By Walter Rutledge
Ailey II Artistic Director Emerita Sylvia Waters has shaped the lives and careers of countless young artists. During her 38 year tenure the Alvin Ailey Repertory Ensemble grew into the world respected Ailey II- a dance company, choreographic laboratory and “dancing boot camp”. In 2012, shortly before her departure, we had an opportunity to talk with her about her career as a dancer, teacher and director.
By Walter Rutledge
On an unseasonably cold Sunday April morning Calvin Royal III met my at the East Harlem storefront dance studio of Robin William’s Uptown Dance Academy. The interview was in conjunction with his first upcoming New York City season as a soloist with American Ballet Theater (ABT). This also marked the first time in over two decades a black man ascended to the rank of soloist with ABT. Continue reading
A tribute to the great jazz musician Charlie “Bird” Parker, For ‘Bird’ – With Love brings the audience back to the relaxed atmosphere of an after-hours jam session at a local jazz club. Continue reading
In January of 1972, Judith Jamison‘s legendary performance of Alvin Ailey‘s Cry was filmed for The New York Public Library’s archives, but it has not been shown online before now. Now courtesy of the Alvin Ailey American Dance Theater archives you can watch this exclusive recording May 7 at 7pm through May 14 at 7pm. Continue reading
The Moor’s Pavane is a 20-minute ballet based upon the tragedy Othelle by William Shakespeare. The ballet was choreographed by Jose’ Limon in 1949 to music from Henry Purcell’s Abdelazer, The Gordion Knot Untied, and the pavane from Pavane and Chaconne for Strings, arranged by Simon Sadoff. Continue reading
Josephslegende (The Legend of Joseph), Op. 63, is a ballet in one act for the Ballets Russes based on the story of Potiphar’s Wife, with a libretto by Hofmannsthal and Kessler and music by Richard Strauss. Composed in 1912–14, it premiered at the Paris Opera on 14 May 1914. Continue reading
Louis Johnson’s ballet, Forces of Rhythm choreographed in 1971, became a signature piece for the Dance Theatre of Harlem. Company. Johnson blended ballet, jazz, modern and West African dance creating a unique movement collage, which distinguished the company’s versatility. Forces of Rhythm took place alongside the works of George Balanchine, Arthur Mitchell, Geoffrey Holder, and other choreographers for the fledging ballet company. Continue reading
Arthur Mitchell’s Creole Giselle performed by the Dance Theatre Of Harlem (DTH), and set the traditional story of Giselle in 1841 Louisiana broke barriers with this all African American adaptation. Continue reading
By Walter Rutledge
Louis Johnson’s passing marks the end of an era in Black dance. Johnson was the last of the of his generation of 20th century American choreographers of African descent and International renowned. His contemporaries, Alvin Ailey, Talley Beatty, Geoffrey Holder, Donald McKayle, and Arthur Mitchell, all forged through the restrictive Jim Crow era of hatred and segregation; that unfortunately included the arts- and dance. Continue reading
Appalachian Spring premiered on October 30th, 1944, at the Library of Congress, Coolidge Auditorium in Washington DC, with Martha Graham dancing the lead role. Created during the darkest days of War World II Graham wanted to create inspiring art that came out of the American experience. Graham spoke of the work, “To be great art… it must belong to the country in which it flourishes, not be a pale copy of some art form perfected by another culture and another people”. Continue reading
A Thought Pile Of Junk By Tremaine Emory and Cactus Plant Flea MarketA Thought Pile Of Junk By Tremaine Emory and Cactus Plant Flea Market
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 
The Dance of the Village Elders are back ! This time we exercise, dance and just have fun through the zoom platform or in-person at R.A.I.N. Nereid 