By Julie Caprio
Inspired by An American Ballet Story
It is truly amazing to me how Harkness continues to be a huge part of my life. After the NYC screening of An American Ballet Story, a documentary by Leslie Streit and Robin McCain about the Harkness years, my Facebook friend Keith Lee and I began this project. Keith, an extraordinary artist who has had a beautiful career including being a soloist with American Ballet Theatre was also a Harkness Trainee. Continue reading
A Few 1966 and Beyond Harkness Memories for Walter Rutledge
By Cheryl Clark
Dear Walter,
I am sending you the above attached Playbill Legacy Bio when I received the 2019 Legacy Award (that is housed now in the Jerome Robbins collection at Lincoln Center for Performing Arts Library…). It mentions my great appreciation for Mrs. Harkness and Patricia Wilde, 1st Director of Harkness House who recommended me to Mrs. H. Both gave me my full scholarship at age 15 at Harkness House for Ballet Arts, and it mentions many of the great teachers, etc. In another article I will try to send you, I mention the great pianists that Mrs. Harkness hired to play class for us training- hugely inspiring, particularly John Anderson and John Childs. Continue reading
I’ve Been Around (Excerpt from upcoming book of the same name)
By Lawrence Leritz
I arrived in NYC on a Sunday afternoon during the intense summer heat of early July, 1974. David Howard, co-director of Harkness House, recommended that I stay at The East End Hotel, a rundown boarding hotel on the East River near Harkness House, which was located on East 75th off Fifth Avenue. Most of the dancers were there for the six-week intensive summer session.
Beauty Is Never Easy, But Always Worth Striving Toward
By Claudia Folts
I was late to the party. By the time I walked through those beautiful doors at 4 East 75th St. in 1975/76 the decline had already begun. Of course, I did not yet know this. To me, it was a magical place – beautiful studios, art, elegant marble staircase, and everyone there was beautiful. As with all art, there is often darkness underneath, supporting the beauty. That was Harkness. Continue reading
I Cherish Those Days
By Luc Louis de Lairesse
Now 44 years ago, Nikita Talin (director) and Rebekah Harkness invited me teach and choreograph for what grew into the Harkness Dance Theatre. The next spring of 1980, Mrs. Harkness, in a private meeting, arranged for my working permit as her administrator, Mr. Bartwink, called the White House. I was impressed to say the least! Continue reading
Keith Lee describes his early Harkness experiences as a story book tale. While a student at the High School for the Performing Arts (aka Fame High) this dance phenom received a full scholarship to the Harkness House for Ballet Arts. This experience had a lasting impact and helped shape his own unique artistry as a dance, director, teacher and choreographer. In 1970 Lee made history when he became the first American of African descent to earn soloist status at American Ballet Theater.
Ghanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6RGhanaian artist Paa Joe has brought some of New York City’s most iconic motifs to life. As part of Superhouse NYC’s inaugural “Celestial City” exhibition, the multidisciplinary artist served up a handful of lifesize sculptures of the city’s signature signage, including pizza boxes, taxi cabs, bagels and of course, rats. 120 Walker Street, 6R
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 