4/8/20 O&A NYC MAGAZINE: Remembering Louis Johnson

By Walter Rutledge

Louis Johnson’s passing marks the end of an era in Black dance. Johnson was the last of the of his generation of 20th century American choreographers of African descent and International renowned. His contemporaries, Alvin Ailey, Talley Beatty, Geoffrey Holder, Donald McKayle, and Arthur Mitchell, all forged through the restrictive Jim Crow era of hatred and segregation; that unfortunately included the arts- and dance. Continue reading

3/16/23 O&A NYC SHALL WE DANCE FRIDAY- WOMEN’S HISTORY MONTH: Excerpt of Banda with Carmen de Lavallade and Geoffrey Holder (1957)

By Walter Rutledge

Shall We Dance

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Geoffrey Holder’s Banda dance debuted in the 1954 Truman Capote/Harold Arlen musical House Of Flowers. Holder the Baron of The Cemetery (based on the Haitian Loa of Death Baron Samedi) received both a performer and choreographer credit in the program. The Broadway musical takes place somewhere in the West Indies during Mardi Gras weekend. Continue reading

4/12/19 O&A NYC SHALL WE DANCE FRIDAY: Alicia Graf and Donald Willams Perform Return (Dance Theatre of Harlem)

Dance Theatre of Harlem former principal dancers Alicia Graf and Donald Williams perform Robert Garland’s Return Continue reading

4/7/19 O&A NYC WHAT’S HAPPENING THIS WEEK: April 7 through April 14, 2019

Its beginning to feel a lot like springtime, and New Yorkers are out and about!  And this week we have a new film about the Queen of Soul and a Fosse muse on Broadway. America’s mother of modern dance turns 93 in Chelsea and Arthur Mitchell’s dream turns 50. Here are a few of the many events happening in the city that never sleeps, guaranteed to keep you Out and About. Continue reading

2/8/19 O&A NYC SHALL WE DANCE FRIDAY: Virginia Johnson in the Creole Giselle

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Arthur Mitchell’s Creole Giselle performed by the Dance Theatre Of Harlem (DTH), and set the traditional story of Giselle in 1841 Louisiana broke barriers with this African American adaptation.  Continue reading

12/27/21 O&A NYC 25 DAYS OF NUTCRACKER: Balanchine’s Nutcracker (1958) Featuring George Balanchine, Diane Adams, Allegra Kent and Arthur Mitchell

This 1958 CBS broadcast put The Nutcracker firmly on the map in the USA and made it a Christmas staple. Balanchine’s masterful storytelling and genius choreography has made his version the gold standard the world over. Continue reading

9/25/18 O&A NYC INSPIRATIONAL TUESDAY: Arthur Mitchell Inspires Students at SAB (May 2018)

By Walter Rutledge

Back in 2014 I received a phone call from Arthur Mitchell. He knew my association with the Romare Bearden Foundation, and that Romare’s archives were housed at Columbia University.  He needed information about the process so he could do the same with his own legacy. “Hold on Sir”, I put him on hold and called Deidre Kelly the co-director of the Romare Bearden Foundation. Diedre gave me the contact information he requested. Continue reading

9/19/18 O&A NYC MILESTONES: Arthur Mitchell Dance Trailblazer Died at 84

By Walter Rutledge

Arthur Mitchell, dancer, teacher, choreographer, social activist and founding director of the Dance Theatre of Harlem passed on Wednesday, September 19, 2018 at age 84 from complications of heart failure. Mitchell’s career can only be described as trailblazing. In 1956 he crossed what E.B. Debois referred to as the “color line” to become the first ballet dancer of African decent to join the international renowned New York City Ballet.

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4/13/18 O&A NYC DANCE: O&A NYC Picks Of The Week

New York City is the dance capital of the world! This week we have modern masters in Manhattan, Hip- Hop Downtown, and Burlesque in Brooklyn. Here are a few events guaranteed to keep you Out and About. Continue reading

4/4/18 O&A NYC DANCE: Dougla Returns to Dance Theatre of Harlem Tonight

Dance Theatre of Harlem (DTH) begins their four performance New York season tonight at New York City Center. One of the season highlights is the much-anticipated revival of choreographer/Renaissance Man Geoffrey Holder’s Dougla. Dougla captures the pageantry, beauty and ritual of a the wedding day of a young Dougla couple from Trinidad. They are the offspring of Africans who were brought to the Caribbean as slaves and Indians who were brought as low cost labor after the abolition of slavery. Continue reading