A Conversation with Dance Theatre of Harlem Artistic Director Virginia Johnson (originally posted 2/1/2012)

By Walter Rutledge

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Dance Theatre of Harlem will present their second New York season April 23 through April 27 at the Rose Theater, Jazz at Lincoln Center. The company can best be described as a “Phoenix Rising”. Continue reading

(REPOST) O&A NYC SHALL WE DANCE FRIDAY: Maurice Bejart: Bolero featuring Jorge Donn

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Maurice Bejart choreographed Bolero in 1960 for the Ballet du XXe Siècle (Ballet of the Twentieth Century). In Bolero Béjart returns to the spirit of his 1959 Rite of Spring, by negating the easy choices of a picturesque exterior in favor of a stripped down simplicity. He gives the central role, the Melody, to a solo dancer and the ensemble is described as the Rhythm. Argentinian dancer Jorge Donn was best known for his work with Bejart. His theatricality and androgynous attack epitomized the 80’s.

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Jamal Rashann Callender: Artist on the Rise

By Walter Rutledge

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Jamal Rashann Callender has been a member of Ballet Hispanico since 2010. He was part of the new wave of dancers recruited at the start of Artistic Director Eduardo Vilaro incumbency. Over the past three seasons Callender has distinguished himself with the company. His clean execution, artistic commitment to the roles, and fashion model good looks have made him a company standout. Continue reading

Rudolph Nureyev: Encore Performance- Afternoon Of A Faun (1981)

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Vaslav Nijinsky himself did the choreography for Afternoon of a Faun, using the music of Claude Debussy. In this interpretation, Bakst’s scenery and costumes have been stunningly reconstructed by Ralph Holmes. The original choreography, designed to evoke the two-dimensional flatness of a Greek frieze, was reconstructed by Elizabeth Schooling and William Chappel. Continue reading

Nureyev – Finale: Nureyev and Fonteyn in Pas de deux from ‘Le Corsaire’

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The pas de deux from Le Corsaire, is an  excerpt from the ballet created by Marius Petipa, in Saint Petersburg in 1899. Based on a poem by Byron, and was one of Rudolf ’s first successes. Once in the West, Nureyev danced this pyrotechnic pas de deux from Le Corsaire many times, always setting off wild enthusiasm. It was one of his bravura numbers. We find him, splendidly barbaric, erotic and feline with Margot Fonteyn as his partner, in a film from 1963. In general, the applause and the curtain calls lasted longer that the performance itself. Continue reading

4/4/14 O&A NYC DANCE: Rudolf Nureyev as Valentino (1977) Tango Scene ft. Rudolf Nureyev & Anthony Dowell

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Rudolph Nureyev as Valentino. A biographical drama film very loosely based on the life of Rudolph Valentino, directed by Ken Russell in 1977. In this scene former dance hall performer Rudolpho Valentino dances a tango with dance legend Ballet Russe star Vaslav Nijinsky. Continue reading

Rudolph Nureyev and Denise Jackson: Spectre de la Rose

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Le Spectre de la rose (English: The Spirit of the Rose) about a young girl who dreams of dancing with the spirit of a souvenir rose from her first ball. Jean-Louis Vaudoyer wrote the ballet story. He based it on a verse by  Theophile Gautier.  The dances were designed by Michel Fokine. The music is Hector Berlioz’s 1841 orchestration by Carl Maria von Weber’s piano music Afforderung zum Tanz (English: Invitation to the Dance). Leon Bakst designed the original sets and costume. The ballet was first presented in Monte Carlo on 19 April 1911. Nijinsky danced The Rose and Tamara Karsavina danced The Young Girl. Continue reading

Ailey II: The Creative Process- Choreographer and Dancer/ a conversation with Benoit-Swan Pouffer and David Freeland

By Walter Rutledge IMG_0795

Paris-born choreographer Benoit-Swan Pouffer and Ailey II dancer David Freeland discuss the creative process following a rehearsal of Rusty prior to the Ailey II New York season April 2 through April 14 at the Ailey Citgroup Theater. Continue reading