By Margo Sappington
Vicente Nebrada called me in 1973 because he had seen my ballet “Weewis” which I choreographed for the Joffrey Ballet. It was a ballet for 3 couples set to a commissioned score for rock band and chamber orchestra. He said the Harkness Ballet needed something like that for their repertoire and I said, “Well, I do have something else in mind.” He stated that would be up to Mrs. Harkness and I would need to discuss it with her.
A Few 1966 and Beyond Harkness Memories for Walter Rutledge
By Cheryl Clark
Dear Walter,
I am sending you the above attached Playbill Legacy Bio when I received the 2019 Legacy Award (that is housed now in the Jerome Robbins collection at Lincoln Center for Performing Arts Library…). It mentions my great appreciation for Mrs. Harkness and Patricia Wilde, 1st Director of Harkness House who recommended me to Mrs. H. Both gave me my full scholarship at age 15 at Harkness House for Ballet Arts, and it mentions many of the great teachers, etc. In another article I will try to send you, I mention the great pianists that Mrs. Harkness hired to play class for us training- hugely inspiring, particularly John Anderson and John Childs. Continue reading
I’ve Been Around (Excerpt from upcoming book of the same name)
By Lawrence Leritz
I arrived in NYC on a Sunday afternoon during the intense summer heat of early July, 1974. David Howard, co-director of Harkness House, recommended that I stay at The East End Hotel, a rundown boarding hotel on the East River near Harkness House, which was located on East 75th off Fifth Avenue. Most of the dancers were there for the six-week intensive summer session.
Beauty Is Never Easy, But Always Worth Striving Toward
By Claudia Folts
I was late to the party. By the time I walked through those beautiful doors at 4 East 75th St. in 1975/76 the decline had already begun. Of course, I did not yet know this. To me, it was a magical place – beautiful studios, art, elegant marble staircase, and everyone there was beautiful. As with all art, there is often darkness underneath, supporting the beauty. That was Harkness. Continue reading
I Cherish Those Days
By Luc Louis de Lairesse
Now 44 years ago, Nikita Talin (director) and Rebekah Harkness invited me teach and choreograph for what grew into the Harkness Dance Theatre. The next spring of 1980, Mrs. Harkness, in a private meeting, arranged for my working permit as her administrator, Mr. Bartwink, called the White House. I was impressed to say the least! Continue reading
Keith Lee describes his early Harkness experiences as a story book tale. While a student at the High School for the Performing Arts (aka Fame High) this dance phenom received a full scholarship to the Harkness House for Ballet Arts. This experience had a lasting impact and helped shape his own unique artistry as a dance, director, teacher and choreographer. In 1970 Lee made history when he became the first American of African descent to earn soloist status at American Ballet Theater.
Harkness House touched the lives of everyone who ever dashed up the circular marble staircase for class. An American Ballet Story takes us into the stages and studios of the Harkness Ballet through the stories of the dancers who were there. The documentary about the all too short life of the Harkness Ballet of New York, will have it’s New York live screening premiere on April 20th at the New York Public Library Performing Arts – Bruno Walter Auditorium. O&A NYC Magazine Editor in Chief Walter Rutledge will moderate the post screening Q and A. . The screening is free but you must reserve seating in advance.
If you have a stories you would like to share about your Harkness experience please send your articles (250- 500 words recommended) and photos to walt.harkness@gmail.com. Continue reading
On April 20th 2023 a live screening of An American Ballet Story, a documentary about the the all too short life of the Harkness Ballet, will take place at the New York Public Library Performing Arts – Bruno Walter Auditorium. O&A NYC Magazine Editor in Chief Walter Rutledge will moderate the post screening Q and A. An American Ballet Story takes us into the stages and studios of the Harkness Ballet through the stories of the dancers who were there. The screening is free but you must reserve seating in advance.
If you have a stories you would like to share about your Harkness experience please send your articles (250- 500 words recommended) and photos to walt.harkness@gmail.com. Continue reading
An American Ballet Story takes us into the stages and studios of the Harkness Ballet through the stories of the dancers who were there. On April 20th 2023 A live screening of An American Ballet Storyat the New York Public Library Performing Arts – Bruno Walter Auditorium. O&A NYC Magazine Editor in Chief Walter Rutledge will moderate the post screening Q and A. If you have a stories you would like to share about your Harkness experience please send your articles (250- 500 words recommended) and a photo to walt.harkness@gmail.com.
By Walter Rutledge
The 61st annual Dance Magazine Awards will take place on Monday December 3, 2018, 7:30pm. at The Ailey Citigroup Theater. Since 1954 the award has recognized accomplished individuals who have made an impact in dance over the course of their career. This year the awards honors choreographers Ronald K. Brown and Crystal Pite and dancers Lourdes Lopez and Michael Trusnovec. For the first time emerging artists will also be recognized through The Harkness Promise Award, designed to spotlight and assist two young artists for the potential of their artistic work while investing in the next generation of dance makers. Continue reading
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 