In 1972, Alvin Ailey created the elegiac solo Love Songs for dancer Dudley Williams. The sixteen minute solo, composed in three sections includes A Song for You by Donny Hathaway; Poppies by Nina Simone; and He Ain’t Heavy, He’s my Brother by Donny Hathaway. Many thought of the work as the male equivalent of the female solo Cry (1971). Continue reading
Three Black Kings was the last dance and music collaboration between choreographer Alvin Ailey and composer/musician Duke Ellington. The work premiered during the 1976 Ailey season with a cast that included Elbert Watson as King Balthazar, Clive Thompson as King Solomon and Dudley Williams as Martin Luther King Jr. King was a close friend of Ellington and his widow Coretta Scott King attended the première. In this 2011 interview Dudley discusses his role and Ailey’s choreographic process. Continue reading
In this finale installment of A Conversation with Dudley Williams, Dudley continues to share anecdotes about working with Alvin Ailey, discusses training the next generation and takes questions from the audience. The evening hosted by Clack Center NYC and moderated by dance critic and author Jennifer Dunning, took place on Thursday October 23, 2014. at the New York Public Library for the Performing Arts Bruno Walter Auditorium.
Revelations tells the story of African-American faith and tenacity from slavery to freedom. This enduring classic is a tribute to that tradition, born out of the choreographer Alvin Ailey’s “blood memories” of his childhood in rural Texas and the Baptist Church. Continue reading
On Thursday October 23, Clack Center NYC hosted A Conversation with Dudley Williams at the New York Public Library for the Performing Arts Bruno Walter Auditorium, 40 Lincoln Center Plaza at 6pm. Dance critic and author Jennifer Dunning talked with Williams about his career that spans almost six decades. Williams was frank, funny and informative, discussing a wide range of his experiences with some of the world’s most renowned choreographers. Continue reading
In 1971, Alvin Ailey created Cry, one of his signature dance works, as a birthday present for his mother Lula Elizabeth Ailey. Ailey dedicated the ballet to “all black women everywhere — especially our mothers.” The three-part ballet, set to popular and gospel music by Alice Coltrane, Laura Nyro and Chuck Griffin, depicts a woman’s journey through the agonies of slavery to an ecstatic state of grace. Cry premiered at New York City Center on May 4, 1971. Continue reading
Jennifer Dunning’s December 14, 1986 New York Times review of the Alvin Ailey American Dance Theater began with an acknowledgement to dancer Dudley Williams. The title and opening paragraphs says it all. Continue reading
Geoffrey Holder’s Banda dance debuted in the 1954 Truman Capote/Harold Arlen musical House Of Flowers. Holder the Baron of The Cemetery (based on the Haitian Loa of Death Baron Samedi) and received both a performer and choreographer credit in the program. The Broadway musical takes place somewhere in the West Indies during Mardi Gras weekend. Continue reading
By Noel Nantambu Hall
On her passing Mme. Williams was recognized by the Haitian government with an official national funeral and a posthumous award, Grand Officer De L’ Ordre National Honneur et Merite. She is survived by daughters Sharon and Sara, both of whom are active in the dance field. Sharon, a master percussionist and Sara, a former leading dancer with the Harkness and Atlanta ballets, the Dance Theatre of Harlem and the Alvin Ailey American Dance Theater. Continue reading
By Noel Nantambu Hall
Katherine Dunham laid some sturdy foundations in arts and education that would not only benefit her era, but mushroom through the years and inspire new foundations and further growth. Education and the self-reaffirming power it wielded on an individual, group or society had clearly evidenced itself on her development and growing consciousness in the mid-nineteen thirties, and at the forefront were dance and anthropology. Continue reading
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 