repost) 2/9/24 O&A NYC SHALL WE DANCE FRIDAY: A Conversation with Unstoppable Joan Myers Brown

By Walter Rutledge

“On Saturday, April 19, 2014, Out and About NYC Magazine had the pleasure to talk Joan Myers Brown, the driving force behind the success of the Philadelphia Dance Company beloved called Philadanco. In the almost ten years since this interview this living tribute to black dance and the Philadelphia arts tradition (both Brown and the company) are still Philly’s finest. The company is on full display this week at New York City’s Joyce Theater through tomorrow Saturday Febraury 10th for three performances. We repost this interview because despite international acclaim the struggle continues. “- Walter Rutledge Continue reading

2/16/17 O&A NYC DANCE- BLACK HISTORY MONTH: Bad Blood by Ulysses Dove

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Bad Blood received its World Premiere, in 1984 on Les Ballets Jazz de Montreal. Featuring music by Laurie Anderson (Gravity’s Angel and Walking and Falling) and Peter Gabriel (Excellent Birds) the work in an erotic tour de force battle of the sexes. The Alvin Ailey American Dance Theatre premiered the work in 1986. It is one of seven Dove ballets in the Ailey Company repertoire.  Continue reading

2/14/17 O&A NYC DANCE- VALENTINE’S DAY: A Song For You- Dudley Williams/ Choreography Alvin Ailey

 

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In 1972, Alvin Ailey created the elegiac solo Love Songs for dancer Dudley Williams. The  sixteen minute solo, composed in three sections includes A Song for You by Donny Hathaway; Poppies by Nina Simone; and He Ain’t Heavy, He’s my Brother by Donny Hathaway. Many  thought of the work as the male equivalent of the female solo Cry (1971). Continue reading