2/24/17 O&A NYC SHALL WE DANCE FRIDAY: Belly – Ballerina Featuring Lil Buck and Jessica Keller


Lil Buck and Jessica Keller have a shared love of high fashion and dance. The duet offered their version of recording artist Belly’s recent release Ballerina Continue reading

2/17/17 SHALL WE DANCE FRIDAY: A Conversation With Abdiel Jacobsen


Abdiel Jacobsen made his debut with the Martha Graham Dance Company as an apprentice dancing in Errand Into The Maze with world-renowned Russian ballerina Diana Vishneva. Continue reading

2/16/17 O&A NYC DANCE: Nowness- Robert Battle Choreographer

AAADT Artistic Director Robert Battle choreographed Nowness on dancers Jamar Roberts, Christopher Taylor and Jeremy T. Villas in this new film from director Anna Rose Holmer, known for her 2016 drama The Fits. Continue reading

2/16/17 O&A NYC DANCE- BLACK HISTORY MONTH: Bad Blood by Ulysses Dove

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Bad Blood received its World Premiere, in 1984 on Les Ballets Jazz de Montreal. Featuring music by Laurie Anderson (Gravity’s Angel and Walking and Falling) and Peter Gabriel (Excellent Birds) the work in an erotic tour de force battle of the sexes. The Alvin Ailey American Dance Theatre premiered the work in 1986. It is one of seven Dove ballets in the Ailey Company repertoire.  Continue reading

2/14/17 O&A NYC DANCE- VALENTINE’S DAY: A Song For You- Dudley Williams/ Choreography Alvin Ailey

 

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In 1972, Alvin Ailey created the elegiac solo Love Songs for dancer Dudley Williams. The  sixteen minute solo, composed in three sections includes A Song for You by Donny Hathaway; Poppies by Nina Simone; and He Ain’t Heavy, He’s my Brother by Donny Hathaway. Many  thought of the work as the male equivalent of the female solo Cry (1971). Continue reading

(REPOST) 2/11/17 O&A NYC DANCE: Clive Thompson- The Graham Years

By Walter Rutledge

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To celebrate the Martha Graham Dance Company New York Season- February 14th thru 26th at the Joyce O&A NYC Magazine reposts Clive Thompson- The Graham Years

The life of a bank clerk at the Government Savings Bank in Kingston, Jamaica was not going be Clive Thompson’s fate; he had been a performer for most of his life. Clive and his sister Norma had been childhood favorites in the local talent shows and were part of the “opening act” in Children’s Corner Club at the Saturday matinees. After seeing the Katherine Dunham Dance Company perform and a chance encounter with modern dance teacher Ivy Baxter he began formal dance classes. Continue reading

2/10/17 O&A NYC SHALL WE DANCE FRIDAY: Mourner’s Bench- Talley Beatty Choreographer

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Talley Beatty choreographed and performed Mourner’s Bench in 1947. It represents the anguish and loss for former slaves, now free men, killed during the Reconstruction Era at the beginning of the rise of the Klu Klux Klan. Beatty explained to me, “People were murdered by the Klan and at daybreak their relatives would find their bodies in the fields still covered in the morning dew.”

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