10/11/15 O&A NYC Picks of the Week October 11- October 18, 2015: Brunch, Art, Dance, Film, Music and Theater

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Autumn is finally here! And it has ushered in a whirlwind of fall arts events. We have fine art, dance, film, music and theatre; something for everyone. Here are a few of the many events happening in the city that never sleeps guaranteed to keep you Out and About.

Titles- Brunch

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Dirt Candy  86 Allen Street, New York, NY 10002 (212) 228-7732  
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For the first time in its seven-year history, Amanda Cohen’s vegetarian restaurant is serving brunch. The menu includes dishes like a “greens sandwich” stuffed with stir-fried vegetables, a “spinach ramen salad,” and carrot granola with labneh. Cohen is also serving an homage to one of her favorite long gone NYC restaurants,The Royal Canadian Pancake House: the “Canadian cracker,” which is two waffles with fried eggs, cheese, and roasted tomatoes.

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Wallflower 235 W 12th Street, New York, NY 10014                                                                                  

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The new brunch menu at this celebrated West Village cocktail parlor has French-influenced dishes like pain perdu, croque madame, and a Provençale omelette, plus a bacon quesadilla and scrambled eggs with biscuits and gravy. Xavier Herit’s cocktail list includes a fancy Bloody Mary, plus a Pimm’s and sparkling wine concoction called the “Rose Royal.”

Titles Art

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Kongo Power & Majesty

 The Metropolitan Museum of Art 1000 Fifth Avenue (at 82nd Street), New York, NY 10028 212-535-7710                                                                                           

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Central Africa’s Kongo civilization is responsible for one of the world’s greatest artistic traditions. This international loan exhibition explores the region’s history and culture through 146 of the most inspired creations of Kongo masters from the late fifteenth through the early twentieth century. Exhibition run through January 3, 2016. 

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Jim Shaw: The End Is Here

New Museum 235 Bowery, New York, NY 10002 (212) 219.1222

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Over the past thirty years, Shaw has become one of the United States’ most influential and visionary artists, moving between painting, sculpture, and drawing, and building connections between his own psyche and America’s larger political, social, and spiritual histories. Shaw mines his imagery from the cultural refuse of the twentieth century, using comic books, record covers, conspiracy magazines, and obscure religious iconography to produce a portrait of the nation’s subconscious. The exhibition runs through January 10, 2016.

Titles dance
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José Limón International Dance Festival- October 13-25, 2015        

Joyce Theater 175 Eighth Avenue New York, NY 10011 (212) 691-9740                                                                                         

To commemorate the Limón Dance Company’s 70th anniversary season, the José Limón Dance Foundation presents an International Dance Festival showcasing the variety and depth of this master choreographer’s humanistic vision. The programs promise to be glorious as Limón dancers, guest artists from acclaimed companies like the Royal Danish Ballet and the Bavarian State Ballet, and dancers from among the world’s finest education programs like The Juilliard School, North Carolina School of the Arts, and the University of Taipei join forces to bring Limón’s magnificent artistry to life in such signature pieces as Missa Brevis, Orfeo, and The Moor’s Pavane.

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H.T. CHEN & DANCERS: South Of Gold MountainOctober 15-18, 2015

New York Live Arts, 219 West 19th Street

Chen Dance Center

H.T. CHEN & DANCERS present the New York premiere of South Of Gold Mountain Thursday-Sunday October 15-18  (Thurs/Fri/Sat at 7:30 PM; Sunday at 3 PM) at New York Live Arts, 219 West 19th Street. The multi-generational cast includes Dian Dong, whose family relocated to the U.S. in 1864, and Renouard Gee, whose family also emigrated from China and settled in Houston, Tx, where they ran a grocery store.  The production memorializes the immigrants’ struggles with discrimination and racism, and their contributions to the building of America by working on railroads, levees, plantations, and as grocers, launderers, and later as restaurant owners. 

The husband and wife team of H.T. Chen and Dian Dong created the work after conducting three years of extensive research and in-depth interviews with immigrants and their descendants. South of Gold Mountain has received the support of Chinese American community heritage museums and family associations in the U.S. For tickets and more information visit chendancecenter.org or newyorklivearts.org.

Titles for Titles - Film

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Pan the action adventure follows the story of an orphan who is spirited away to the magical Neverland. There, he finds both fun and dangers, and ultimately discovers his destiny—to become the hero who will be forever known as Peter Pan.

Pan

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During a manned mission to Mars, Astronaut Mark Watney (Matt Damon) is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring “the Martian” home, while his crewmates concurrently plot a daring, if not impossible rescue mission. As these stories of incredible bravery unfold, the world comes together to root for Watney’s safe return.

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Titles musicStaten Island Jazz Festival 28

Staten Island Jazz Festival- October 17, 2015

Snug Harbor Cultural Center, Music Hall 1000 Richmond Terrace, Staten Island

Hamiett Bluiett

The Universal Temple of the Arts (UTA) presents the Staten Island Jazz Festival on Saturday, October 18 at Snug Harbor Cultural Center, Music Hall to critical acclaim and loyal audiences for 28 years. UTA has long embraced Jazz, an American-born music genre, and founded the Staten Island Jazz Festival in 1988 with the intent of both preserving and promoting Jazz arts. UTA has consistently delivered an extraordinary show combining local talent with legendary artists.

The roster for 2015 includes: Hamiet Bluiett, Kiane Zawadi, Winard Harper Ensemble, Danny Mixon Quartet, Leopoldo Fleming Afro-Caribbean Jazz Ensemble, Betty Shirley, The Makanda Project, Dr. Mambo and the Experience Ensemble, Emme Kemp, Jaron Eames, David Jones, Karlus Trapp, Vinnie Ruggieri, Bob Kaiser, Chris Kaiser, Jeannine Otis, WaFoo, Rudi Mwongozi, and festival founder Sajda Musawwir Ladner. For more information about the workshops, please call (718) 273-5610, email info@utasi.org or visit utasi.org.

Title Theater

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12 Angry Men, October 15- 18, 2015

Kumble Theater for the Performing Arts at Long Island University’s Brooklyn Campus

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The Center for Arts & Culture at Bedford Stuyvesant Restoration Corporation in partnership with The New Press present 12 Angry Men, Thursday October 15 through Sunday October 18 at Kumble Theater for the Performing Arts at Long Island University’s Brooklyn Campus. The production directed by George Faison and features a talented cast including : John Amos, Jerome Preston Bates, Chuck Cooper, Jason Dirden, Nelsan Ellis, Stephen McKinley Henderson, Dule Hill, Russell Hornsby, Dorian Missick, Roscoe Orman, Michael Potts, David John Washington, Victor Williams.

This theatrical presentation reveals some pointed truths about our nation, from a collective of African-American actors represented by a dozen African-American men from across the United States, sharing their personal stories of being racially profiled. Tickets are $35; $25; $15 students and seniors w/ID. On opening night 10/15)$50; $35, $25 (students and seniors w/ID). For information and reservations visit kumbletheater.org. 

We look forward to seeing you Out and About

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3/28/20 (REPOST) O&A NYC SATURDAY MORNING CONCERT: Agon – With Additional Footage Featuring Diana Adams and Arthur Mitchell

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Agon (1957) is a ballet for twelve dancers, with music by Igor Stravinsky and choreography by George Balanchine. The cast includes:First Pas de Trios Peter Boal, Zippora Karz, Kathleen Tracey Second de TriosAlbert Evans, Arch Higgins, Wendy Whelan Pas de DuetDarcey Bussell, Lindsay Fischer.                                                                                            

And an excerpt from the Pas de Duet featuring Diana Adams and Arthur Mitchell

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9/27/15 O&A NYC Dance : From The Horse’s Mouth- Celebrating New York’s Clark Center for the Performing Arts

By Walter Rutledge

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Clark Center NYC will present a week of dance and related activities Monday September 28 through Friday October 2 at City College Center for the Arts, Aaron Davis Hall. The event is part of the “rebirth” of the Clark Center for the Performing Arts; the venerable New York City dance institution that closed 26 years ago. The new Clark Center NYC returns as a virtual dance center instead of a brick and mortar facility. Its mission is to not just honor past accomplishments but to offer opportunities to the next generation of dancers and dance makers. Continue reading

9/26/15 O&A NYC REVIEW: Camille A. Brown & Dancers- BLACK GIRL: Linguistic Play

By Walter Rutledge

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Camille A. Brown & Dancers opened the 2015 fall Joyce Theater season on Tuesday, September 22 with BLACK GIRL: Linguistic Play. Inspired by Kyra D. Gaunt’s book, The Games Black Girls Play Choreographer/director Brown describes the one-act evening’s length, “BLACK GIRL: Linguistic Play celebrates the unspoken rhythm and language that Black girls have through Double Dutch, social dances, and hand clapping games that are contemporary and ancestral.” The six member all female cast accomplished Brown’s vision through of series of three duets each exploring different aspects of life and society. Continue reading

12/31/21 O&A NYC Shall We Dance Friday (Repost): Banda (excerpt)- Geoffrey Holder and Carmen de Lavallade

Shall We Dance

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Geoffrey Holder’s Banda dance debuted in the 1954 Truman Capote/Harold Arlen musical House Of Flowers. Holder the Baron of The Cemetery (based on the Haitian Loa of Death Baron Samedi) and received both a performer and choreographer credit in the program. The Broadway musical takes place somewhere in the West Indies during Mardi Gras weekend. Continue reading

9/18/15 O&A NYC Shall We Dance Friday: Maurice Béjart- La Sacre du printemps (1970)

Shall We Dance

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Le Sacre du printemps (1959) is a milestone in the history of dance, and  choreographer Maurice Béjart approached the work with great courage. His version full of new meanings, physicality and sensuality became a universally recognized success.  “Human love, in its physical appearance, symbolizes the act by which God creates the cosmos, and the joy it brings. Let this ballet be bare of all picturesque artifice, let it be the hymn to the union between man and woman at its deepest level, between heaven and earth, the dance of life and death, let it be as eternal as spring!” – Maurice Bejart Continue reading

9/11/15 O&A NYC Shall We Dance Friday: ABADDON

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ABADDON a poem of love and destruction. Inspired by relationships that test boundaries and go beyond the acceptable; relationships that reduce, erode and abuse until the spirit is consumed. Abaddon is a place of suffering and purification. Continue reading

9/4/15 O&A NYC Shall We Dance Friday: Storyboard P- Soldier

Shall We Dance
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Soldier is a collaboration between filmmaker Cinque Northern and Brooklyn born, street dance battle champion Storyboard P. The freestyle dance is set to Sade’s Soldier Of Love and shot in the Mojave desert. On Wednesday July 15 the New York Dance and Performance Awards (The Bessies), honored Storyboard P with the Outstanding Emerging Choreographer Award.

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9/3/15 O&A NYC Dance: Earl Mosley’s The Hearts Of Men- A Dance Family

By Walter Rutledge

Earl Mosley

Earl Mosley didn’t choose to dance; dance chose him. Growing up in rural North Carolina Mosley was expected to farm the family land. After taking a dance class on a dare any expectations of living an agrarian lifestyle were lost to a career based in movement.

Mosley applied the life lessons from his upbringing to his dance philosophy. He believes that there is room to nurture the entire artist. Mosley has created more than a dance company, instead to establish a dance family.

The Hearts Of Men (presented as part of Ailey Extension) is a two-week workshop that brings together dancers and movement enthusiasts of different ages, disciplines and technical levels. The participant’s work with established teachers, choreographers and arts professionals culminating with two performances on Saturday, September 5 at 7pm and Sunday, September 6, 3pm at the Ailey Citigroup Theater. The philosophy is geared toward a return to artistic integrity. 

A Conversation With Earl Mosley

In an age when texting has replaced face-to-face conversation, Mosley has decided to create an environment based on sharing and communicating. He has designed a safe haven where artists can not only work on their craft, but also find solace from another person who is or has experienced a similar problem or situation. In other words, you are not alone

The concept is not new it is really a return to another era, when dancers didn’t usually travel by airplanes it was the director’s station wagon that became official company vehicle, and it lodgings were motels instead of hotels. Thankfully it was an era when dance had intrinsic aesthetic value, and was not just a trick laden competition sport. Despite the hardships and challenge those dancers describe their performance experiences as “a family”.

The two performances this weekend will showcase thirteen works by ten choreographers, and feature eighty performers including an array of accomplished guest artists. The works presented will range from dance theatre to abstract, from complete choreographic statements to movement studies. The common denominator throughout will be a terpsichorean brotherhood expressed through movement.

Tickets are $25 Adult $18 Students we suggest purchasing online to ensuring seating at http://www.alvinailey.org/hearts-of-men-performance.